RETURN OF THE HAG! The galaxy's number one bounty hunter, Trapper Hag, has escaped his Iso-Cube prison with only one thing on his the death of Judge Dredd! Meanwhile, the miniature robotic garden guardians, the Banzai Battallion help Dredd foil a kidnapping and Hogwash college's greatest pupil Harry Snotter makes the mistake of visiting Mega-City One.
Collects:
- The Revenge of Trapper Hag (Prog #1165-#1166) - Volt Face (Prog #1167) - A Night with Judge Death (Prog #1168) - Incident at Rowdy Yates (Prog #1169) - Porter's 'Porter (Prog #1170) - Dumskulls (Prog #1171) - Harry Snotter Boy Whizzer (Prog #1172) - Art for Art's Sake (Prog #1173) - Shakespeare at War (Prog #1174) - Lock, Stock and Two Smoking Lawgivers (Prog #1175) - Doledrums (Prog #1176) - Suspicious Minds (Prog #1177) - The Cal Legacy (Progs #1178-#1179) - Pumpkin Eater (Progs #1180-#1182) - No Man's Land (Progs #1183-#1185) - I, Jovis (Meg #3.60) - Short Circuit (Meg #3.61) - Lobsang Rampage (Meg #3.61) - Fight! (Meg #3.62) - J. D. Megson: A Near-Death Experience (Meg #3.63) - Dead Ringer (Megs #3.64-#3.69)
The biggest problem for me here is that I’m not at all au fait with Doomsday as a Dredd epic, so reading some of the stories that happen in its aftermath out of context is a bit odd. What’s also strange is that it’s a whole volume dominated by Grant and Wagner, albeit writing separately. It’s fascinating for showing us how big the gulf in the collaborators styles had become: Grant is going for light hearted silliness or heavy satire, and misses the target repeatedly. They’re not offensively bad but can be incredibly muddled and don’t really seem to understand how the decade had changed the way the character was heading. His Wagner story for Prog 2000 is genuinely lovely though
Wagner’s on good form though. Lots of short, punchy stories with a few returning characters and a bit of world building with Hershey getting the Chief Judge role and a surprising focus on the Judges playing propaganda with trying to turn Volt into a noble figure and not a suicide victim. There’s some nice tidying up of loose ends with Walter and Mrs Gunderson too. It ends with a decidedly eccentric mini epic, which seems to be Wagner revisiting some of the wilder stories from the past such as Umpty and Stookie farms. It also, unfortunately, does contain some surprisingly heavy handed jokes about sexuality which feels very out of keeping for Wagner’s writing on the whole. The art is very variable, but at best is brilliant with some nice old favourites returning for brief stories
Out of a series of (at the moment) 31 books, you're going to get one that falls flat. This is that one. Lacking in the charm and wit that marks Dredd usually, this collection treads water, waiting for the next big event in the Dredd timeline.
Not the best Dredds ever, but still some really good ones in this collection of shorter stories. Some really good art like bits from the pen of Cam Kennedy and Henry Flint.