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The Marked Body: Domestic Violence in Mid-Nineteenth-Century Literature
Discusses portrayals of domestic violence in six major works of mid-nineteenth-century literature.
The ambiguities and paradoxes of domestic violence were amplified in Victorian culture, which emphasized the home as a woman's place of security. In The Marked Body, Kate Lawson and Lynn Shakinovsky examine the discarded and violated bodies of middle-class women in selected texts of mid-nineteenth-century fiction and poetry. Guided by observations from feminism, psychoanalysis, and trauma theory, they argue that, in these works, domestic violence is a crucible in which the female body is placed, where it becomes marked by scars and disfigurement. Yet, they contend, these wounds go beyond violence to bring these women to a broader state of female subjectivity, sexuality, and consciousness. The female body, already the site of alterity, is inscribed with something that cannot be expressed; it thus becomes that which is culturally and physically denied, the place which is not.
“Extremely well researched and well written, this book melds an intelligent reading of imagery and story with a nuanced theoretical framework, a good sense of historical context and social history, and a genuine concern for domestic violence against women in the nineteenth century. I find this book very illuminating.” — Joseph Adamson, coeditor of Scenes of Psychoanalysis, Shame, and Writing
“This reading of domestic violence, which is 'behind the scenes' in several senses, is intellectually important, and speaks to a wide variety of issues in Victorian studies, feminism, legal studies, and psychoanalysis.” — Randall Craig, author of Promising Betrothal in Victorian Law and Fiction
The ambiguities and paradoxes of domestic violence were amplified in Victorian culture, which emphasized the home as a woman's place of security. In The Marked Body, Kate Lawson and Lynn Shakinovsky examine the discarded and violated bodies of middle-class women in selected texts of mid-nineteenth-century fiction and poetry. Guided by observations from feminism, psychoanalysis, and trauma theory, they argue that, in these works, domestic violence is a crucible in which the female body is placed, where it becomes marked by scars and disfigurement. Yet, they contend, these wounds go beyond violence to bring these women to a broader state of female subjectivity, sexuality, and consciousness. The female body, already the site of alterity, is inscribed with something that cannot be expressed; it thus becomes that which is culturally and physically denied, the place which is not.
“Extremely well researched and well written, this book melds an intelligent reading of imagery and story with a nuanced theoretical framework, a good sense of historical context and social history, and a genuine concern for domestic violence against women in the nineteenth century. I find this book very illuminating.” — Joseph Adamson, coeditor of Scenes of Psychoanalysis, Shame, and Writing
“This reading of domestic violence, which is 'behind the scenes' in several senses, is intellectually important, and speaks to a wide variety of issues in Victorian studies, feminism, legal studies, and psychoanalysis.” — Randall Craig, author of Promising Betrothal in Victorian Law and Fiction
212 pages, Paperback
First published July 1, 2002
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January 20, 2010
This is a really good book. I'm only starting it but I am excited at the connections it's making between the romance genre and the unconscious; violence and literature; how we read images/marks.
Ok, so it wasn't so great. Again, what is with the whole essay thing? It's like they picked these random stories...academic you-know-what. Grrr.
Ok, so it wasn't so great. Again, what is with the whole essay thing? It's like they picked these random stories...academic you-know-what. Grrr.
Displaying 1 of 1 review