Plotinus and the Moving Image presents the first philosophical exploration of Plotinus' philosophy in relation to film. It examines Plotinian concepts such as 'the One' within a cinematic framework and connects Plotinus' theory of time as a transient intelligible soul movement to Bergson's and Deleuze's time-image. Film serves as a unique medium for reconciling modern consciousness with Plotinus' thought. The Neoplatonic influence is notably significant in the context of the burgeoning 'Cinema of Contemplation'. Plotinus' pursuit of the 'intelligible', imperceptible by senses or logical abstractions, leads to a fluid visual experience. Previously undiscussed parallels are persuasively drawn. This book is a landmark in film philosophy.