What happens when a man of absolute integrity finds himself trapped in a world of absolute corruption?
During a weekend spree in Cape Town a young, rich Afrikaner fatally injures a teenage street girl with his Range Rover but is too drunk to know that he has hit her. His companions – who do know – leave the girl to die.
The driver’s mother, a self-made mining magnate called Margot Le Roux, intends to keep her son in ignorance of his crime. Why should his life be ruined for a nameless girl who was already terminally ill? No one will care and the law is cheap. But by chance the case falls to the relentless Warrant Officer Turner of Cape Town homicide.
When Turner travels to the remote mining town that Margot owns – including the local police and private security force – he finds her determined to protect her son at any cost. As the battle of wills escalates, and the moral contradictions multiply, Turner won’t be bought and won’t be bullied, and when they try to bury him he rediscovers, during a desperate odyssey to the very brink of death, a long-forgotten truth about himself...
By the time Willocks's tale is finished, fourteen men have died. He shows once again that he is the laureate of the violent thriller.
This is a dark, brutal and disturbing story set in the harsh, remote scrubland and desert of Northern Cape, South Africa. The well-written descriptions of its setting infuse it with a strong visual aspect. You can feel the blistering heat through the author's vivid use of language.
I was reluctant to award it with my rare 5 stars because of its graphic violence, blood and gore. I understand the book may not be for everyone and found some passages made it difficult not to look away from the page. However, I found the story so compelling and suspenseful I could not put the book down. I was often tempted to turn to the ending to read the outcome before proceeding with the rest of story but was glad I didn't.
Turner is employed by the Cape Town police department. His title is warrant officer, but I was unclear what authority this gave him in any investigation. He is a man of integrity and moral certainty, a determined and relentless seeker of justice. He is considered a "good man" by others and himself until he isn't. At one point he comes to designate himself a 'monster'.
His goal is to arrest a drunken hit- and- run driver in a remote mining town. The town is run by a powerful, wealthy woman, Margot. She is a mining magnate living in a luxurious compound. She has her own murderous security force and controls the police through her position and wealth.
One night her husband and beloved son exited a tavern in the city. They had been celebrating her son's graduation on his way to practicing law. with them was the son's best friend, described as a young iron pumping, steroid using 'redneck farmer'. There had been some heavy drinking. Margot's son in a drunken stupor backed the car into a sickly street girl who was rummaging in a dumpster for discarded food. He was oblivious to the fact he had hit anyone. The stepfather (Margot's second husband) drives away leaving the girl to die a painful death alone. The intent was to place the blame on the son's friend who witnessed most of the accident while keeping the son unaware of what happened.
When Turner arrives in the remote settlement he learns the truth, but Margot intends to protect her son from any knowledge of the girl's death and his role in it. Turner cannot be bought off like so many others and refuses bribes. He is heroic but his moral honour begins to make his character scary. He is frightening in his drive and determination to achieve justice for the dead girl. The reader begins to see some sense in the motivations of the villains This sets a tone of moral ambiguity which is disturbing. Is anyone totally right or wrong? I won't outline what happens except to say bodies pile up in rapid succession. Many thanks to Blackstone publishing for an advanced copy of this very absorbing and suspenseful novel in return for my honest review.
Brilliant! What a thrilling ride! Terrific writing, simple plot. The characters are strong, realistic, dynamic and believable. Great dialogues. I loved the language. There is such maturity and knowledge. There is plenty of violence but nothing gory (except that there is one moment that the main character is left to die of dehydration, but there was a body of a man left with him and his comment was “a human body is 60% water” Survival skills?). In the beginning I thought that Clint Eastwood could direct an adaptation but now I think it should be Quentin Tarantino.
Not astounding, but a pretty competent and fast moving thriller that scratched an itch. Felt quite strange to have a villain who identified with Meursault from Camus’s ‘Outsider’. It dragged a little in the second half, but I was there till the end.
Wahou!!!! Wow!! juste..wow!! J'ai le souffle coupé! Sérieux, risque de crise d'asthme aigu, d'overdose d'adrénaline, de crampes abdominales, d'extrasystoles auriculaires (c'est la façon médicale de dire palpitations :D ) Bref, ne lisez ce livre que si vous êtes au plus haut de votre forme! Moi je vous le cache pas j'ai adoré! Beau, Brutal et Brillant; un personnage principal intransigeant, un justicier, un héros des temps modernes, un monstre un peu, aussi, parfois frustrant, parfois incompréhensible, mais toujours attachant! Un adversaire intouchable, un tueur victime en lui-même, un traqueur traqué et le désert, infini, sanglant, et horrible! Des personnages manichéens, un peu caricaturaux même, mais tellement bien développés que tu ne peux que les aimer ou les détester, parfois même les deux. Un des meilleurs romans noirs que j'ai lus, une ambiance d'enfer (au sens propre), une quête de justice à contre-courant, de la corruption partout, et l'amour qui nous fait faire de ces choses... Et une scène dans le désert qui ne m'a pas seulement donné des nausées, mais aussi des cauchemars! Pour lecteur averti, certes, mais mon Dieu, quelle lecture! Une chronique sans début et sans fin! Il me faudra beaucoup de recul pour rédiger une review en bonne et due forme! En attendant, jetez-vous dessus!
I have always thought that Tim Willocks skirts the edge of parody at times, in his descriptions of violence, but have always enjoyed reading his books. The first of his books that I read was "Green River Rising" and it remained my favourite until I read "Memo From Turner". With his latest book Mr Willocks goes from good to great. The story is one man's hunt for justice in the burning hinterlands of the Northern Cape. Turner is a man capable of extreme violence, driven by a sense of what he perceives is Right. There is nothing equivocal about his sense of what is right and anyone who stands in his way, is on the wrong side. I read this two weeks ago on holiday and Turner has not yet left my memory and neither as Idris Elba. A startling, enthralling, outstanding book.
Another tightly written thrill-ride from Willocks.
Whatever the genre, what makes a book a worthwhile read is character-development. Few do it better than Willocks. The characters here are full-orbed and realistic. Willocks refuses to flatten the complexity of human nature as so many authors do. His characters surprise the reader with their choices - but not just for the sake of novelty or reversal some authors use as a manipulative device. Every choice Willock's characters make is consistent with their psyche and it's those choices that help us better understand what that psyche is.
I couldn't put down this book! A little gruesome in one particular spot but the writing style was so good. The descriptions of land, of the characters feelings, of the situation was so engrossing.
Memo from Turner is about, an officer investigating a hit and run. The main character Turner is trying to find enough evidence to bring justice to the homeless little girl who was murdered. Turner goes to Cape Town to start investigating, but the task is not so easy because the crime was committed by a group of rich white guys. The driver, Dirk turns out to be the son of Margot Le Roux who has the whole town under her control. Dirk had just been qualified for a lawyer, and had a bright future in front of him, but he was too drunk to remember the accident and his friends and mom wanted to make sure he never found out. Everyone knew he would turn himself in if he figured out the crime he committed, but if he did his future of practicing law would be over. Margot is willing to do anything to prevent her son from finding out. She wants to keep his crime a secret and Tuner wants to bring it to light. I like that in this book there are two battles going on at the same time, the fight between Turner and Margot and the fight between Turner and himself. (Not trying to spoil the whole book) I think in this book you kind of notice how the atmosphere changes the culture I guess kind of represents Africa’s history and the effects of Apartheid. Like in Cape Town being homeless wasn’t rare so there were a lot of homeless people and usually being white meant that you were rich or that you were entitled or better (in this book) and that’s how the town saw it as. Which represents the separation. Also in the book Margot runs the town because she has “power” and she has wealth so therefore anybody will do what she wants them to do but people like Turner they thought nothing of him. I think the authors purpose of this book is to show both sides of a story. White Africans and Africans. Also I think the author wants to show that power does not always mean strength for Example in the book with Margot trying to do anything to keep the secret from her son. When she encountered Turner it was a problem because he was willing to stick to his principles and when you have someone like that no matter what you do can change them or what they believe in. I think the main theme of this book is to never give up your morals, and to never compromise what you believe in no matter how hard it gets. Like for example in the book near the end Turner is dragged into the desert to die of thirst. He has the choice to be killed, which would mean letting down the girl or compromising what he believes in to live. I would definitely recommend this book, I like the plot and I love that most the characters are dynamic for a change. I also like this book because it tells a story through another story, you’re learning about the murder of this girl and Turner trying to investigate what happened. But you also learn about Turner‘s past and the demons he’s fighting to figure out in the end what is right to do, while fighting for his life.
Tim Willocks m'offre tout simplement mon dernier coup de cœur de 2018 avec "La mort selon Turner", je dirais même l'un des meilleurs thrillers que j'ai lu.
C'est sombre et violent mais jamais gratuitement, Turner, le personnage principal possède un esprit très manichéen, il ne fait pas dans l'à-peu-près ni dans la demi-mesure, une seule chose compte, rendre justice, un peu à la manière d'un "Inspecteur Harry" (film culte avec Clint Eastwood) mais avec la subtilité en plus. "Turner" est une vraie machine de guerre, non pas comme un lance grenade mais plutôt avec la justesse d'un fusil de sniper, il parle avant d'agir, laisse les personnages choisir leurs destins, leur laisse toujours une chance de faire le bon choix, mais attention, celui qui se dressera contre lui sera telle une proie acculée contre un mur.
Tim Willocks possède un style d'écriture très tranchant, une tension permanente et des chapitres courts permettent au lecteur de toujours rester plonger dans l'histoire et également vouloir savoir ce qui se cache dans les prochaines pages.
Pour couronner le tout, les décors sont superbement décrits et la fin est captivante. J'ai laissé passer quelques jours avant de faire cette chronique histoire de digérer et de réfléchir à ma lecture et cela me permet de me dire que je n'aurai pas voulu avoir une autre histoire, ni d'autres personnages, ni une fin différente. Les amateurs de thrillers sombres peuvent se jeter sur ce roman sans hésiter c'est une valeur sûre.
The usual Willocks pillars are all here - clean, descriptive writing, psychological insights into his characters, and medically described violence. Instead of a plot, he sets up flawed, passionate characters and then lets them knock each other down (with guns, fists etc.) It still works for me.
The highlight is what Turner does out there in the desert.
Three stars but in a glass half full kind of way (12 Children of Paris was half empty.)
Easily the weakest of Willocks' novels to date. Aside from needing a good copy edit - repetitions and inconsistencies - it felt as if it drew on themes Willocks has used many times before and to far greater effect. He's known for his visceral violence and gratuitous descriptions, but 5 pages devoted to the creation of the solar stills was 4 pages too long. He's been going more for shocks and less for quality for a while now - look at the difference in storytelling between the Religion and 12 children of Paris. Not enough interiority. Turner had the potential to be another Ray Klein, but we never got far enough inside his head.
A tratti crudo e spietato, ma un gran bel thriller d'azione. Bella l'ambientazione in una piccola città mineraria in Sud Africa dove una donna di umili origini spadroneggia, convinta di farla franca grazie ai suoi soldi e al suo potere. Il protagonista, l'ispettore Turner,è semplicemente indimenticabile.
This is not the kind of book I usually read. It's high action and shoot 'em up and what not. I can easily imagine it on the big screen. What I love/hate about Turner is his 100% devotion to his values. And the over arching question on moral vs amoral is, "does the end justify the means"?
Bij het zien van de schitterende cover van Moord volgens Turner van Tim Willocks wil je weten wie die man is en wat hij precies ziet. De titel maakt nieuwsgierig, je wilt weten wat ermee bedoeld wordt. Zou de man op de cover een moord hebben gepleegd of heeft hij gezien dat iemand vermoord werd en werd dat met een ongeluk afgedaan? Meteen vanaf de eerste bladzijde wordt je meegezogen in het verhaal en laat je pas los als je het laatste woord op de laatste bladzijde hebt gelezen. Het is een verhaal boordevol actie, met heel veel verrassende wendingen en net als je een vermoeden hebt dat het plot dan wel voorspelbaar moet zijn, is dat deels het geval, het is deels heel anders dan je in eerste instantie vermoedt. Het verhaal is vanaf de eerste bladzijde tot en met de laatste bladzijde spannend. Eenmaal begonnen met lezen kost het je moeite om te stoppen met lezen omdat je wilt weten hoe het verhaal verder gaat, hoe het verhaal gaat eindingen. Moord volgens Turner van Tim Willocks leest als een actiefilm en is daardoor heel erg geschikt om verfilmd te worden. Het is een verhaal die je niet tijdens het eten en voor het slapen gaan moet lezen, want er zitten een paar stukjes in die heel erg bloederig zijn.
I found it really gripping. I thought with the prologue showing that he was alive but in a bad way this would diminish from the story line, but in fact it didn't at all. Whether to describe it as a detective novel or a psycological thriller I'm not sure. All I can say is that I found it gripping. I don't as a rule go for violent books, but this was so well written that I didn't fell repulsed by the violence, but somehow intreaged by it. OK Turner was a little 'James Bond' in places, but he was a believable character and his breakdown from a cop who knew black from white to one who didn't was handled brilliantly. Is it one of a series, or a one-off of this character? Really enjoyed it, but not one for the wife!
Is Turner a good guy or a bad guy? He's a Warrant Officer with the Cape Town Police and he's investigating a case where a wealthy man backed over a poor girl, grievously injuring her. Somehow (and South African police authorities are unfamiliar to me), he travels to the mining town owned by the suspect's mother (and wife) where he not only investigates but also wrecks havoc. And blood. This is violent and gritty-in fact a bit more than it needed to be, imho. Still, it's well written and a plot driven fast read with a unique protagonist and point of view. Thanks to Netgalley for the ARC.
The novel was gripping for the first half. Details about the shebeen and township were more authentic and interesting than the sumptuous mineowner's house and grounds.Where it got lost was the murder count- Turner kills 9 people in the end against all odds. Willcocks' descriptions of blood and gore,and the dry landscape are very authentic. His characters are interesting and largely believable. However the plot didn't ring true, even allowing for artistic license.
Au Cap, Turner, grand, fort, intelligent et noir est agent de police. Pourtant, dans cette partie de l'Afrique, il est difficile pour les forces de l'ordre de se faire respecter : la population est pauvre et a peur. Est-il bien surprenant, lorsque la vie ne tient qu'à quelques minces fils, de rechigner à collaborer avec un système corrompu, qui la plupart du temps n'apporte que des ennuis ? Seulement voilà : une jeune fille noire s'est fait écraser alors qu'elle fouillait des conteneurs à ordures en quête de nourriture. Les coupables, membres de riches familles, et leur ami fermier, tous blancs, ont pris la fuite. Immédiatement, les preuves disparaissent. Les meurtriers se couvrent, les policiers ferment les yeux. Turner, lui, ne l'entend pas de cette oreille. Il compte se battre pour rendre justice à cette jeune fille oubliée de tous. Mais comment faire dans un monde gangréné par la corruption et des rapports de classes/races viciés ? le policier va bien vite se heurter aux barrières de la servilité, face à une population où chacun s'est forgé sa propre vision de la loi. Tandis que la mort se rapproche inexorablement de Turner, celui-ci va devoir faire usage des cadavres à sa disposition de la meilleure façon possible.
Mon avis :
Le cru, à condition qu'il soit présent en quantité raisonnable et justifiée, ne me dérange pas. Mais le franchement gore et répugnant étalé sous le nez des lecteurs à tout bout de champ, je ne peux pas dire que j'en raffole. Malheureusement, ce livre pourrait grossièrement se résumer à cela : du gore et du répugnant gratuit. Enfin, faisons les choses dans l'ordre. Les personnages, pour commencer, ne sont pas remarquables. Les hommes sont tous plus repoussants les uns que les autres et fort monolithiques, en définitive : sanguinaires, impitoyables, lâches, serviles, monstrueux. Les deux seuls aux caractères quelques peu nuancés sont Turner et Dirk, l'assassin de la jeune fille noire (je ne divulgâche rien, on le sait d'entrée de jeu), qui étant saoul au moment de son acte, ne se rendra compte de ses agissements qu'à la fin du roman. Cela étant, l'un comme l'autre sont aussi univoques que les personnages négatifs. Si Dirk, petit geignard pourri-gâté qui veut jouer au chevalier de la justice sans parvenir à échapper à la tutelle maternelle est capable de surprendre vaguement (même si son revirement est tout à fait artificiel), Turner, quant à lui, reste identique à lui-même d'un bout à l'autre du roman. Et il a beau incarner les forces du bien, de la droiture et de la maîtrise de soi, au bout du compte, c'est lui qui tue le plus de personnes au cours du roman. Je ne peux m'empêcher d'être turlupinée par la conclusion qu'on est censé en tirer : quand on est le seul personnage possédant une once de morale, la charge à supporter est si épuisante que parfois les nerfs craquent et qu'il faut bien se défouler d'une façon ou d'une autre. Quant aux personnages féminins : est-ce même la peine de s'y attarder ? Il n'en existe que de deux sortes : les dominées (constamment apeurées et incapables de prendre en main leur propre destin) et les dominantes (impitoyables, égoïstes, vicieuses, etc.). Ce sera donc sans commentaire pour moi… Mon Dieu ! Si le monde n'hébergeait que ces deux profils féminins, que la vie serait terne et morne… Place à l'action maintenant : pour le coup on ne peut pas reprocher à ce roman d'en manquer. Il y en a d'ailleurs un tantinet trop à mon goût. Les personnages n'ont jamais le temps de souffler que déjà un vieux renard des surfaces se cache derrière leur porte avec un fusil. La quantité de rebondissements en devient écoeurante : je ne pensais pas avoir payé pour un grand huit de l'action en démarrant ma lecture. Quant à la qualité de ladite action : je ne l'ai pas du tout aimée. Aucune attaque, embuche ne se solde sans une description franchement dégueulasse. L'auteur semble considérer qu'un passage de l'intrigue n'est jamais parfaitement maîtrisé si on n'y glisse une mort atroce, des entrailles qui se déversent sur le bitume, un dépeçage, une extraction de cervelle et j'en passe. Quel est le but de tant d'horreurs ? Une petite quantité donne un côté tranchant au récit, une grosse dégoûte le lecteur du roman. (Il y a bien sûr quelques exceptions : je pense notamment à Mexican Gothic de Silvia Moreno Garcia). Tim Willocks a beaucoup trop forcé sur la dose, à mon goût. Pour terminer, les messages et morales du livre ont sonné creux en moi. Toutes ces déclarations pseudo-philosophiques, je les ai trouvées assez ridicules et aussitôt complètement oubliées. D'ailleurs, puisque nous y sommes, l'auteur fait réciter à Turner des leçons de tai-chi ou quelque autre art martial sous prétexte de le doter d'un univers mental cool et original. Cependant, ses efforts manquent leur objectif puisque nous lecteurs n'y connaissons rien. Personnellement, lorsqu'un écrivain me dit : « je lui donne un coup de pied dans le trente-cinquième méridien du sixième quartile qui fait exploser sa rate en causant la déchirure du vingt-deuxième équateur sur le pôle sud de sa jambe », j'ai juste l'impression qu'il a copié un manuel d'initiation au karaté. En bref, je n'ai pas du tout aimé ce roman, ni ses personnages, ni son intrigue, ni son atmosphère. Je me suis ennuyée et ne le recommande pas en conséquent.
Really enjoyed this book, hope to see some more stories featuring Turner. The South African setting is not something I've read much of aside from Wilbur Smith books and it's good to see a more modern take on it.
I gotta admit when I ran into this dude's fiction years ago I was initially kind of wary and on the fence, but after several dips into his insanely violent cauldrons of scene-chewing-character-filled, wonderfully-purple-prose-laden novels I'm a total convert. No one, NO ONE out there is writing and publishing like this dude and I'm so thankful for it. It's almost like Andrew Vachss plus a real desire for genuine adventure and heroism plus florid prose and right-over-wrong but minus the absolute La Brea Tar Pits sense of sucking blackness and mixed with a physician's awful sense of anatomy and the horrible injury that can be done to it.
This one's got a novel setting in Capetown, South Africa which comes with its protagonist Turner, an absolute single-minded hardman cop whose one and only raison d'etre is the adherence to law over chaos at the expense of every other possible consideration and/or development. Turner investigates the scene of a local girl fatally crushed against a dumpster by callous out-of-towners and immediately the class drama is blown up into painful relief. Apartheid isn't in force but it's hardly a remote memory and because Turner is a black man he's laboring uphill from the word go. Complicating things is the fact that these aren't your usual out-of-towner rabble rouser types but the seriously rich son of an utterly ruthless mining baroness and his armed and dangerous buddies.
So obviously we have what looks to be an immovable object against an unstoppable force and the reader gets to enjoy every second. This isn't a particularly long novel for Willocks (as opposed to his doorstoppers in the Tannhauser trilogy) and it moves by at a really, really rapid pace. There's no real whodunit past the first maybe first 40-50 pages and the reader knows who the perpetrator is from the getgo so the main body of the novel has to do with the maelstrom Turner generates with his utter refusal to accept bribery, intimidation, or even logical reasoning in his pursuit of justice. Whether or not he leaves the novel with the same set of ideals and moral compass he starts with is a whole other story.
This novel also wins an award for one of the most hands-down gross and gnarly sequences of all the books I've read which is saying something because I'm a morbid-ass weirdo and I read a lot of questionable shit. Details would spoil it but suffice it to say Willocks pours his physician's knowledge of and fascination with the human body and viscera into an intense story of survival when the odds are absolutely, unquestionably horrible. I really can't recommend this one enough, this is an incredibly written thriller with memorable and relatable characters, interesting examination of themes like if there is a “true” moral north worth adhering to above all else, and explosive Michael Mann-worthy action sequences. Check it out and give this guy some money and hope that it'll propel him to finally publish the third Tannhauser book.
Setting: the Karoo desert, a post-racial wild west. Nobody sees a burger tossed into the trash behind a wine-red Range Rover (one of the few characters who will survive this long weekend) and scrambles over the edge to retrieve it. A blind drunk celebrant peels out in reverse, crushing nobody against the steel dumpster. While the boys speed off to the safety of their enclave, nobody drags herself over to a cell phone dropped on the asphalt to call the one cop who anybody would trust, but dies before she can dial. When detective Turner, sent from Cape town out into the wilderness on a mission of self-destruction, finds that nobody had tried to call, everyone fails to stop him from delivering justice. Everybody, including Turner, believes he is driven by rigid integrity. But too late they discover that his actual, absolute, unslakable thirst is justice for nobody. If you have a taste for well-crafted, 3-dimensional, anatomically correct violent conflict, Willocks will deliver for you, too.
Pfiouuu et je termine l’année 2024 sur un énième coup de cœur ! Je ne connaissais pas l’auteur, et bien j’en redemande !
Je n’ai pas lâché le livre en 3 jours. Ça tombe bien, c’est la durée de l’histoire. Et ça va à 300 à l’heure. Car le personnage principal, Turner, ne fait pas dans la dentelle. Adjudant dans la criminelle du Cap, il a de l’expérience, à une énorme connaissance du corps humain et de ses propres limites et surtout, surtout il a des valeurs. Il va poursuivre son enquête pour obtenir justice, malgré les bâtons que lui mettent bon nombre (trop) de grands méchants dans les roues.
Le style d’écriture est entraînant et efficace, résultat on ne lâche pas le livre et on crève d’envie de savoir quel carte Turner va sortir de sa manche au chapitre suivant. Car c’est un expert, et son expertise, il la manie de la plus belle des manières. Il n’hésite pas à faire couler le sang, et ça contraste avec la poussière ambiante, la chaleur suffocante et les immensités de sel à perte de vue. C’est brillant.
Le premier roman de Tim Willocks que je lis et en ayant entendu tant de bonnes critiques sur ses précédents romans, j'avoue avoir été très déçue par celui-là.
Tout d'abord, j'ai trouvé que l'enquête ne partait de rien et que l'entêtement de Turner pour retrouver les assassins de la jeune fille était superficiel. Certes, la scène de crime est horrible et ceux qui sont responsables sont coupables d'autres méfaits, mais pourquoi s'attarder avec autant d'ardeur ?
L'enquête en elle-même est captivante et le caractère de tête brûlé de Turner nous pousse à continuer à lire. Nous nous demandons à plusieurs reprises comment cette histoire va finir, si bien que la fin (bien qu'envisagée) reste une bonne surprise.
Je n'ai donc pas été séduite par ce roman policier, mais je ne compte pas en rester là avec Tim Willocks et j'aimerais lire ses livres les plus appréciés.
Another uncompromising classic from Tim Willocks and very nearly a 5/5. Similar in tone to Bloodstained Kings but with a fresh setting, outlook and an intriguing main character; this is another intense journey into the heart of darkness. There is one scene that is particularly memorable and is definitely not for the feint hearted! The only thing missing is the epic depth and warmth of the (longer) Tannhauser novels, but perhaps this is the start of a series?
Willocks is hardly prolific, but his consistency and quality marks him as one of the best authors in his generation in the various genres he has attempted. Hopefully there is more to come in the future to follow on from this brutal, uncomfortable but ultimately satisfying read.
Helluva story. Intense storytelling from someone writing at his best. Beautifully drawn characters with pure, understandable values and motivations. A very thorough plot and a story that doesn't miss a beat, until a brief section just before the climax. I'm pretty certain I understand the authorial intention, but for me the left turn into an ethereal surreal phase (even recognizing the very real cause) of a very emphatically serious and deliberate man knocked me out of the story. Because the distance to the climax was so short, I don't feel I recovered enough, and so enjoyed a very strong culmination (though mild denouement) from a distance, so muted. Regardless, this story and Turner will long remain with me.
Un roman qui établit d'abord et avant tout le personnage de Turner, le flic prêt à tout, dur à cuire, imperturbable ou presque. Je m'attendais à une exploration plus en profondeur des tensions entre Noirs et Blancs en Afrique du Sud, alors que cet aspect n'est qu'une toile de fond qui s'efface devant l'intrigue principale : masquer le crime de Dirk Le Roux.
Plusieurs images sont très réussies, mais le moment fort de ce roman est sans conteste le chapitre qui montre comment Turner s'en sort pour avoir à boire dans le désert... Dégoûtant mais fascinant d'ingéniosité (c'est l'auteur en moi qui parle).
Je donne 3,5 à ce polar qui nous transporte en Afrique du sud.
Turner, policier solitaire, droit et idéaliste, enquête sur la mort d’une pauvre fille abandonnée au sol, heurtée par un gros 4X4: délit de fuite. Il apprend que c’est Dirk, le fils chéri de Margot Le Roux, richissime propriétaire de mines à Cap-Nord, qui était au volant.
Pressé de rattraper le coupable, Turner entreprend une quête qui le mènera à côtoyer la corruption, la tricherie, la manigance et la mort. La scène de survie qui se déroule dans le désert est franchement dégueulasse.
The noble Zulu earlier on... written by a white Englishman. There are a lot of off kilter things in here.
It is tonally all over the place. Imi spending the night with Dirk before mentioning anything. Turner giving everything up after all that. The sudden memory that his Captain who has betrayed him out of the blue was involved in his sister's murder by police many years ago.
There is some throwing things at the wall to see what sticks
Let's take an airplane... and then have nothing happen with it.
This entire review has been hidden because of spoilers.
What a fantastic book. One of the best thrillers I have read and turner is a fantastic character. But be warned I spent most of my time reading this thinking why hasn't this been made into a film it's so good then one event in the book changed that and I realized this could probably never be filmed the chapter was one of the most brutal and disturbing I have ever read and the images from it will live with me for a long time. So. As I said an amazing book I cannot recommend it enough. But just be warned of what's to come