في القطار الذي يقل الراوي إلى المزرعة التي أجبر على السفر للعمل بها، يلتقي بملك الشطرنج أو مجنون الشطرنج كما يصفونه أحيانًا. والراوي هنا شخصية ترقب الأحداث وتشارك بها، ومن خلال حواره مع ملك الشطرنج نقترب من عالم الأخير وحياته وأفكاره. حيث نجد أن ملك الشطرنج إنسان بسيط عاش حياة بائسة لا يعرف فيها سوى الشطرنج الذي -على حسب قوله- يلعبه بقلبه، بل ويلعبه دون رقعة أيضًا. والشطرنج هنا يمثل روحه. وانتصاره فيه هو تحقيق لانتصار روحي سام. والرواية باللغتين العربية والصينية تأليف: آتشنغ ترجمة: د. نجاح عبد اللطيف
“Only he whose soul is in turmoil, forced to live in an epoch where war, violence and ideological tyranny threaten the life of every individual, and the most precious substance in that life, the freedom of the soul, can know how much courage, sincerity and resolve are required to remain faithful to his inner self in these times of the herd’s rampancy. “- Zweig ( from his biography on Montaigne)
The protagonist (Wang Yisheng )of Ah Cheng’s debut novella, The King of Chess, has in his possession the courage, sincerity and resolve Zweig talks about in his biography of Montaigne, even though Wang is probably unaware of that himself. I can also see him as someone whom Zhuangzi would look at with a big approving smile. I LOVE this character, as well as Ah-Cheng’s novella. And to anyone who is interested in Chinese literature, please do not miss out on The King of Chess ( it has been translated).
A brief summary of the plot ( warning for mild spoilers) : The story of The King of Chess takes place at the height of The Cultural Revolution, when the “educated urban youths”( 知青)are sent to remote villages, where the living condition is horrible and food meagre. Both the narrator and Wang are among those youngsters, and they soon form a close bond. Ah Cheng might have left traces himself in narrator, as the narrator is well-acquainted with world literature and talks about Balzac’s works. Balzac is one of the authors Ah Cheng loves and read as a teenager before he himself was sent to work in the villages as an educated urban youth. Very different from the narrator is Wang, the protagonist, who has both a huge passion and talent for chess as well as a very worldly obsession for food, who knows next to nothing about literature. He also comes across as very naive when it comes to interpersonal relationships, and possesses an almost childlike innocence. Wang is also somewhat well-known for his chess skills in school. Wang pesters the narrator for a chess game on the train, while not exactly interested in Chess, the narrator does take a liking to Wang. Wang and the narrator are assigned to two different locations that are quite far from each other, yet, Wang, in search of a worthy rival in chess, goes to visit the narrator and befriends the other youngsters in the village. After witnessing how great Wang’s talent is in chess, all the youngsters encourage Wang to partake a local chess tournament. However, because Wang has missed too much work by wandering around seeking people to play chess with, he is not allowed to take the time off to take part in the tournament. Yet, winning the title doesn’t mean much to Wang. What he wants has always been to play. So he plays. The novella culminates in Wang playing against nine other top players, and winning.
This is very simple and straightforward story. A story written with touching sincerity. However, it’s also a story that’s very layered in its themes. First of all, Wang serves as an exemplar of one who maintains inner peace in the mass hysteria that is the Cultural Revolution. His naivety might have helped, but I believe his holding on to the love of his mom and his love for chess are the what spare himself from being engulfed by the mania. Viewing from a humanistic lens ( I can’t help but making this association, having been reading about Montaigne and humanists in general this year), he has achieved the “human connection “ and the intellectual freedom ( symbolized by chess?)the humanists treasure. Secondly, Wang’s obsession with food, especially when juxtaposed with his passion for chess is also interesting. Actually, his is more than a simple obsession, the way he treats eating and food can even be called pious. However, his obsession is different from the that of a food connoisseur. He is obsessed with food because he has been poor and understands hunger. This can be interpreted as an indictment of the era, but more importantly, I think this “ worldliness” is essential , it fleshes out the Wang’s character, it also makes the readers think about how basic materialistic fulfillment is essential to our inner peace and spiritual freedom. Last but not least, there is an undercurrent of Taoist message through out the novella. As can be seen in the discussion of the chess techniques, but probably more so in the character of Wang himself.
This is one of the rare books that set in the cultural revolution era yet remain hopeful in its tone, there is even a note of heroism towards the end of the novella. Wang deserves to be called a hero. Because Zweig is right. It does take so much to remain innocent and “remain faithful to his inner self in these times of the herd’s rampancy.”
This novella would be a perfect companion read for Chess Story by Zweig. Vice versa.
الطعام والملبس غريزتان في الانسان ومنذ ان خُلق البشر وهم مشغولون طوال يومهم بالبحث عن الطعام والملبس، ولكن من يحبس نفسه داخل هذه الدائرة الضيقة فلن يصبح انساناً في النهاية.
في القطار الذي يقل راوي القصة إلى المزرعة التي أجبر نوعاً ما إلى السفر للعمل فيها،يلتقي بملك الشطرنج (مجنون الشطرنج) ومن خلال حديثه معه يتعرف عليه ..نرى الملك أحياناً يترك عمله في المزرعة أوقاتاً طويلة ، ليبحث عمن يلاعبه ..وفي أثناء ذلك تتاح للملك فرصة المشاركة في مسابقة كبرى للشطرنج وبسبب خارج عن إرادته لا يستطيع الوصول في الوقت المناسب وعوضاً عن ذلك يطلب منازلة الفائزين الثلاثة الأوائل ، ليجد نفسه يلعب ضد تسعة لاعبين في وقت واحد ..
* أستخدم الكاتب اسلوب السرد في مجمل القصة ، تحيط بها أجواء صينية قد تبدو غامضة على مجتمعنا مثل : الطاوية،مفاهيم اليين واليانغ ، والكلاسيكيات الأربعة وغيرها ..