Mit sechs will iO kein Mädchen mehr sein. Im New Yorker East Village Ende der 80er sind unorthodoxe Entscheidungen Trumpf: Also gibt sich iO als Junge aus. Und wächst auf in einem rauen, grenzenlosen Wunderland, zwischen Drag Queens, Performancekünstlern und den Freunden seiner [sic!] Patentante Nan Goldin...
Als eine Gruppe Jungs im Central Park die sechsjährige iO ausgrenzen, ist die Entscheidung gefallen: iO ist jetzt ein Junge. Die Mutter unterstützt den Schritt, schließlich leben die beiden in einem Brownstone, in dem Anderssein gelebt wird, in dem ungarische Filmemacher, alt gewordene Pornostars und Künstler zusammen mit all den anderen Freaks die Gegenkultur feiern. Für iO beginnt ein Leben zwischen den Geschlechtern, befreit von starren Kategorien, am Rande des Chaos und an der Seite einer Mutter, deren Fürsorge außer Kontrolle gerät
iO Tillett Wright (born September 2, 1985) is an American artist, director, photographer, writer, film maker, activist, and actor. Wright grew up in New York, and was a professional film and television actor for 18 years.
I read this book in 2.5 days. Just could not stop. I’m finding it hard to know how to talk about it. I’d admired iO since seeing his What’s Underneath contribution and learning about the Self Evident Truths project, seeing snippets of a seemingly extraordinary life and past, growing up with extraordinary parents in extraordinary places but not knowing how a childhood like that would actually work. And now reading the story, or at least glimpses, it kind of wallops you. I wanted a time machine to go back and give this kid a hug, make dinner, new sneakers, whatever. But how to talk about it. It’s easy (and gross) to romanticise someone’s struggle and draw vague inspiration from what someone else had to endure. I don’t want to do that.
And the book isn’t really about “the struggle”. It’s more: “you just don’t know”. You see the standoffish kid giving you a side glance, you have no idea. You see the woman with busted dance shoes, a plastic bag purse, nerves of steel, it’s a glimpse of someone you can’t possibly know, your judgements are incorrect. Everyone’s story (yours included) is deeper and more important than maybe we feel we can address sometimes, but the best starting point is just being open, listening, respecting what someone tells you as their experience. Lives are not “good” or “bad”, nor are people. We’re all too full for that. It’s about meeting people where they’re at, sending out love but taking no shit. It’s about believing your kid when they tell you who they are. And way too much more than that as well, but I’m going to leave it at this for now. Thanks to iO for sharing his story with us. Brave move and one that offers support to so many others.
Gritty, visceral, and not for the faint of heart is this book. iO is born to a mother who is beautiful, artistic, colorful, a drug addict, an alcoholic, verbally abusive and mentally ill. They live in a hovel on the lower east side of Manhattan. iO has no care, no routine, no food, no bed, and no idea how to live. The writing is clever and riveting. She narrates her life from around the age of five up until 25 and the dialogue matures as she does in the story. Once iO is old enough to realize how bad she has it she tells people and is eventually taken from her mother. This does not mean however, that her new life is easy, ordered, or healthy. Her maternal abuse was bone chilling but her love for her mother is still deep. Read the book if you want to know what becomes of her.
Having seen iO featured on an episode of What's Underneath, I was struck by his candor and couldn’t wait to dive into the memoir. I wasn’t disappointed as his on-screen voice translates to the page in a beautifully unfiltered way. Darling Days catapults from what I initially envied as a scrappy Bohemian city upbringing in the Lower East Side, into a childhood fraught with neglect, the pressure of gender binaries and the tumultuous world of drugs. His harrowing yet passionate relationship with his mother is the toughest love he has ever known and the gripping anecdotal backbone.
I wanted to hug this book for pushing away notions of a homogenized existence and encouraging acceptance by familiarity. To avoid boxes, it's the next great everyone book.
Given the often harrowing neglect documented in this memoir, it's maybe wrong to say that I enjoyed the book, but I certainly appreciated it as much as any of the titles that I've read this year.
Wright, born and raised in the Lower East Side of the 1980s / 90s, had an unconventional upbringing to say the least, primarily thanks to the erratic ideas and behaviour of her mother, to whom she writes a personal letter of love at the start of the book. From as early as she remembers, she feels most comfortable living as a boy, which she does without fuss from her family, or from most of her peers, certainly until her teenage years, before returning to identifying as female as she enters high school. This gender fluidity is, however, almost an incidental theme in the book - having never really been an issue for Wright, it's always there, but never really a problem. The problem is, unfortunately, all too frequently, her dancer mother, whose ideas of parenting, while often well intentioned, are way off the mark - and that's before her behaviour becomes even more unpredictable thanks to her abuse of prescription drugs.
I should elaborate that this isn't one of those memoirs from the genre that often appears on supermarket shelves, where writers understandably find that sharing their harrowing childhood tales is almost therapeutic. Wright is a genuinely bright, likeable, though flawed person who gets on with things without fuss, and has family and friends who care for her in different ways throughout her life, which stretches from NYC to Europe and England and back in the period covered in the memoir. Her anecdotes of family turmoil, as well as happy times and life milestones are genuinely engaging, and I found myself looking forward to finding out more as I made my way through the book.
While I hadn't known anything about Wright before starting the book, I have been directed to a few of her projects by GR friends, and will definitely look out for her work, as well as any more writing by her, in future. I'm fond of a memoir, and this is one of the best I've read in a long time.
This book fucked me up!!! The style of writing was really nice I feel like it was written exactly how people just talk. I love books where the main character is queer but that isn’t the central point of the story. Which since it’s a memoir it makes sense bc really people don’t actually define themselves by one thing. But still it’s cool to read about. A lot of their feelings about gender and sexuality are like mine which is very validating. Overall there are a lot of intense feelings to relate and not relate to and a very interesting life to read about here.
This book exceeded my expectations. I received it free in exchange for writing a review on another site. Full disclosure: I lived in the East Village/Alphabet City, then the West Village, then back to the East Village in the years that iO is writing about, so I recognize the settings and, if not the specific characters, the types of people with whom she and her mother interacted in many of the vignettes that form so many of the chapters. If they weren’t all exactly “Darling Days,” those times in the 1990s were so much more experientially interesting than what goes on in the sterile, gentrified atmosphere that pervades so much of the East Village today. The book made me nostalgic and regretful at the same time, reminding me once again that New York has become safer yet somehow less livable in the 21st Century. The author calls us back to those edgier times, and gives us an enjoyable read while doing so. She explores (but not pedantically) such themes as gender fluidity and parent-daughter relationships. She does bring things up to 2008 by book’s end, but I admit to having enjoyed the chapters dealing with the earlier period much more. That the author has been able to achieve what she has despite her rocky start in life and years of addictions and dysfunction in her home life is a tribute to her resilience. Some chapters are hard to read (from an emotional, not a writing perspective, as the writing is always clear and concise). I believe the book will appeal to many different types and generations of readers.
This memoir was an addictive read for me. Written so candidly, I couldn't help but admire iO's openness surrounding such a tumultuous and explosive childhood. I will certainly not forget this book!
iO Tillet Wright’s story is fascinating and I really enjoyed his writing and his narration—very skilled at both! Definitely a good listen. iO is also a talented photographer—love, love, LOVE his Self Evident Truths project! Brilliant! And don’t miss his “Fifty Shades of Gay” TED Talk: "…familiarity really is the gateway drug to empathy." Yep!
warum müssen die queers immer so hart reingehen?? keine zeit für sentimentales, direkt klatsche nach klatsche nach klatsche. komplette zerstörung und gleichzeitig so schön, weil ja dann doch irgendwo sentimental und nach bedeutung suchend in einem sumpf von verwahrlosung, ausrastern und liebe. wie krass wohlwollend und gleichzeitig ungeschönt man über einen menschen schreiben kann, der einem so viel schmerz zugefügt hat. fand alles toll bis auf das allerletzte kapitel iwie. vielleicht, weils mir zu verklärt und eindeutig wurde. vielleicht aber auch nur, weil ich nicht wollte, dass es aufhört
The book-comparison game is a dangerous one, but it is one that people who sell and promote books have to play on a regular basis. Sometimes this results in weird and vaguely desperate combinations (hands up if you’ve ever seen a book whose jacket says something like “for fans of Stephen King and Sex and the City” and wondered what the hell kind of target demographic that is); sometimes it results in regrettable over-selling (see my review of Diary of an Oxygen Thief, which wasn’t well served by being compared to The Catcher in the Rye). Sometimes—just sometimes—it’s spot on. And so it is with Darling Days, a memoir by iO Tillett Wright (yes, iO, spelled like that) that comes garlanded with comparisons to Patti Smith’s Just Kids and Jeannette Walls’s The Glass Castle. Incredibly, almost improbably, the comparisons are apt. It’s a great book.
When you use a transphobic slur that trans women of color have repeatedly asked for a moratorium on, I just can't. When Bourdain, who also threw that word about in at least one of his books, is on your back cover recommending you - double down. When I read about your art and your travels to university all I can think is do better.
I’ve wanted to read this book for years. Not sure why I pushed it off. It is so good. Her story is inspiring; how she managed to see clearly in the chaos and not end up battling the same demons her mom and dad were fighting.
After finishing the book I read an interview with Nan Goldin and iO Tillett Wright. They talk about the making of the book and some memories they share as Nan is his godmother and followed him along his way. “iO has opened the door to the house that he has always carried on his back. […] The acuity of his vision, his memory, his relationship to language are all extraordinary. He can describe his pain and anxiety, his loneliness and his pleasure in a way that’s so visceral that it’s impossible to detach from.” - Nan Goldin I am very impressed by iOs ability to describe his childhood and coming of age in such detail while using words that are so honest, poetic really and take you into the story of him growing up in the 80s and 90s of New York City. His desperate search for stability, his omnipresent gender dysphoria, the anger, the love and the hope he takes into the relationship with his mother. I read the book within a few days.
Really like iO and really appreciate him sharing his story of a chaotic bohemian childhood. Really interesting stuff around how they identify and coming out as queer and loved hearing about his family and friends.
The writing for me was good but didn't lift this memoir to something more than an interesting story, but also very easy to read and engaging and accessible.
Was a bit confused when iO's dad said that he couldn't afford to keep iO living with him and then sent him off to a really fancy boarding school in England.
Trigger warnings for mental illness, neglect, drug abuse and a transphobic slur used early on in the book
This book hit me with a truck of emotions. As much as it deals with their journey through discovering gender(which was cool, and reminded me that this has always been happening throughout history) it mainly just pulls you in so hard the many trials and tribulations of their life. Fucking crazy. But also sweet. I like how as they got older in the book, you start to see just how fucked things were. But at the beginning , when they’re a kid , you are also naive the same way they were. Very touching, very gay, and I wish it would’ve kept going.
General note on memoirs is I never understand how these people remember so much… hmm.
Sehr intensive, unmittelbare Kost, trotz der recht üppigen Sprache. Verschafft definitiv einen unbehaglichen und oft mitreißenden Zugang zu einem von Irrsinn und Erbarmungslosigkeit geprägten Leben, das eigentlich jenseits der eigenen Vorstellungskraft liegt. Tillet Wright beschreibt sein* Aufwachsen mit einer zunehmend unzurechnungsfähigen Mutter, die Gefangene der eigenen Wut und Sucht ist. Die Übersetzung dürfte ein ehrgeiziges Unterfangen gewesen sein, das in weitesten Teilen geglückt ist. Das gestanzte Cover ist so schön wie unpraktisch. Durchaus zu empfehlen, insgesamt.
Ich finde den Untertitel äußerst schlecht gewählt, denn (trans)Sexualität spielt hier nur eine untergeordnete Rolle. Vielmehr sind es aufgeschriebene Gedanken auf dem Weg zu einer eigenen Identität zwischen vielen. Nicht immer unter den besten sozioökonomischen Bedingungen, wie iO Tillet Wright wirklich gut und nachvollziehbar zu Papier gebracht hat.
The memoir is fantastic! Io’s life is fascinating and tragic at times. I really was mesmerized by this story. I listened to the audiobook, which is narrated by the author and I highly recommend it. Io’s voices and accents are incredible. It really makes the story come to life.
i was so confused for a minute or two bc i knew i hadn't marked this book as finished but i think my stupid kindle did it automatically when i finished the book, stupid kindle
anyways i loved this so much, i don't know why i waited two years to read it bc i knew i would love it, maybe that's why i waited, i now have a bit of a book hangover, i just miss iO and nyc and i'm not ready to go into another world, i just wanted to keep following his life and catch up to where he is today living in the desert, sober, and he seems so happy now, i just love him!
this is another book (like the glass castle) that makes me think about parenting and how to be a good parent, i mean basic life necessities where often not met bc of his parent's illnesses but they were always so loving and supportive and ensured that he had a rich and varied and loving childhood, he was able to pursue his interests and inclinations freely and you can see from the man he is today how important that is to creating a beautiful, fulfilled, intelligent adult
I found this memoir so rich and engrossing that it was difficult to put down. It is one of my all time favorite memoirs. I laughed out loud, found myself having to re-read portions that were simply unbelievable and so beautifully rendered, and I cried at times. Profoundly devastating and raw yet written with love and concern for the people who influenced him, including the street people, tenant neighbors, school bullies and counselors. It detailed day to day life growing up in the grittiest part NYC, the Bowery, of the seventies and eighties, a child barely surviving, literally not knowing where or when his next meal would come from. iO Tillett's memoir with photos is riveting, I couldn't put it down. I plan to listen to it on Audible, the author narrates and he has a brilliant voice. I listened to his podcast The Ballad of Billy Balls which was also highly personal, it features his mother's story and voice. I highly recommend the actual book, the book photos are absolutely essential. And read it before listening to the podcast, that way you get a sense of every one in that tale. This is a true work of art and it is his love letter to his 'ma'.
Beautiful, raw and unfiltered. Thoroughly enjoyable, a breathtaking journey into moments from childhood adolescence and early adulthood in New York.
I had some paradigm-shifting perspectives as I read iO’s commentary on the undeniably difficult and viscerally painful moments in his life, especially around the subject of his relationship with his parents and heartbreak.
iO has a natural gift in telling his life, with a tone merging the objectivity of a stranger, and the depth of a poet.
This book is full of life and beauty and hardship.
This entire review has been hidden because of spoilers.
I always find it difficult to rate an autobiography for it feels like passing judgement on someone else's life. What I can say about this book though is that I devoured it. Tillett Wrights descriptions are vivid and blunt (sometimes even a bit too unsparing) and I couldn’t help but root for the author in quest for (gender) identity. It really is an astonishing and captivating portrayal of a gritty East Village childhood.
Great friend passed this one to me. Excellent queer litterature, keeping it real and sharp. No frills, pure substance. Not an easy read sometimes, yet the themes touches aren't easy either. Would totally give as a gift to any your queer teen or somebody living ther second adolescence and it's in conflict.
iO's writing and narrarive power blew my mind. What a great rollercoaster. I will treasure this book for sure.
If you combined Just Kids and The Glass Castle, that's how I would describe this book. iO writes vividly about growing up with their eccentric (and often abusive) mother in the poorest neighborhoods of 80's New York City, which often felt reminiscent of Patti Smith's Bowery Hotel-esque artist scene of the same era. Their explorations of gender at a young age, and queerness/queer romance later in their teens, was interesting, heartbreaking, and kept me reading. Would recommend.
sehr ehrlich und intensiv, fands super interessant seine gedanken und emotionen zu erfahren und die art wie er schreibt und diese ausdrückt hat mich oft mitfühlen lassen. ich merke dass ich viel für meine eigene auseinandersetzung mit geschlechtlicher und sexueller identität mitnehmen konnte aber dass dieses buch auch im kontext meiner arbeit super spannend und bereichernd ist.
Absolutely stunning. A true literary masterpiece!! True, raw, dirty and hilarious. Her upbringing was a whirlwind and she is a strong, brave soul. How have I never heard of her before. I highly recommend the audiobook, read by IO. I was rooting for her/him every step of the way
I loved every second of this book; iO TW has an astounding ability to write about the emotions of growing up with the added complications of a mother trapped in addiction, struggling with gender & sexuality. Just amazing.