Rian Johnson’s “The Last Jedi” was a phenomenal “Star Wars” film, and an excellent film in general. Let me start with that, mainly to clarify where I stand with my fellow Star Wars fans, many of whom either have problems with the direction in which the franchise is currently heading or simply didn’t like Johnson’s contribution to it.
I loved the film. It’s everything one could ask for in a “Star Wars” film---action-packed, funny, beautifully-filmed---and more. Actually, though, I think it’s the “more” part with which most fans seem to have a problem. Johnson did some things differently in this film. He kind of strayed from the basic formula. Some purist fans don’t like it. I get it, to an extent: don’t mess with a winning formula. Stick with the program. Don’t rock the boat.
Except, sometimes, one needs to shake things up a little. Doing it the same way, over and over again, gets dull. One needs to keep it real.
I remember certain fans hating “The Force Awakens” because J.J. Abrams had the audacity of following the EXACT SAME FORMULA as the original Lucas trilogy. It was, in fact, “Star Wars Episode IV: A New Hope” simply redone with new characters. It was a choice Abrams made, and it paid off. Now, the haters are criticizing Johnson for doing the opposite of what Abrams did? Seriously?
Whatever. You can’t please everybody.
Before I ramble on further into a lengthy film review when I should be focusing on a book review, let me just say that, in all fairness, Johnson’s film didn’t actually stray too far from the formula. If “The Force Awakens” was “Episode IV”, then “The Last Jedi” was almost a perfect by-the-numbers rehash of “Star Wars Episode V: The Empire Strikes Back”. It separated the characters into several different storylines. The tone was somewhat darker and more maudlin. It didn’t end well for everyone. And while it left an iota of hope alive for the distant future, it essentially ended with the Resistance pulverized into a powerless shambles with very little hope for the near future.
What I think many fans didn’t like about the film is that it is about failure and regret. Every character in the film fails miserably in their particular mission or goal. The only character who doesn’t is Kylo Ren, who actively refuses to have any regrets about anything he does and is either unwilling or unable to see the failure in his own actions. He’s a lot like Trump in that regard.
But what harsh critics don’t seem to get is that Johnson is saying that failure can be a good thing. As Yoda says in the film, “The greatest teacher, failure is.” This isn’t a lesson many people want to hear or learn. Failure represents weakness. It also means acknowledging it, taking responsibility for it, and facing the consequences of it. In this Trumpian Era, that shit is scary for most people, especially when they know that they are the smartest, the strongest, and the most morally right.
This is what Master Jedi Luke Skywalker is referring to when he talks about the real failures of the Jedi Order and why he shouldn’t have bothered starting up a new one. It was hubris on his part to believe that he could. It was, he felt, ultimately hubris that brought about the end of the Jedi in the first place.
Jason Fry’s novelization (based on the screenplay by Johnson) is decent but not great. It’s a run-of-the-mill novelization that succeeds only in doing what any decent novelization does: making the reader desire to watch the movie again, this time with a keener eye.
It’s not to say that Fry doesn’t do some interesting things in the book. Besides adding some extra scenes not included in the film (which may or may not appear in the “deleted scenes” section of the blu-ray version), Fry does, subtly, make references to characters and events not mentioned in the film version that tie in past books and graphic novels within the new canon as well as the TV show “Star Wars Rebels”. Only fans who have read the books and watch the show will get them, but it’s still pretty neat.
One of the more notable things Fry incorporates is an alternate opening scene, one that involves a lengthy dream sequence in the mind of Skywalker. In this scene, Luke is an old man living on Tattooine with his wife and elderly Uncle Owen and Aunt Baru. In this sequence, Luke looks back on his life as a moisture farmer with some regrets, like the time he let the Imperial stormtroopers take newly-bought droids away for interrogation. He always wondered what those droids were hiding. He recalls watching the galactic news videos of Princess Leia of Alderaan being executed after admitting to being a leader of the Rebellion and then watching the Death Star blow up Alderaan and three other planets as a show of force. He wonders what life had been like if he had joined the Rebellion and helped fight the Empire. Then he realizes that life wasn’t so bad as a moisture farmer. He had a home, a wife, security, a place far enough away---and insignificant enough---to not be bothered by the Empire. One should never dwell on the “what ifs” of life.
It makes me wonder if Johnson had originally planned on filming this scene, or if he had filmed it and simply edited it out for various reasons. I wish it had been in the theatrical version because I think it is an extremely demonstrative and significant scene, given the film’s over-arching theme about regret.
It works well in the book, however, because it lingers in the mind like an unsolved puzzle that one continually goes back to time and again.