Magic is still the most powerful seducer of all as young monk Gilbert knows. He risks his soul as a sorcerer's apprentice, only to steal the magic books--and the Head. The Head prophesies the rise of his power, and it is shadowed by death.
Judith Tarr (born 1955) is an American author, best known for her fantasy books. She received her B.A. in Latin and English from Mount Holyoke College in 1976, and has an M.A. in Classics from Cambridge University, and an M.A. and Ph.D. in Medieval Studies from Yale University. She taught Latin and writing at Wesleyan University from 1988-1992, and taught at the Clarion science-fiction-writing workshops in 1996 and 1999.
She raises and trains Lipizzan horses at Dancing Horse Farm, her home in Vail, Arizona. The romantic fantasies that she writes under the name Caitlin Brennan feature dancing horses modeled on those that she raises.
A real, historical person, Gerbert de Aurillac started life as a farmer's son in an unimportant town in tenth-century France. He died Pope Sylvester II in 1003.
Along the way, he became an important scholar, teacher, mathematician, and by tenth-century standards, scientist.
According to legend, he may also have been a master of the magical arts. This is that story, starting with young Gerbert meeting his first tutor in the arts of magic.
This is a good, solid, engrossing story of mediaevel magic, politics, and history, with really excellent characters. Tarr as always knows the history more than well enough to do believable but interesting things with it, and make a stronger story overall.
Gerbert, his friend Richer, his rival Arnulf, his first teacher of magic, the Saracen Ibrahim, Emperor Otto II, and the other significant characters all have the complexities, mixed motives, strengths and weaknesses. For this reread, I listened to the audiobook, and the narrator is very good.
I love the knowledge Judith Tarr's professional background brings to the historical periods she uses for her historical fantasies. They sound and look authentic to me. And how rare is it for a German to find a historical fantasy set practically at the founding of the Heiligen Römischen Reiches Deutscher Nation.
I wouldn't mind hearing about great-grandfather Heinrich and not just Otto III. Or about Otto's mum - Teophanu's life at the Saxon court, but it was an enjoyable view at church life, at the recovery of the Arts of the Antiquities (I loved the opinionated Richer, the mule Alba and what little we were allowed to see of the Jinnayah).
Of course (and historically correct) not many women have an impact on this story.
This is a historical fantasy of how a young peasant monk rose to be the Roman Catholic Pope in the 10th and 11th century. Ms. Tarr based almost all her characters on real people and real historical events. History also records rumors which said Pope Sylvester II, known to the readers as Gilbert, used magic and the forbidden Arts. Ms. Tarr took this rumor and turned it into a fascinating story of a young monk's rise to power helped by friends, his own resourcefulness and dedication, as well as a little help from his study of magic. The story also emphasizes that nothing comes without a price, as Gilbert is always haunted by death and suspicion. A great story, especially if you enjoy historical fantasy. Anyone who knows the time period would probably love Ms. Tarr's references to historical information.
A story of the temptation and corruption of power based on the real-life Pope Sylvester II. It was considerably more entertaining than I'd expected, mostly because the mood of the book was so similar to the Ars Magica game. I don't know offhand which came first. Worth checking out if you have an interest in high magic or medieval history.
I've had this for some years, and finally dusted it off. A good read if you like historical fiction with a twist of fantasy. Rumor had it that Pope Sylvester II was a practitioner of magic. This is his story.
An interesting history of Gerbert of Aurillac later Pope Sylvester in the years before 1000 ad. About him and magic and politics and it reads like history as most Judith Tarr novels do
This was a somewhat interesting historical fiction. The author took some actual historical figures and gave them some magical abilities. It was a little hard to follow at times, but I did enjoy it.
(Sorta read: I'm skipping ahead to the ending, but I've read a bunch of it.) I've hit my limit: Tarr does a wonderful job with the setting, but not a blamed interesting thing actually happens in this book. Intelligent peasant becomes monk, learns magic & mathematics, claims to pay the price (), has trouble becoming bishop, becomes pope.
Trouble is, it's not even an interesting character study, because it's difficult to get a grip on the main character's personality. The reader can't actually predict what he'll think or say or do; we just have to plod along and watch him do this and do that, with no actual explanation of why he does it. Pov might have something to do with this: we see his thoughts, but Tarr doesn't actually put the reader into his head.
I did like the fantasy elements: the witches, the speaking bronze head. And Tarr's style is deft and lyrical. It's just that most of the book seems to be conversational jousting and descriptions of the characters sitting around thinking. I've been part of conversational jousting (I am, after all, a retired academic), and I've seen people sitting around thinking; and they're just not all that interesting to read about.
I first read this years ago and just now reread it.
Tarr does a good job of integrating non-historical fantasy elements into a historical tale in a "what if the legends were true" mission - which seems to be the novel's nature - an intellectual puzzle for the author to work out.
That said, as a story with interesting characters, suspense, important plot points where something is at stake etc., it's pretty bland. The most interesting part is the first section in which the protagonist first learns about magic and has a chance to learn, meets Moorish teacher etc. Whatever might have come of that is brought to a halt and the story moves on with the protagonist being moved like a chess piece along his historical path.
Picked this up at a yard sale at a friend's house when they were moving. Not exactly my cup of tea, but it was OK. The story centers around the monk who would become Pope Sylvester II. It tells of how magic (The Art) played such an important role in his life even while the church frowned upon sorcery and magic. The novel follows his education from a young monk and through his life into the early years of his papacy. It is NOT a history, although Pope Sylvester II did exist. It was based on the "legends" surrounding him, not on the recorded history. It was an easy read, or I probably wouldn't have finished it. It didn't really grab me and draw me into it as my favorite stories do. But, if you have nothing else to read....
This was a bingo read. I’m not a big fan of historical fantasy, so this is a little outside my normal reading.
This is a very quick read. I didn’t particularly enjoy the book, but I can appreciate the great writing. It felt like every word was chosen to give you a feel of the time, while not losing you in the prose. I wish I knew more about the time period it took place, I think it would have helped me to enjoy it more. As it is, I feel a little unfair even rating it, but it’s as much for me to keep track of my likes, then anything.
I’d recommend this to people who enjoy historical fantasy. It’s a beautifully written, quick read, just not quite my cup of tea.
Retroactive Review (12 Sep 2021): This follows Gerbert of Aurillac from a young monk to an older archbishop and higher, as he chases after knowledge and magic. Much more a character study than if you were hoping for anything exciting (Tarr stays within the legends surrounding Gerbert for the most part). I really liked being inside Gerbert's head (and the platonic male love was nice, too).
Another Judith Tarr book about a too-good-for-the-world man of God struggling to fit his magic in with his faith! It's interesting but not one of her best efforts. The way it skips past a few years here, a few years there, annoyed me too.
Pretty standard fantasy fare, with at least a slightly new take on magic. Much heavier emphasis on characters and personal struggle rather than battle or adventure. Overall average at best.