Waters, an editor at Harvard University Press, laments the downward spiral in the quality of academic publishing, proclaiming the impending death of academic publishing because of misplaced priorities and bad practices throughout the academy. As usual with this kind of screen, there’s a lot of truth and some big blind spots as well.
Truths:
* Waters’ main lament is that the professoriate has offloaded our responsibility for making tenure decisions onto bean counting administrators, whose pressure for more and more publications becomes the primary force driving those decisions. He laments that quantity outweighs quality, and that we’re all writing articles and books that no one is reading.
* At the heart of his complaint, though, is the loss of perspective and time that allows academics to be intellectuals who pursue their own ends and write when writing is needed (rather than writing to the tenure and promotion timelines). He laments that we haven’t got time to properly think things through and write significant, important books–we all crank out lame books, apparently.
* He offers a small complaint, too, that tenure and promotion committees expect new colleagues to be writing and working at a clip well beyond what they were expected to do as young scholars.
* The corporatization of the university undergirds much of Waters’ complaint about the current academic publishing model, and his call is really a demand that faculty take back the initiative in shaping academe.
Blind spots:
* Waters makes no mention of the vast and increasing competition for tenure-track jobs. One of the reasons hiring committees expect graduate students to have published already is that there are so many more competing for the positions that the “bar” has raised across the board. This ripples up the promotion chain as people who’re hired for their prodigious writing are expected to keep prodigiously writing (or expect themselves to do so).
* Waters also dismisses or ignores the significant outside pressure to shift the tenure system as well. C.F. Zachary Karabel’s What’s College For?.
But ultimately, Waters’ essay rests on twin pillars of nostalgia and elitism — the idea that scholars of the past were producing important and significant work, and now that we’re writing more and publishing more, the quality of it is much worse and the thinkers are more blinkered. He may be right on some fronts, but in some ways he’s lamenting the demise of the carefully controlled academic publishing regime that marked much of the 20th century. Like dying record companies, he dislikes the polyglot cacophony of the multitudes of young academics trained in an academy where they were expected to start writing immediately, rather than sitting around thinking lofty thoughts.
Does this expectation result in less skillful scholarship? Possibly, especially as aimed at the old rubrics. But the old rubrics also assumed complete disciplinary knowledge. The “comprehensive” exams in which the scholar demonstrates that s/he has read everything in his/her field no longer apply, as it’s literally impossible to have done so. People taking their comps now read lots, to be sure. But not everything. In the digital world of ubiquitous scholarship, we’re database miners, scholars of the network. Our ivory tower has broadband.