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Echo in Four Beats

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Combining elements, rhythms, and personas from American jazz, blues, and ragtime, poet Rita Banerjee presents a modern-day spin on the love story of Echo and Narcissus in her debut full-length poetry collection, Echo in Four Beats. But in this story, told in four parts, Echo is more than just a fragment, she is a Sapphic voice that speaks, foretells, forestalls, and repeats. Echo in Four Beats was a finalist for the Red Hen Press Benjamin Saltman Award, the Three Mile Harbor Book Prize, the Aquarius Press/Willow Books Literature Award.

90 pages, Paperback

Published March 9, 2018

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About the author

Rita Banerjee

6 books7 followers
In 2023, Rita Banerjee will be joining Warren Wilson College as the new Director of the MFA Program for Writers and as an Assistant Professor of Creative Writing. She is the author of CREDO: An Anthology of Manifestos and Sourcebook for Creative Writing, Echo in Four Beats, the novella“A Night with Kali” in Approaching Footsteps, and Cracklers at Night. Her work appears in Hunger Mountain, Isele, Nat. Brut., Poets & Writers, Academy of American Poets, Los Angeles Review of Books, Vermont Public Radio, and elsewhere. She is a co-writer of Burning Down the Louvre (2022), a documentary film about race, intimacy, and tribalism in the United States and in France. She received a 2021-2022 Creation Grant from the Vermont Arts Council for her new memoir and manifesto on female cool, and one of the opening chapters of this new memoir, “Birth of Cool” was a Notable Essay in the 2020 Best American Essays. You can follow her work at ritabanerjee.com or on Twitter @Rita_Banerjee!

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Profile Image for Greg Bem.
Author 11 books26 followers
May 7, 2018
Rita Banerjee’s Echo in Four Beats is a positive book. It is a book about positivity. It is a book about attraction. As much as it reflects the complex curiosities of the poet herself, this short, four-part poetry collection also reflects the curious ways extremely otherly and othered objects and cultures carry capacity and phenomenological connection with one another. East to West. The ancients to the contemporaries. Language and translation. These juxtapositions are arrived with Banerjee’s poetic presence, not quite lyrical, not quite narrative, not quite conceptual, which provides appropriate spaces and ranges to explore rather fully a world of integration.

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