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Experience: New Foundations for the Human Sciences

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This book is a radical plea for the centrality of experience in the social and human sciences. Scott Lash argues that a large part of the output of the social sciences today is still shaped by assumptions stemming from positivism, in contrast to the tradition of interpretative social enquiry pioneered by Max Weber. These assumptions are particularly central to economics, with its emphasis on homo economicus, the utility-maximizing, instrumental actor, but they have infiltrated the other social sciences too.

Lash argues for a social sciences based not in positivism's utilitarian a priori but instead in the a posteriori of grounded and embedded subjective experience. This features a politics of Hannah Arendt's public sphere, which begins with the particular experience of Aristotle's polis and moves - via Rome, Augustine and Kant - to a modernity that acknowledges the fragility of political worlds. Yet modernity is also a matter of technological experience and technological forms of life. Lash - starting from Aristotle's technics and working through Turing's and Shannon's computer mediation - develops a novel account of technological experience, of how objects themselves experience. And here he finds a surprising convergence with Chinese cosmology's ethos of dao, qi and li: the experience of the embedded multiplicity of the 'ten thousand things'.

This original book by a leading social and cultural theorist will be of interest to scholars and students across the social sciences, from sociology and cultural studies to anthropology and politics.

200 pages, Hardcover

Published July 30, 2018

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Scott Lash

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Profile Image for Jarkko Toikkanen.
7 reviews
February 27, 2019
It's an incredibly timely and astute work of theory on the key concept of our times. Lash knows his stuff inside out, so much so that at times it becomes a bit showy, and his contribution is an encyclopedia on the topic in its own right. He's a self-professing sociologist, and he makes the point clear, only to stop off into art and literature eventually. That's not rare in this kind of works. I do not outright agree with Lash's unqualified celebration of a posteriori empiricism as he presents it, and every now and then the focus on experience disappears under a wealth of related concerns, but it's still a 5-star piece of work. Or 4 and a half.
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