The Cry: A New Dramatic Fable

by Sarah Fielding, Jane Collier, Carolyn Woodward (Editor)

Before Jane Austen's novels explored heroines in English society, writers Sarah Fielding and Jane Collier dared to provide commentary on gender and education through self-conscious narratives. Published in 1754 in five parts and divided into three volumes, The Cry stands as one of the most distinctive and intriguing works by women during the florescence of their writing in eighteenth-century England.

Strikingly experimental -- mixing fiction and philosophy, drama and exposition, satire and irony, and singular and choral voices -- The Cry revolves around a main character, Portia, who tells a series of stories to an audience that includes Una, the allegorical representation of truth, and "The Cry" itself, a collection of characters who serve as a kind of Greek chorus. A story about the story-making female subject, the novel serves as a catalyst to convey that women are capable of doing all of the things that men can do -- discuss ethics, learn, and think rationally -- and should be allowed to do these things publically. Throughout, editor Carolyn Woodward offers essential historical and editorial context to the work, demonstrating that this novel continues to facilitate discussions about women and public life.

407 pages, Kindle Edition

First published January 1, 1754

About the author

Sarah Fielding was a British author and sister of the novelist Henry Fielding. She was the author of The Governess, or The Little Female Academy (1749), which was the first novel in English written especially for children (children's literature), and had earlier achieved success with her novel The Adventures of David Simple (1744).

Reviews

[Hannah · Rating 3 out of 5]

Kind of cool, deserves credit like Barker for its sheer originality and experimentation, rarely discussed in relation to the stage and David Garick.