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Triumphal Forms: Structural Patterns in Elizabethan Poetry

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A study of numerology in Elizabethan poetry, with some background studies which base the subject in classical learning, the works of Dante and Petrarch, and the esoteric traditions of the humanists. The central assumption of numerological criticism is that there exist works written in this tradition which show a correspondence between structure and meaning on a numerical plane; that is, one in which the number of the constituent parts (lines, stanzas, sonnets in a sequence) expresses a major aspect of the meaning. For instance parts of the whole can be arranged to represent months of the year and so on. Such structures of time and the triumphal form, in which the most important 'sovereign' element is placed at the centre, are the two main numerological patterns discussed by Dr Fowler. Critics have tended to regard numerology as an isolated phenomenon, rare after the Middle Ages but Dr Fowler demonstrates its persistence in the works of Spenser, Sidney, Chapman, Shakespeare, Donne, Jonson, Dryden and others.

247 pages, Hardcover

First published December 11, 1970

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About the author

Alastair Fowler

35 books5 followers
Alastair David Shaw Fowler CBE FBA (b. 1930) is a Scottish literary critic and editor, an authority on Edmund Spenser, Renaissance literature, genre theory, and numerology. Fowler was educated at the University of Edinburgh, M.A. (1952). He was subsequently awarded an M.A. (1955), D.Phil. (1957) and D.Litt. (1962) from Oxford. As a graduate student at Oxford, Fowler studied with C.S. Lewis, and later edited Lewis's Spenser's Images of Life.

Fowler was junior research fellow at Queen's College, Oxford (1955 - 59). He also taught at Swansea (1959 - 61), and Brasenose College, Oxford (1962 - 71). He was Regius Professor of literature at the University of Edinburgh (1972 - 84) and also taught intermittently at universities in the United States, including Columbia (1964) and the University of Virginia (1969, 1979, 1985–98).

Fowler is known for his editorial work. His edition of John Milton's Paradise Lost, part of the Longman poets series, has some of the most scholarly and detailed notes on the poem and is widely cited by Milton scholars.

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