Thank you Edelweiss+ for an advanced eGalley of this edition of Ayiti.
This collection of stories--highlighting both the Haitian and the Haitian-American immigrant experience--is not new. It was originally released in 2011. However, this edition will be more widely available, and includes several new stories.
Since I did not read the initial release, all of these were new to me, and I found that I was most drawn to three stories: Cheap, Fast, Filling, In The Manner of Water or Light, and The Dirt We Do Not Eat.
Cheap, Fast, and Filling focuses on Lucien. A man who made it into America via an illegal border crossing. His cousin, who'd made his way to Miami years earlier, hands him $50 and tells him to eat Hot Pockets, to sustain himself, because they're "cheap, filling, and taste good".
The immigrant experience is often a reminder of the concept that the "American Dream" is still alive, albeit briefly, for those who have yet to become jaded by the systemic truths of this country, and have come from a place where even the opportunity for success is few and far between.
Even though Lucien's life is likely no better here, than it was in Haiti--where his wife and children await his call--he still finds a way to hold on to the hope that one day he'll be able to bring them to this land of plenty.
The dream remains, despite evidence that it may not in fact exist.
The Dirt We Do Not Eat is a tongue-in-cheek nod to the egotism of Americans: we believe what we're told about poorer nations because we're sold the idea that the American way of life is better than any other. And, because we buy into that notion, we are quick to assume any nation, not built upon our democratic ideals, is languishing.
Gay weaves each tale without spectacle.
There isn't a bunch of flowery language, nor do the stories seem to go on longer than necessary--most of them are so brief you'll almost forget you read them--but each leaves you wanting a bit more because you don't get to know the outcome. So, you find yourself wondering what happens to Lucien, and how that married couple on the boat fared in their attempt to escape their homeland, and whether or how Marise adjusted to life after Carlos.
You're offered a glimpse, but that is all. And although the stories are fictional, the experiences are not, so you're left to wonder about the outcomes. Left to ponder the origins and injustices each raises. Left wanting a bit more ...closure, maybe?
Then again, perhaps that was part of the plan.