Dina Silver’s debut, One Pink Line, was one of my favourite books last year, so I had high hopes for Finding Bliss. It wasn’t what I expected, and initially I was a bit disappointed. But actually it turned out to be a bit of a surprise and a book that had me thinking about it for days after finishing it.
I’ve had this on my Kindle for a while now, and didn’t bother to re-read the blurb before I started it, so I’m not entirely sure what I expected. But it wasn’t the teenage romance novel that was the first few chapters: Chloe is babysitter to two adorable kids who are neglected by their wealthy, socialite parents, and confuses her lust for their older football-hero brother Tyler with love. I was rolling my eyes at the clichéd development of their relationship and the implausibility of the strength of their feelings having only actually met a handful of times. So far, the kind of fluffy stuff I’d read on holiday.
When the narrative started skipping through time more quickly though, I realised maybe I’d formed my opinions too soon. Without spoiling what is the bulk of the novel, I can say that Chloe and Tyler do end up together and Finding Bliss is about their adult lives rather than their teenage relationship, touching on some issues that Dina Silver already handled so well in One Pink Line (complicated relationships, parent-child bonds, pregnancy and parenthood) and some newer issues, particularly infertility and mental illness. So it turned out to be quite different from the fluffy romance novel suggested by the early chapters.
I don’t think Finding Bliss is perfect. There are clichés, in many of the characters and many of the situations. I wouldn’t say I found myself rooting for any of the characters, and I think that’s because they didn’t feel real. Tyler is a football prodigy as a teenager but once we’ve fastforwarded a few years, it’s never mentioned even as a hobby. Chloe is the typical all-round perfect girl – pretty, hard-working, intelligent, compassionate – who stubbonly refuses to believe that Tyler can really love her, but married him anyway. Cam is the predictable third-wheel, the best friend who Chloe worries about taking advantage of (echoes of Twilight here), and Dixie Reed is a fairly two-dimensional Southern matriarch. I found all this surprising and disappointing, as the characterisation in One Pink Line was one of its many strengths.
For me, Finding Bliss felt like two separate books forced slightly uncomfortable together. Because the start of their relationship was covered in such a swift and unsatisfying way in the first few chapters, it doesn’t add anything to what comes later: if anything, those chapters just undermined the later attempts to show Tyler and Chloe as a couple that belong together. We never see them truly (believably) get to know one another and fall in love. I’d have preferred it if the novel started in their newly-wed days.
On the other hand, the book did surprise me and amongst the clichés there were some unpredictable events and plot turns. I liked the gentle link to One Pink Line, via Chloe’s best friend Grace. It also made me cry, just a little, towards the end – and I generally take that as a good sign (especially if it manages to do so when I’m on public transport!). I’m not sure I’ll read it again, and I’d definitely recommend One Pink Line more strongly, but Finding Bliss is very readable and much better than I initially gave it credit for.