Like its predecessor, Part VIII in MX Publishing’s ongoing anthology of traditional Sherlock Holmes pastiches features stories that skirt the edges of the supernatural. Editor David Marcum continues to assemble a fine cadre of anthology veterans and talented newcomers. Because Marcum’s guidelines require rational explanations for apparently occult events, the stories’ spooks may be revealed as lost or vengeful heirs, starving or neglected children, battered wives, twisted sisters, AWOL soldiers, trick photography, or even sunspots. Several authors do not eliminate the possibility of the impossible. Others hark back to cases (both told and untold) from the Canon. As always, the tales are often educational as well as entertaining. In this volume, we learn of mourning trains, corpse flowers, and catacomb saints; add banshees and pookas to the usual run of ghosts; and encounter (at one remove) a classic of supernatural literature that links Ambrose Bierce to H.P. Lovecraft. Along with excellent stories by Nick Cardillo, Cindy Dye, Paul D. Gilbert, Arthur Hall, Michael Mallory, David Marcum, Will Murray, Tracy Revels, and Marcia Wilson, my own favorites in this volume were two apocalyptic works: Derrick Belanger’s “In the Realm of the Wretched King” and Daniel McGachey’s “The Adventure of the Pallid Mask” (the latter the best play this series has produced); Tim Symonds’ “The Ghost of Dorset House,” where Watson shows deductive skills that even Holmes might have applauded; Andrew Lane’s “The Inexplicable Death of Matthew Arnatt,” a “locked room” mystery featuring a childhood friend of Holmes; and Roger Riccard’s “The Curious Case of Charlotte Musgrave,” in which we return delightfully to Hurlstone Manor. The MX anthology’s 2018 annual (two volumes already in print) bids farewell to ghosts and goblins, but we can be sure that the overall quality of this amazing series will remain as high as ever.