Speaking of minimal, here’s Mr. Christie with 9 poems that from appearance make me think of Twitter and of code. I’ve always admired the profound nature of Jason’s poetry. In these poems he blends the everyday with philosophy and receptive file formats and a pinch of absurdity. There’s a tenderness to his poetry that always catches me off guard. I expect a kind of cool objectivity and then I get “tin”y song islands/replete with music: you gotta watch your own back.” In # morning fragments, for example, or a portrait of a grey day and then “Emmett playing the piano,/hidden stars in our time/lapse” in #anvil and a swing timer. These are contemplative poems by a parent and a poet: “the child/inside considers itself whole -/family he recognizes into/bells and song bells -/his music to be a joy to.” In “ day – what does a child. Despite the guilt and shame and despair we all feel, there is music: “Through amber Snow/we sing we sing to create.” In # hitch And every A hitch. I loved this line in # ballad highway “Unbegun is the most/all three of us can manage/at this time of day.” In many of these poems the light is juxtaposed with grey, with metal with bleakness with gravel and it works. “you let it burn through.” In # encumbrance at dawn. “hope shedding months of /drudge and resist” in “from that great game of bridges. Something I repeat often in February is that life is mostly pain, suffering and tedium punctuated by moments of joy. Jason’s poetry always gives me moments of joy.
Though the concept is rooted in code, this selection falls relatively flat in its delivery. The book begins and ends before any true sense of its poetic purpose is delivered or communicated. Though Christie's writing is filled with much potential, that potential is not realized or explored to any satisfaction in this selection.