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”But no one else pays attention to the quiet carver who fills the halls of the château with the scent of freshly sawn wood and the scrip-scrape tink-tink of her work, her passion, her joy.”
Cady Drake has never really known how a family operates; she’s never really had one. Having been raised in a long string of foster homes, she never knew the feeling of belonging. She is socially awkward, but she does has a friend, Olive, who is always trying to get her to step outside herself, be more a part of the world, and less hidden. The only other person that has given her a reason to trust is Maxine, an older woman who had taken Cady under her wing as a younger girl. And then Maxine is gone.
Getting by in life has always been hard for Cady, a local photographer, taking on school portraits, weddings, events, and other similar jobs even though her aspirations are higher, more creative. But when Maxine passed away, it felt as though a part of herself was missing. One night, she stubs her toe, and in a fit of frustration, she takes it out on Gus, and kicks him.
Gus has been a part of her life for a while, so when he falls over, slamming against an edge of granite, and now he lies on the floor broken, disfigured. Gus is her antique carousel figure whom she named Gus the Rabbit; it is Cady’s belief that Gus was carved by Gustave Bayol, a master carver of the 20th Century. But in breaking this figure that has been used for her photography business, and has been the object of so many of her photographs, her heart breaks a little. And even though antique dealers have assured her that Gus was almost assuredly not carved by Bayol, she’s always held on to the belief that perhaps they are wrong.
And then she notices that there appears to be something hidden inside Gus, a piece of pink fabric is showing through the hollow she has created. What she finds is a photograph that is a mystery, along with a note.
This story travels back and forth in time, told through different characters, different points of view, with relatively short chapters separating the varying eras and voices. In order of appearance, this story begins in 1901 at Château Clement, in Provence, France, through Josephine, who begins by sharing the sights of the” gardeners and servants, grape pickers and kitchen staff, have been joined by Monsieur Bayol’s crew of men hammering, sawing, sanding and painting the newly arrived carousel.” Returning to present day, Oakland, California with Cady Anne Drake, only to be returned to Château Clement – in 1915, with Yves Clement, and then to 1900, Angers, France at the Carousel Factory of Gustave Bayol. Back to 2001 Oakland, only to return to 1900 Angers at the Carousel Factory with Maëlle, then to 1993 Berkeley, California with a five year old Cady, to 1944 Paris…. And so on.
If you think this would make you feel like after watching a ping-pong match, it didn’t for me. The story builds slowly in each timeframe, adding layer upon layer, and little by little we know more about the mystery behind Gus the Rabbit.
A girl has to hold onto her dreams, and so with the offer of an assignment to take photographs of the carousels in France that her friend Olive finagled through her publisher connections at Sunset Magazine, she doesn’t hesitate, and heads to Paris. In Paris, the City of Love, one can assume there is a love story, and while there is a bit of romance, it doesn’t really drive the story, but it also doesn’t take away from the charms of seeing Paris, Provence and the older, handcrafted carousel animals. Still there is more than just romance in this, there are family secrets to unravel, and a mystery to solve, and some rather unfriendly characters that might need some persuading.
Pub Date: 18 SEP 2018
Many thanks for the ARC provided by Berkley Publishing Group