In The Shadow King, Jane Stevenson illuminates the world of the intriguing Balthasar Stuart, the secret biracial child born of the illicit love between a queen of Bohemia and an exiled African prince. A gifted young doctor in the late seventeenth century, Balthasar struggles with very contemporary issues of identity, brought into play by his difficult heritage. Driven out of Holland by the plague, he makes his way first to the raffish, cynical world of Restoration London, where he encounters Aphra Behn, the English spy and sometimes playwright. He leaves to seek prosperity in colonial Barbados, a society marked by slavery and savage racism. Utterly absorbing and deeply perceptive, The Shadow King brings the past radiantly to life in people's habits of speech, their food and fashions, and their medical practices.
Dr. Jane Stevenson (born 1959) is a UK author who was born in London and brought up in London, Beijing and Bonn. She has lectured in history at Sheffield University, and teaches literature and history at the University of Aberdeen. Her fiction books include Several Deceptions, a collection of four novellas; a novel, London Bridges; and the historical trilogy made up of the novels The Winter Queen, The Shadow King, and The Empress of the Last Days. Stevenson lives in Aberdeenshire, Scotland.
Her academic publications include Women Latin Poets (Oxford University Press), Early Modern Women Poets with Peter Davidson (Oxford University Press) and The Closet of Sir Kenelm Digby, co-edited with Peter Davidson (Prospect Books).
You have to work a little at reading Jane Stevenson's historical fiction. She's an academic who teaches literature and history at a university in Britain. Her writing is erudite and her characters complex and learned. You certainly won't get anyone "bellowing like a longshoreman" like another book set in the same period I read recently (though it may have just been poorly translated). But I don't mean to make her sound pedantic. There is an emotional core to the stories she tells in these books (this is the second in a trilogy) that becomes more powerful and poignant by the book's end. What I like is how she stuffs you into the time and place of each novel; it feels often not just unfamiliar, but sometimes uncomfortable and even claustrophobic too, as you stretch yourself to see these people as they saw themselves, their world, and their place in it.
This is the sequel to The Winter Queen and is about Balthasar, the son of Elizabeth of Bohemia and Pelagius. It follows Balthasar's progress through young adulthood up to middle age as he attempts to find his place in the world of the late 17th century. Despite his noble blood and the mystical dreams his parents had for him, Balthasar ends up a successful doctor in London (after a brief sojourn in Barbados), contentedly living a very sober and respectable middle class lifestyle. Stevenson does a wonderful job of illuminating the realities of everyday life in Restoration England and in England's growing caribbean colonies.
This is another one of those books that could have been good: a man who could be king, a secret marriage, different worlds and cultures... the writing was not bad but it just didn't bring me into the story. I felt no compassion for the main character or any of the characters. The dialog was not that great but the overall story could have been really good.
In the end it's about a man accepting his life and family vs. trying to reach for what could have been. It was a sequel, so maybe the first book was better (?)
This entire review has been hidden because of spoilers.
The sequel to The Winter Queen tells the story of the son of an African prince, formerly enslaved, who marries a European Queen in the 1600s. One of the asides is the protagonist's is the encounter with real life writer Aphra Behn whom I knew little of except for her book Oroonoko written in 1688. When you finish this novel, reach for the final in the serious, The Empress of Last Days which takes you into modern times.
The second in a trilogy. This one focused less on the cultural clash issues at the heart of the first volume, & more on issues of race & class (& to a lesser extent the third element in that holy trinity of contemporary academic life, gender). It was also focused on the main character's efforts to reconcile the scientific practice of medicine he learns at Leiden, the leading medical school of the 17th century, & what he remembers learning from his father about African medicine.
I hate this book. It's boring and pointless. Maybe it wouldn't be so painful if I had read the first one. The story just doesn't go anywhere. Not going to bother finishing.