Practical, concise, and approachable, Audio Engineering 101, Second Edition covers everything aspiring audio engineers need to know to make it in the recording industry, from the characteristics of sound to microphones, analog versus digital recording, EQ/compression, mixing, mastering, and career skills. Filled with hand-ons, step-by-step technique breakdowns and all-new interviews with active professionals, this updated edition includes instruction in using digital consoles, iPads for mixing, audio apps, plug-ins, home studios, and audio for podcasts. An extensive companion website features fifteen new video tutorials, audio clips, equipment lists, quizzes, and student exercises.
99 Reasons to Read Audio Engineering 101, February 20, 2012
By the title, Audio Engineering 101, you know that Timothy A. Dittmar's book is going to cover that basics of Audio Engineering. Anytime you see that 101, as any community college student knows, you know it is going to be a rudimentary primer. Kind of Audio Engineering for Dummies. Some of the stuff is pretty basic, and I just kind of skimmed over it. Advice for interns, like not to tell clients how awful they sound, and don't sit around texting while rolling your eyes, etc., etc., etc..
But there is a lot of practical information and explanation of audio concepts like compression, noise gates, EQ, phlanging, and phase. I really like the microphone guide which shows various types and brands of microphones along with graphs of frequency response: Cascade Fat Head, Small-Diaphragm Condenser, Neumann U 87, or the ubiquitous Shure SM58. One chapter is a round table where questions are posed to a group of recording engineers like, what mic would you take with you on a desert island? There is a website where you can go and download audio clips that illustrate the concepts being discussed.
All in all, this is a handy book with a lot of good information that would be of interest to anyone interested in home recording or a career in audio engineering.
I added this book to my shelf in 2018 and I likely would have found it valuable if I’d read it at the time. After finally getting around to reading it, I found it to be a bit too basic for my level. If you're already familiar with concepts like EQ, compression, DI, and buses, this book may not offer much new information. However, it’s called *Audio Engineering 101* for a reason—it's clearly aimed at beginners, and the content is solid for that audience. Had I read this 5 or 6 years ago, I likely would have found it very helpful. Given its purpose and the quality of the information, I’d rate it five stars for beginners. But for anyone with a basic understanding of music production, it’s probably not necessary.
I got this to help me better understand my new audio equipment for my podcast and online courses. Definitely focuses more on audio for bands but great background on how sound works and terminology. If you're looking for a step by step guide on setting up your equipment this ain't it, but you should read it if you actually want to understand everything (which you should).
3 stars. I'm sure this is a great book for music production, but I'm a podcaster trying to figure out a 5 mic panel recorded live. It was nearly useless outside of some mic placement tips when we didn't have 5 mics for the group. There's very little information about vocal equipment, and most of the book was about setting up instruments. If you're recording podcasts or solo vocals, it's not so helpful.
a good introductory book into audio, for anyone looking to start a podcast or get a better understanding on how audio works. This is the book for you. It explains in simple terms the basics of theory and explain explains practical uses. If you don’t have time to read a textbook, this is definitely a good read.
This book is great for understanding the basics and building the foundation that you need to excel as an audio engineer. Allows for a good base to be built upon and allows any young engineer to know what they need to improve on.
So back in 2008 I was leaving high school and bought a blue yeti with a simple mixer. I wasn't particularly great at recording my voice. I used freeware stuff to equalize my voice and it sounded a hell of a lot better than others I heard speaking over the voips we used back then.
In 2019 I'm looking at getting back into using a dynamic microphone to record my voice and using hardware this time to make my voice sound good before it hits the computer. I have some friends who record audiobooks for archive.org and I'm looking at doing that as well. Along with streaming on twitch. Due to slow internet speeds the best way to stand out is still having good audio as a huge number of users are still on their phone.
This book reads a lot like a o'reilly book but for audio engineering. Clearly Tim is well seasoned audio engineer because he manages to pack 4 to 5 explanations of each concept in bit sized chunks on a single paragraph ranging from actual engineering concepts to more heady feel based arguments that clearly proliferate the profession.
I could have used an entire book on chapter 5 the microphone guide.