Native Resistance: Philippine Cinema and Colonialism, 1898-1941

by Clodualdo Del Mundo

“The question that moved this study was, ‘Why is Philippine Cinema the way it is?’ I decided to pursue the leads provided by scholars like Bienvenido Lumbera and Nicanor Tiongson about the connection between Philippine cinema and traditional theatrical forms, particularly the sarswela and the moro-moro.”—Clodualdo del Mundo Jr., in the preface

175 pages, Unknown Binding

Published January 1, 1998