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376 pages, Paperback
First published October 1, 1997
The killer's MO was extensively refined and stylized as he continued killing. In practically every circumstance, the killer did something to clean up the crime scene after him. He took jewelry, purses, and clothing from his victims. In New York, the motel fires could even have been interpreted as an effort to cover up physical evidence of the crimes. The killer also may have tried to prevent identification in the New York murders by removing the heads and hands of his victims at one scene, but he really didn't need to worry. After his two New York City mutilations, Cottingham didn't have to fear that the identification would lead police to him. None of his other crimes had put authorities on his trail. Like serial killers near the end of their arc of violence, part of Cottingham believed he was completely invisible and could commit rapes and murders at will. Another part of him remained obsessively paranoid about leaving evidence at the crime scene. Therefore, in the arson murders, where the act of setting the fires was the last act of the killer at the crime scene, the setting of the fire may not have been some sexually perverted paraphilia with fire that some offenders possess. It might simply have been Cottingham's attempt to lead Manhattan detectives down a blind alley.
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Cottingham's MO became increasingly refined and stylized with each murder. Like other serial killers near the end of their arc of violence [the "end" of the arc being their arrest, not their choice to stop killing, because they will never make that choice -sm], part of Cottingham believed he was completely invisible and could commit rapes and murders at will. Another part of him remained obsessively paranoid about leaving evidence at the crime scene, even though none of his crimes thus far had put the authorities on his trail. In practically every circumstance, Cottingham did something to clean up the crime scene after him. He took jewelry, purses, and clothing from his victims. In the West 42nd Street murders, he went farther, both removing the heads and hands of his victims and setting the fire as his last act at the crime scene. Given that his other crimes did not include arson, but did include this obsession with removing evidence, it seems most probable that his actions in the West 42nd Street Travel Lodge, rather than demonstrating a paraphilia for fire, were a further, ritualistic (and partially successful) attempt to destroy evidence of the murders of Deedah Godzari and Jane Doe.