Book 2 in a Regency, romantic-suspense trilogy from 2002
This novel picks up a few weeks after the closing events of Book 1 in this trilogy. It has the same MMC and FMC. It is told primarily from their point of view, but the novel also includes the POV of multiple subcharacters. I provided crucial information about the overall backstory of this series in my review of Book 1, so I am not repeating that information here. These three books are basically one big, serialized romance novel, in the sense that there is a cliffhanger about the main plot, the romance, in Book 1 and this book, though there is not a cliffhanger regarding the main crime that is solved within each book. Book 1 is Act 1 of the romance plot, this book is Act 2, and the expected HEA, with marriage in the offing, is provided in Book 3. For that reason, it is important to read all three books, and to read them in order.
We finally learn in this novel how old Tobias is. He describes himself as "perilously close to 40," so he is probably 39, which is within the standard age range of 37-39 for the vast majority of Krentz's MMCs. It also becomes clear, due to various hints about years that have passed in her life, that Lavinia is around 30, which is within the standard age range, 29-31, for most of Krentz's FMCs.
The inciting incident for the suspense portion of this romantic-suspense (RS) novel occurs when Lavinia impulsively volunteers to track down the murderer of Celeste, the cheating wife of Howard, a professional mesmerist who was a friend of her deceased parents, who were also professional mesmerists. Lavinia has just begun a career as a private inquiry agent (PIA). In Book 1, she decided on this objective because her newly minted lover, Tobias, is a PIA, and she believes it will be an exciting vocation for her to emulate. But rather than viewing herself as his apprentice and maintaining some degree of rational humility as she engages in an inevitable learning curve, she immediately assumes that she is just as good as Tobias. In spite of the fact that he is a former spy with self-defense skills that she does not possess and years of experience doing investigations, Lavinia insists on being considered a full, equal partner in their investigation. But all Lavinia has to contribute to their partnership is a friendship she formed with a rich female aristocrat (her first client, whose case forms the central mystery of Book 1), who can help her suss out clues among the ton, her own ability as an extremely talented mesmerist (a skill that Tobias considers bogus throughout this series), and a foolhardy type of courage, based on constantly overestimating her nascent abilities as a PAI while drastically underestimating the murderer she is attempting to bring to justice. She is well aware, by this point, that Tobias is very protective of her, and he is not going to abandon her to pursue Howard's murder case on her own. But she does not admit to herself that she is committing a kind of emotional blackmail when she suckers Tobias into taking the case along with her, because he is determined to save her from herself.
I am not personally a fan of an arrogant RS FMC who consistently overestimates her crime-solving abilities and perpetually underestimates the danger involved in tracking down evil villains. Making the situation even more obnoxious is when she clearly expects, without admitting it to the MMC, that she is counting on him to back her up and save her, when she gets herself stuck in an untenable position.
It also irritated me that Lavinia refuses, throughout the novel, to suspect Howard of any kind of wrongdoing. It is obvious to Tobias, within minutes of meeting Howard, that the man is a scam artist who uses his handsome face, charisma, and supposed hypnotic skills to steal from his clients. But in spite of ongoing evidence in that regard that is presented to Lavinia throughout this novel, she continually wallows in confirmation bias, flatly refusing to accept any information that might contradict her entrenched opinion that sleazy Howard is an honorable man. For example, as a talented mesmerist herself, there is no way Lavinia could possibly avoid recognizing the fact that, on several occasions, Howard attempts to hypnotize her. And she does, in fact, realize this sufficiently to successfully resist being hypnotized. But she refuses to call Howard on it, insist that he admit that it was obnoxious and manipulative for him to do that to her and, most importantly, demand to know exactly why he is trying to control her. Worse, this willful passivity is entirely inconsistent with Lavinia's endless, vociferous resistance to even the slightest whiff of Tobias's urging her to please, please, please stop taking foolish risks with her safety.
Speaking of which, on multiple occasions, Lavinia gets into trouble because she behaves as if there is not a vicious murderer on the loose. In RS, I dislike any hint of the FMC's resembling a cliche, horror-movie, cannon-fodder female, who knows there is a monster in the metaphorical attic, but skips or trudges up the stairs anyway, to her inevitable doom. In the RS version, because the FMC, in this novel Lavinia, cannot die, when she survives her stupidity, it is because she puts the MMC, in this situation, Tobias, in unnecessary danger while riding to her rescue.
A pleasant feature of this novel, which retrieved it from being a 2-star read for me, is the inclusion of two secondary romances which I quite enjoyed. I liked all four of these lovers.
Unfortunately, in terms of the primary romance, I liked Tobias far more than I liked Lavinia in this book.
I experienced this novel in audiobook format, which I obtained for free through my Audible membership. Sadly, the fabulous Barbara Rosenblat, who narrated Book 1, does not narrate this book or Book 3. However, voice talent, Josephine Bailey, does an adequate job.