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422 pages, ebook
Published February 6, 2018
“Is it time to go already?” Jacob rubbed the sleep from his eyes with the backs of his two little fists. “What’s that sound?”
“Wolves,” Roderick said. “Now up, up, it’s time for a quick bite and we’re off.”
“We’re having wolves for breakfast?” Jacob asked.
Roderick ruffled the top of Jacob’s head. “No, sleepy, that’s wolves howling off in the distance.”
***
“Regrettably, I must take my leave. I swear I shall never forget you gentle folk— or your smell— but my feet are calling me home.”
“And where would that be?” Kendall asked.
Nagan hesitated, scanning the horizon in several directions as if attempting to get his bearings. “That’s an interesting question,” he said finally.
***
“Afraid of trees, eh? I might just have to chop one down and wear it around my neck, then,” Nagan said.
***
“Of course it won’t be safe. But nothing is ever truly safe. Some things are just more dangerous than others.”
***
“And you’ll know peace, and joy, and the shadows will never come again.”
***
“Wonderful!” Nagan said. “How do you spell that?”
A pair of flashing red eyes blinked into existence at the far side of the ruins, weaving in and out amongst the crumbled stone.
“I have no idea,” Roderick said. “I can’t read.”
“And I can’t spell to save my life,” Nagan said. “Which, unfortunately, is more than just a figure of speech at the moment.”
☔ This book has a bit of an originality about it. Of course, originality is a thing difficult to produce. After all, as some intelligent sort of person in the twenty-first century is about to say, "Put eight persons in a room with a banana and a monkey, and some will think about the banana and some will think about the monkey." Which, admittedly, has little to do with anything—and then there's the fact that some persons might think about both the banana and the monkey (as I would, in part), and the two folks over there in the corner might be thinking about the economic advantages of a ski resort in Hawaii. But all this is largely not at all useful to what I was trying to say. AHEM. Let's try this again, shall we…
☔ An example of the originality of this book is the rather more than slightly colorful skin thing with things and thing thing. HA! You can see that I am giving away no spoilers about thing. *smiles smugly* And, no, this paragraph absolutely does not fit with the format that I wanted in this review. But probably none of the following strictly will.
☔ The writing is well-paced and entertaining, and it delivers the story similar to how a grandmaster makes his chess moves, for lack of a better simile. I had to add that little prepositional phrase there because my simile is a very bad one.
☔ The characters are believable types—very fun too—and the chief protagonist is married, settled, and he has a child, which is interesting, yes?
☔ There's some twisty twisty twisty. ⇐(By far the most important consideration.)
☔ There's some fair amount of humor. I wouldn't call this "The Comedy of the Last Motley" by any means, but the humor is there and it's intelligent and powerful and unassailable—I'm assuming; I'm not sure about the intricacies of assailing humor. It's also plain funny, where funny is defined as "creating in an entity a targeted feeling of mirth, frivolity, or amusement, such as is convenient for the production of favorable—though very odd—sounds known as laughter." That's the stuff of dictionaries, that definition is. I ought to be a lexicographer. Also, speaking of humor—Nagan. Top-hole character, he.
☔ The plot is not at all a negligible factor, of course, so I probably ought to mention it. It's a pretty straightforward plot, but it is good, very good. Amusing and clever and all that.
☔ And, yes, I am getting tired of writing this review. Boring, boring, boring.
☔ Oh, hold on, I don't think there's anything preventing me from stopping here. And I do have things to do, so maybe I ought to.
☔ Ah yes! That is an incredible title, by the way. The Last Motley. Capital, capital.
☔ Yep. Great book. Bye.
☔ Hello again! And it (the book) has a nice setting too. I want more of it. Goodbye.