The big 1999 reboot of Spider-Man, the first time the original numbering had been reset, brought in Howard Mackie to write a new Amazing Spider-Man comic and a new Peter Parker: Spider-Man comic. After a bit of rockiness over the first few issues (with #PP:SM #2 apparently happening after #3 due to the requirements of a crossover!), the two titles settled into a semimonthly storytelling style, with the TBCs constantly running from one comic to another.
Surprisingly, Marvel (and Mackie) did almost nothing interesting with this reboot. This could easily have been Spider-Man from the 80s or 70s. Perhaps the goal was just to get rid of the stench of the Clone Saga, which had filled the Spider-Man books for a few years (prior to a post-Onslaught run that's never been collected), and this was a back to basics approach ... but as a result, it's very basic.
The storytelling is fair. The Peter not being Spider-Man at the start is pretty great, and introduces us to a great new super-character even if the main plot ends. There's also a some impenetrable plot about the Green Goblin and Party of Five or something, which is somewhat impenetrable. It unfortunately impinges on the first few issues too, and I can't entirely tell what's going on, and I'm not even sure if it's picking up a past plotline or not. The Senator Ward plotline is much more intriguing, and if it reminds me of classic storylines like the Big Man, that might well have been purposeful. A new Spider-Woman, a Spider-Killer, Doc Ock, and the rest are fine, but they come and go so quickly that there's not a lot of room for introspection (which again feels like classic comics).
My biggest annoyance with this storyline is the constant Peter-lying-to-MJ about being Spider-Man. It's a sign of pretty severe immaturity in their relationship that's not helped by a flirtatious best friends and constant travel, all of which seems to be Mackie trying his best to suggest a future break-up. I guess that's something that hasn't changed in decades (except in JMS' terrific run that followed this).
If there's a single stand-out in this run, it's the art, Byrne on ASM and Romita Jr. on PP:SM. It's spectacular old-school work that's classic 4-color comic art at its best. (There are a couple of issues where they're AWOL, and they stand out like a sore thumb.)
Anyway, a little corner of Spider-dom that I'm happy to have read, but it's very 90s and there's not much of note beyond that.