Corpse Path Cottage revolves around the arrival of a stranger, Mark Endicott, in the small Dorset village of God’s Blessing. First impressions are always difficult to live down, and, as Mark begins to interact with the village’s residents, he both intrigues and offends them in equal measure.
‘This man had broken into their conversation, had contradicted them, had filled their minds with raging curiosity.’
Corpse Path Cottage was written in the 1950s and is set in the same period of British post-war recovery and fatigue. A soldier returned from fighting in the Far East, Mark has moved to God’s Blessing to escape his ghosts, to live a secluded life in Corpse Path Cottage, and to write. As he steps off the bus, the unmistakable joy of Dorset village life shines through in carefully crafted prose.
‘God’s Blessing …did not display its attractions to the first casual glance. Three very ugly cottages and a small general shop were in sight … Before him he saw with pleasure a village green – a rough triangle of grass on which an enormous sow and a number of piglets were rooting happily.’
Despite Mark’s best intentions to spend his time alone, life soon breaks in, bringing with it painful memories of past sorrows. The tension increases as poison pen letters begin to circulate, the villagers’ secrets and lies are revealed, and a dead body is found in a field near Mark’s cottage. The story kept me guessing until the very end - not only about the identity of the murderer, but of many others in the village who are also hiding who they really are. This made the revelations at the book’s conclusion truly satisfying, as well as gently humorous in the best of ways.
The quality of the writing struck me time and again while reading this book.
‘Amy Faraday opened the door of the white house, and its emptiness came coldly to greet her. Mother has gone, the house said; no mother to hear your silly little bits and pieces, to take, with laughter, the trials and errors of the day. Not Mother and Amy, a partnership happy and complete any more. Just Amy. Amy, foolish, lonely and afraid.’
Every character, setting and scene in Corpse Path Cottage is created with love and care by an observant and thoughtful writer with a deep understanding of - and sympathy for - the complexities and foibles of ‘ordinary’ people, and of lives lived largely in one place. There is a rare understanding at work here, a knowledge that circumstances and life’s pain sometimes make people do things that they would otherwise never do. No-one is inherently evil, just human.
The author Margaret Scutt was born in Weymouth, Dorset, in 1905 and spent her life living in the beautiful county in which she was born. Margaret was the accomplished author of two historical novels published in the 1940s, but her crime novels failed to find a publisher during her life time. She wrote novels, short stories and plays while working for 42 years as a teacher and caring for her parents in their old age. She retired from teaching in 1966 and died in 1988.
The original manuscript of this novel was given to me to read by Margaret’s nephew, Tom Hammon, in 2017. The carefully typed pages were near flawless, and the story - fresh, lively, intriguing and full of humour – seemed to me a perfect example of the genre we now call ‘cosy crime’. Written in the 1950s - an era it captures perfectly - Corpse Path Cottage was accepted on its first submission by Robert Hale Books (an imprint of The Crowood Press) and published in 2018, more than six decades after it was written.
As a book which lies close to my heart, it has made me very happy to see Corpse Path Cottage being enjoyed and appreciated by so many readers since its relaunch by Joffe Books in spring 2020.