3.5/4
There are events which prove the old saying that truth is stranger than fiction. The story of the lengths that Israel went, in the aftermath of the Six-Day War in the 1960s, to obtain plans for the French built Mirage 5 fighter plane following that country’s embargo, is among them. It’s no surprise then that the story found itself fictionalized two decades later by one of the bestselling thriller writers of the time: James Follett.
Follett, who had penned thrillers including Dominator with its own subplot involving Israeli politics and intelligence, proved up to the task. Beginning with a page-turning depiction of aerial combat in the Six-Day War, Follett takes readers through fictionalized events beginning nearly twenty years earlier with the country’s founding. From there, Follett takes the now-ground Daniel Kalen Israeli pilot to swinging sixties London and into Europe as he comes up with a plan to get the much-needed plans. Efforts that attract the attention of not only his father (who, unknown to Daniel, is the head of the Mossad) but also the American CIA and a beautiful young American who falls into the former pilot’s orbit.
It’s a fine tapestry that Follett pulls together to tell his story. Beyond the thrilling flying sequences and bits of intelligence tradecraft, Follett offers up a richness of period details, from music and fashion to cultural events such as Apollo moon missions bringing the world to a standstill, that add wonderfully to the verisimilitude. All building up to an extended chase sequence across the final quarter of the novel that (while almost certainly the author injecting a hefty dose of creative license into proceedings) brings the novel to a most satisfying conclusion.
There is a trade-off for all that, though. The flashback to the late 1940s is a lengthy one, taking up nearly a quarter of the novel’s length, causing literary whiplash after the action packed opening. Not that Follett doesn’t need it to set-up the large cast of characters and connections, but one can’t wonder if it couldn’t have been done in a more concise way. The same is true of the next quarter, as well, which involves another very lengthy set-up to get events established once more in the late 1960s. The second half of the novel picks up considerably, particularly in the final quarter with its extended chase sequence, but it’s something that leaves Mirage feeling oddly lopsided. Also showing the novel’s age (or perhaps that of its author) are a pair of overly graphic torture scenes (including one involving a woman) and an attempted rape that is essentially shrugged off in the next scene which even as a forgiving reader of older thrillers I struggled with accepting.
On the bright side, Mirage’s presentation on Kindle was an improvement over Dominator. Not that it was without issues with paragraphs and even lines of dialogue running together, but this was far easier to read. Indeed, of the various Follett novels currently available on Kindle, Mirage would be the one I’d be inclined to recommend both in terms being a good read and its Kindle presentation. Even if I make it with some caveats.