Christina Björk's Linnea in Monet's Garden (which was originally published in Sweden in 1985 under the title of Linnea i Målarens Trädgård, with the English language translation penned in 1987 by Joan Sandin) has been on my to-read list for almost a decade, and I am happy to say that I have now remedied this shortcoming, that I have both read and yes indeed also very much enjoyed Linnea in Monet's Garden (although truth be told, I do very much wish that I were fluent in Swedish and could thus tackle Linnea in Monet's Garden in the original, or better yet, that a dual language English/Swedish edition of Linnea i Målarens Trädgård were available).
And yes, I very much do appreciate the smooth combination (the back and forth) of fiction and non-fiction in Linnea in Monet's Garden (and am actually rather surprised to have discovered quite a bit of hitherto personally unknown to me details and information regarding French Impressionist painter Claude Monet's life as an artist, including that for the 19th century, Monet definitely lived not only rather unconventionally, but also in a relationship with more than one woman simultaneously and in the same house). With Linnea's first person narrative voice shining brightly and sweetly in the fiction sections of Linnea in Monet's Garden, one can really emotionally feel and broadly smile at her effervescent joy of discovery and her constant delight as she and her elderly neighbour Mr. Bloom (who is a retired gardener) visit France to follow and explore both Claude Monet's art and his life. And while I do know and realise that there are in fact sone readers who seem to find it strange and even potentially problematic that a young girl like Linnea is allowed to travel to France without her family and even share a hotel room with an elderly gentleman who is not of her immediate family, frankly and in my opinion, there is absolutely nothing even remotely bordering on inappropriateness with and in Christina Björk's and by extension also translator Joan Landin's texts (since the joyful and engaging first person narration of Linnea in Monet's Garden really does demonstrate that Linnea's relationship with Mr. Bloom is comparable to a grandfather and granddaughter scenario, sweet, encouraging and with Mr. Bloom always acting like a treasured, understanding friend as well as a teacher). Now as to Lena Anderson's accompanying illustrations, they are bright, descriptive and totally capture not only Linnea's joy and and delightfully bubbly personality, they also present a glowing visual homage to France and to Monet's garden in Giverny (as well as depicting Mr. Bloom as being in all ways a kindly and grandfatherly soul whom I personally would definitely have wanted as a friend when I was Linnea's age). With the many reproductions of Claude Monet's signature impressionistic artwork (as well as the additional information on French and in particular Parisian museums either specialising in Claude Monet or showing the art of French Impressionism, not to mention the suggestions for additional fun and educational things to do if one visits Paris) being appreciated added bonuses, I easily and happily grant a full five stars to Linnea in Monet's Garden (and this even though I personally do wish that the short bibliographical list contained more than just five books, since well, at least Christina Björk has actually included a bibliography in Linnea in Monet's Garden and that indeed, all of the included tomes on Claude Monet's life and art do look very thorough and academically appealing to and for me).