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384 pages, Hardcover
First published September 10, 2019

→The protagonist, Athena, has almost nothing to do with the actual story. As a self-insert for the author, she only serves to filter everything that happens through her perspective. That perspective, unfortunately, is irritating, shallow, and resistant to growth, so it doesn't serve the story at all.
→The real story, theoretically, is about Athena's sister Helen, who probably should have been the protagonist. That's not really possible, though, because the book shares Athena's dismissive attitude towards pretty, perfect Helen. Rebel Girls is completely disinterested in Helen's inner life.
→Those POV problems basically break the book, because I was never about to understand the stakes or the characters' actual goal. Athena doesn't seem to have a direction in mind besides "make a statement!!1!" so the book doesn't either.
→Without a real story to tell, the book flounders for 400 pages. The pacing is infuriating. Supposedly, the story is kicked off by a rumor spreading about Helen. Athena (and the reader) first hear that rumor on page 96. A quarter of the way into the book. Before that? Directionless chapters about pin selection and cute boys.
→Line by line, the writing is juvenile. Chapters are laden with pop-culture references and overly-detailed physical descriptions but have no depth at all.
→The book's core message is a rejection of empathy. Athena is supremely unconcerned with the humanity of the people around her, and so is the book. Even at the book’s climax, when another young woman has been very publicly outed about personal and potentially traumatic history, Athena watches from the background, emotionally unaffected. “This was better drama than 90210,” Athena gushes to the reader, watching a moment that should have been emotionally wrecking with the attitude of a popcorn-crunching movie-goer. Athena's attitude, unchanged throughout the whole novel, is the attitude of the book itself, which never bothers to take any other character seriously. The sympathetic characters are firmly two-dimensional, while the unsympathetic characters are cartoon villains flinging over-the-top, pointless cruelty at teenagers.
→Rebel Girls is not prepared to take its subject matter seriously either. Athena doesn't think pregnancy and abortion are a big deal, and the book takes that attitude and runs with it, treating teen pregnancy as a joke and the abortion debate as a circus. It's just not something to worry about--if someone disagrees with you about something important, the book seems to say, don't sweat it. Just privately dismiss and mock them--no need to make an effort to understand them. After all, people who think differently than you are either pure evil or will immediately change their minds once they have the Facts.