Sigh.
You know how, with one recent exception, I always say no book is perfect except for East?
Well, apparently that includes its sequel.
This...thing...is about as far from perfect as you can get.
The thing is, if this was a mere disappointment, or badly written, or just 100% mediocre, I could rate it 3 stars and move on, just another weak sequel to something I loved. But the writing and effort were way too quality-laden for what boils down to fixing what wasn't broken in the first place.
You know how a lot of people felt all the additions to the live-action Disney Beauty and The Beast were just trying to fill in plot-holes and "problems" from the animated film? Well, this sequel boils down to that for East.
Don't believe me? Consider this list of things a handful of people have complained about with the original.
1) Rose and Charles didn't have a lot of development in their relationship because he was a bear most of the time in East.
2) Neddy didn't "add" anything because he didn't have an arc of his own, just being a side POV to his sister's story.
3) The Troll queen died too easily
4) We didn't get to know Rose's mom well enough and so she and her superstitions were one-dimensional.
And here's how they were all addressed in West.
1) Charles gets memory loss and he and Rose have to fall in love all over again. (No, not joking, I'm serious; he forgets her early on and doesn't remember her until like the second to last chapter.)
2) Neddy gets his own half-baked love story that mostly consists of his love interest going "No, Neddy, we can't, it's impossible, and I can't tell you why" until the end when she's like "Okay, I'll tell you why, here's my big reveal, but that's okay because I'm totally over it now and we can be together, let's get married". Riveting, ain't it?
3) The Troll queen is ALIVE, being the villain again, until she gets defeated with a dramatic over-blown scene where she's definitely dead this time near the end.
4) Oh, guess who has a POV now? For no logical reason?
Now, all four of these are things I have seen in various reviews. So maybe the people who wrote those complains were appeased by the little fixes in this book. But here's the thing, most hardcore fans, all those girls who write Edith Pattou those letters she mentions getting over the years since writing East? We don't give a crap about any of that, we never even THOUGHT that. To me, like I've said, East is flawless. And if we fans DID care, why would we be waiting years for a fixer book? Wouldn't we have moved on by now?
These fixes really felt like the author was taking back everything I loved about the original, all it's gorgeous fairy-tale simplicity which is exactly what makes it complex. Now it's a loose retelling of the Edda complete with edgy girl power bits.
But in trying to make Rose extra strong, her character, only 3 years later chronologically (even if this book is written so long after the original) is almost nonexistent besides her brave characteristics. I mean, aside from the little that carries on from the original what do we actually KNOW about Rose in West? She's a mother now, she loves her husband, she loves her family, and... she's determined? Even the old stuff, like how much she loves weaving, barely matters until the last quarter of the book where she randomly has to make 3 cloaks out of elements (she totally cheats on a couple of those, by the way). I also hated the way she reacted to Charles losing his memory. At first she wouldn't tell him the truth because she was scared it would break his brain or something, but even when she got over that she STILL didn't tell him -- she was literally going to re-marry him under false pretenses. Forget it being bad luck, it's kind of a jerky thing for her to do. Charles is under the impression that she was married to somebody else and would be Winn's (their child) stepmother. But then he remembers and everything's okay, no mention of her totally misleading him? Please. This makes her better than the Troll Queen HOW? Oh, I guess because Rose doesn't actually want to kill every softskin/human on the planet, that makes her better (because, yeah, that's the queen's oh-so-believable motivation in this one)... Whatever.
Then there's the little fact of Rose being a bit mary-sue in this one just from how the other characters treat her. In the last book her purple eyes were important to the plot, because of the snow glare. In this one, people just randomly comment on how pretty her eyes are because reasons. One guy actually nicknames her after them. Gag. This is just so pandering.
And let's just talk about Charles for a second shall we? His development went nowhere! We are learning about his happy family life at the beginning, we even get an interesting bit about how he becomes something of a part-time court musician in France and is content not to be a king and just having a normal life. Then the memory loss nonsense. Okay, so then he only remembers being royal as a little boy, and it seems like we're going to get this deep look into how he's repressed that he does actually want his old royal life back (without Rose, he would want to be a prince again, etc...); then that peters out entirely.
And by gosh is this character a bloody damsel in distress (I'm thinking he should be the one in the moon dress)! I can think of maybe ONE scene in the whole book where he fights or does something useful... Sort of with the snake fighting. Okay, there is the bit with him helping take care of Winn at the end which is useful, so I'll count that. That makes two... But literally this guy lives to be rescued. It's like, dude, we saw Rose rescue him in the last book, couldn't you make him do SOMETHING brave in this one? This guy needs so much rescuing that at one point a magical being with very little connection to him has to turn him back into a polar bear so he doesn't freaking drown. Oh, boy. Just... Wow.
Then there's Charles and Rose's magic super baby. Winn. But, wait, you say, wasn't their first son's name Tuki? Yes, yes it was... But because retconning it doesn't take and Estelle, who lives with them after her mother dies off page, calls him Winn that's his name now. Until the end where it's totally Tuki again, except they still call him Winn. This was so convoluted and pointless. Just call the stupid baby Tuki. And oh because the Troll Queen kidnapped him super Tuki/Winn learns to speak earlier and calls Rose Maman (Mother in French). Which is, you know, cute, but here's the thing: Charles literally hears his baby call Rose Maman and doesn't put two and two together. He thinks Winn is saying her name. I could let this go if Charles wasn't FRENCH. He's freaking FRENCH. He was going to be king of FRANCE. And so is the word Maman. How does he not know what this means??????? Did he have sea-water in his ears?
Oh, and to sum up my feelings on the whole Rose/Charles re-do love story in this book, let me just hiss bitterly at this GEM of a line: And in truth, I had fallen in love all over again, but this time with the man, not the white bear.
Boo. Just boo.
You mean to tell me that for the last 3 years Rose was only in love with her human husband as a bear? I thought, going by the beginning, she just called him that because it was what she knew him as when they met, I didn't take it as she didn't love him as a PERSON. That's just creepy.
Oh, and before I leave off, let me just say Rose cutting off her pink finger? Just...what? I know this was supposed to be edgy but by God it misses the mark.
Moving right along with my complaints, let's now talk about the elephant in the room as far as I'm concerned.
My personal favorite East character, my literary crush during my late teenage years: Neddy.
(Needs a moment to compose self, takes deep breaths)
I'm not even sure what to say here. On the one hand, more Neddy is always a good thing, and comparatively he is the one who keeps his character from the original the most, and I will say his POVs were still my favorite, but by gum was his storyline all over the place.
It's like Pattou didn't know what to do with this guy for a whole book so he's just sent to various places like a bouncing ping pong ball and falls into whatever problems the side plot vaguely needs him to.
First he's with Rose traveling (wouldn't that have been cute, if they'd stuck together the whole book?) then he has to run back home to check on her baby, who isn't there for very long, then he gets the sweating sickness and almost dies, then he's better, then his love interest Sib keeps avoiding him for undisclosed-till-the-end reasons... When reading about your favorite character of all time becomes a chore rather than pleasurable, I think you can safely assume the author's done something wrong. Just everything he went through in this book seemed so pointless. Like we knew nothing was going to happen to him (he literally doesn't have a scratch on him at the end of this book, it's even commented on that he's the only character with no scars), even though his death was teased; and we knew eventually Sib was going to stop being stupid and marry him (Me through half this book: Honey, if you don't want him, I'll take him!) there was just no oomf to this plot.
And the only unfixable bad thing that happens to him through the entire book is the one I HATED and felt was the most pointless. Sara dies.
She freaking DIES.
That's right, the beloved sister whose life was so important in East which was why Rose had to go away with the White Bear in the first dang place dies of a sweating sickness three years later and it's over in a manner of a few pages. Worse, it's just used to further Neddy's story. Everybody, even the mother who loves Sara best, this was her favorite daughter after Elise, remember, underreacts to this death. Literally it feels like she was only killed off so that Neddy would see someone he knew and who the audience actually vaguely cared about "on the other side" when he thought he was dying. Oh, and so he could have a bonding moment of Sib comforting him.
Just no. No, Pattou, no.
Now lets talk about Sib, shall we?
Why the bloody heck did she not have her own POV? I mean Estelle had less to do with the plot, save for the short time she was kidnapped along with Winn by the trolls, and she gets a full-time POV, but Sib who is way more important, whose magic saves Rose's butt on at least two occasions, whose backstory actually turns out to be interesting except for the fact that it was infodumped at the last minute, and who ends up married to Neddy, doesn't?
I feel I would have liked her a whole lot more if I could have just gotten into her head. Because no one else viewed her objectively enough for her not to be annoying in their POVs. Rose was a little in awe of her, even. And don't get me started on lovesick Neddy who just looks at her and basically starts having a heart-attack. She's so special to him that he wants to start writing poems again. And does.
All that stuff about her being kidnapped by fairies is fascinating and makes a lot about her less annoying but it just came too late for me to care much. I LOVE the idea of Neddy falling in love with a (sort of) changeling girl and not knowing if she's going to age at the same time as him and stuff, BUT because it was saved as a big reveal, this whole premise was wasted. Instead we got Twilight/telenovela levels of "But we can't"/"But I love you"/"You can't, you can't love me"/"Stay away from me, I'm no good for you," crap. And the actual reveal feels like that tacked on bit in Once Upon a Time when that girl randomly reveals that her dad was the Connecticut Yankee in King Arthur's Court. Total throw away dialogue. Also very awkward that it was in conversation considering so much else of this book is prose-related "telling" so it feels unnatural that a plot point this big is shown through dialogue.
Oh, and let me back up to another retcon this book tries to pull at the end. You remember how it was bittersweet that Rose and Charles live in France not Norway at the end of East? Well, forget about that sweethearts, because they move back to Norway and everybody's happy, the bloody end.
Jesus Christ. Just wow.
So, the troll queen. Whyyyyyyyyyyyy? Why make a character so complex a dull villain set on revenge with literally no other stakes in ANYTHING? That's all I have to say about that.
And all that is the reason I had to rate it 2 stars. I spent most of the book mumbling "Don't make me say it, please don't make me say it..." But here it is. Two things I never wanted to say about a sequel to my favorite YA novel.
1) Once upon A Winter's Night was a better fairy-tale retelling than this
2) Haunting the Deep was a better YA sequel than this.
Sigh.
However, I can't say I hated it entirely because it does have a handful of good points. Here they are.
1) the intro is brilliant. I think Pattou was a genius to begin this book the way she did -- with the box from the first book having a false bottom, thus giving the tale a logical reason to continue. I LOVED this. When I read this first prologue I was convinced I was going to adore this book. It's just so dang good.
2) I smiled so big at the bit at the end where Rose's mom wants to become a mother/daughter fortune teller duo. That is SO her, and so hilarious. I love it.
3) The continued running gag of Rose's mom not bringing her handkerchief to weddings. This will never not be funny.
4) Estelle is cute in this, and probably the most relatable character apart from Neddy. I almost shipped them, actually because of this. Of course the age difference made it weird but still.
5) The brief look at Rose's family life prior to the plot going cray-cray for cocoa puffs.
6) The callbacks to the first book. These were sweet, usually.
So do I regret reading this? Nah. It was entertaining enough. Is it a worthy sequel? Oh hell no.