A certain Wall may have crumbled back in 1989, but life in East Germany is impossible to forget for Maxim Leo. Born in 1970, Leo studied Political Science in both Berlin and Paris before becoming an Editor for the Berliner Zeitung newspaper, and has been praised for his journalism.
'Red Love' is an honest and poignant work, told in an utterly convincing manner, that depicts what life was really like during the post-war years and later the collapse of that huge chunk of concrete that split a city in two. But strictly speaking this is not an out and out book about the GDR, it's more a deeply personal look at his family starting right back in the days of pre-WW2. Both his Grandfathers, Werner and Gerhard's stories feature heavily, as well as his parents, Wolf and Anne, who both ended up seeing things differently in the Socialist State.
It is difficult for me to image the GDR even existed, all these years on, I only vaguely remember it being all over the news back in 1989. Prior to that, hardly a word came out from behind the wall. And yet when journalist Maxim Leo was living in East Berlin through the Seventies and Eighties the GDR was not only real, it was omnipresent. As a totalitarian Country it governed how Leo was schooled, what he thought, what job he was allowed to go for, and what he was allowed to think and say. Like a seriously overbearing parent it must have been stifling and terrifying, but also reassuring in a strange way. As long as you just play along with the GDR rulebook, regardless of your own true feelings, then there shouldn't have been anything to worry about. Ideally, you would be taken care of. But what sort of life was that?
Leo tells the story of how his family coped, or failed to cope, with this bizarre historical anomaly. Each member of his family had a different stance towards the East German state. There were those who loved it with every kiss, those who resisted it, and those, like Leo’s mother Anne, who didn't really know what to think. The only impossible thing was to ignore it altogether. It's in your living room, and there whilst you slept, like in the words of Wolf Leo "The GDR was always there in bed with us.”
The story starts with Leo’s grandparents who, in their own ways, were both ardent fans of the East German regime. The two sides of Leo’s family could not have been more different. Gerhard, his maternal grandfather, a Jew, was forced to flee Germany before the war to escape the hell of the Nazis. Leo’s paternal grandfather, Werner, by contrast, had originally supported the Nazis so enthusiastically that he not only hung his own windows with swastikas, but pestered others to do likewise. While Gerhard joined the French Resistance during WW2 and had all kinds of astonishing adventures fighting against his former Germans, Werner joined the Wehrmacht and fought for the Fatherland in the doomed Ardennes battle. Gerhard returned to Germany a war hero, and became a strong embodyment for the Resistance whilst Werner returned a beaten man, having spent two years toiling in a prisoner-of-war camp in France. But both men had one thing in common, a passion for East German Communism. For one it was a matter of patriotism, For the other it was a chance to rejuvenate himself, and start again. Despite his Nazi past, all he ever wanted was to belong to something bigger than himself, I guess the GDR seemed that bigger something.
Leo’s parents, had more of a fractured relationship with the GDR. His mother, Anne, found it almost impossible to reject the ideology of the hero father she dearly loved. But growing up began to see that the Communist ideal and the Communist reality were different ideologies. As a journalist she wanted to criticise the regime, but because of her devotion to her father every bad thing said felt like a betrayal of sorts, she came across as someone almost constantly stuck.
Leo’s father, Wolf, on the other hand, rebelled against his Nazi background almost from the very beginning. A colourful, defiant and strong willed artist, Wolf pushed the boundaries of what he was and was not allowed to do. He produced subversive art, and made incendiary talks at the Artists Association. This caused all kinds of family arguments which Maxim bore witness to.
As for Maxim, he was growing up, trying to be his own person, and had no idea which side he would side with. Just wanting to live a normal life with the family he loved, without this 'barricade' that his grandfather often spoke of. When the Berlin Wall came down in 1989 he felt no happiness or relief, just a kind of empty anxiety, totally overcome by what he was witnessing, and that he still has trouble identifying in the 21st century. He had no real love for his old homeland, and yet it was all he had ever known, before practically overnight it dissolved before his eyes.
This was a moving account of people who love one another in some kind of way, but are doomed never to truly co-exist, and it is also an unbearably affecting description of a world that is now confined to the history books. His family represents a microcosm of East Germany, struggling with the same opposing sets of ideals that eventually broke the Camel's back. As Maxim Leo tells with painful clarity, those who lived in this dysfunctional family are still living with the repercussions today and beyond.