2 The clock mounted on the face of the organ loft made a muted click as it measured off another minute. Charles glanced up at it – 4:30. It would soon be safe to leave for home.
The inside of the old church was dim. The only light came through the stained glass windows that ran along both sides of the nave. For the first few minutes after you walked in, it felt as if you’d come into a cave walled in colored glass. But as your eyes adjusted to the lower light, the space took shape around you. The ribbed vaulting of the ceiling stole from the shadows. Creatures carved in stone peered down from the pillar tops. Patches of flaking paint appeared on the walls.
St. Bartholomew’s was an old church that had definitely seen better days. It sat in the midst of what had once been a wealthy neighborhood of tree-lined streets and sedate old houses. Most of the trees had now succumbed to age or disease. The lawns had been bricked over, the houses broken into rooming houses. The old Caledon Psychiatric Hospital stood nearby, and outpatients tended to gravitate to the neighborhood. A lot of lost-looking souls walked the people in their private worlds, broken worlds.
Many of the stores along the main street where the church stood had died, or were looking poorly. Some had been boarded up, others turned into makeshift residences with sheets draped over the inside of the plate glass and withered plants languishing on the windowsills.
He had discovered the church one Friday a couple of months back, shortly after he’d started skipping his piano lesson. It had been a March day, and bitterly cold. After wandering the streets aimlessly, he’d stumbled on the place quite by chance. The door was open, and he’d slipped in and spent half an hour sharing the empty church with a handful of homeless people, also escaping the cold. The silence of the place had shocked him. It was as if he’d breached some boundary between worlds.
At the back of the church, as if by way of welcome, there stood a life-sized statue of St. Bartholomew. St. Bart had been one of the original twelve apostles. Tradition had it that he’d been martyred by being flayed alive. The statue depicted him holding the long hooked knife of his martyrdom in one hand, with the slack pelt of his skin draped over the other arm, the way Gran draped her sweater over her arm when she went out for a walk on a summer evening, in case she got cold.
Often there would be one or two other stray souls scattered through the rows of wooden pews, but today the place seemed empty. Even the caretaker, who could normally be seen flitting quietly along the shadowed aisles as he went about his work, had fled into the sun. Charles had seen him perched on a high ladder outside, washing the windows. He could see the shadow of his arm now, moving silently against the glass, like the beating of some great wing.
His book bag lay on the seat beside him. He opened it and pulled out his piano exercise book, turning to the little Bach piece he was supposed to have been practising. It was simply a question of time before they discovered he’d been skipping the lesson. There were bound to be consequences, but somehow it didn’t seem to matter.
Gran had always had a passion for the piano. The ornate old upright had sat in the corner of the dining room for as long as he could remember. One of his first memories was of sitting beside her on the bench while she played. He would bang away on the keys and pretend that he too was playing. She had promised him then that when he was old enough, she would pay for him to take lessons, as his father had taken lessons as a boy.
And so, two years ago, when the bunch of them had moved in with her, she had talked him into going to lessons. But everything had changed by then. He was no longer the little boy banging away on the keys. And though he went dutifully to the lessons and dutifully practised for a long while without complaint, each note cut like a knife, and finally he could do it no more. He knew it would disappoint her, but for his own sake he had to stop.
And so he had simply quit, without bothering to tell anyone he had done it. And now he found himself entangled in a lie, without the courage to extract himself from it, without the words to explain why it had wrenched him apart to play. It was the first really devious thing he’d done in his life, and he still had not recovered from the shock of it. Even now, as the door at the back of the church opened, his heart gave a little flutter and he half expected one of his family to walk in and find him here.
Instead it was a small stooped woman, with a shawl pulled up over her hair. She slipped down the side aisle to the front of the church. A large marble Pietà stood by a side altar there, with a bank of votive candles before it. She rooted through her bag for change, then dropped two coins through the slot of the metal box, touched the taper to a flame, and lit two candles. The taper smoked as she extingu...
Michael Bedard was born and raised in Toronto. His novels include Stained Glass, A Darker Magic, Painted Devil, and Redwork, which received the Governor General’s Literary Award and the Canadian Library Association’s Book of the Year Award for Children. He has also written several acclaimed picture books, including The Clay Ladies, which received the Toronto IODE Book Award. His biography, William Blake: The Gates of Paradise and his picture book Emily attest to his interest in poets and poetry.
A mystical story of a boy who befriends a homeless girl seemingly suffering from amnesia. It's not about the plot so much as the writing and subtle moments of self discovery from the boy's point of view. For patient readers only.