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Rubies of the Viper
ISBN-13: 978-0979519345
ISBN-10: 0979519349
AD 53 — Strong-willed, impetuous, and naive, Theodosia Varro inherits the family estate after her brother is murdered on the streets of Rome. With no preparation, she goes from poverty and isolation to great wealth and a prestigious position in society. Only by identifying her brother's killer can she feel safe, yet her efforts take her in quite the opposite direction. After her own actions and the scheming of others lead to catastrophe, Theodosia struggles to survive and recover what matters most in her life.
ISBN-10: 0979519349
AD 53 — Strong-willed, impetuous, and naive, Theodosia Varro inherits the family estate after her brother is murdered on the streets of Rome. With no preparation, she goes from poverty and isolation to great wealth and a prestigious position in society. Only by identifying her brother's killer can she feel safe, yet her efforts take her in quite the opposite direction. After her own actions and the scheming of others lead to catastrophe, Theodosia struggles to survive and recover what matters most in her life.
368 pages, Paperback
First published March 14, 2009
52 people are currently reading
561 people want to read
About the author
Martha Marks
5 books23 followersMartha is the Readers' Favorite and Global Book Awards Gold Medal award-winning and top-selling author of BETTING ON BERNIE, A MEMOIR OF A MARRIAGE, plus three novels: RUBIES OF THE VIPER, THE VIPER AMULET and THE RUBY RING
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Displaying 1 - 30 of 49 reviews
August 7, 2019
My rating 4.5
The book "Rubies of the Viper" by Martha Marks is a solid story set in the Roman Empire. When her brother is murdered in Rome, Theodosia Varro becomes the owner of the property he owned. The brother did not love her and when their father died he sent her to live in a small house that their father owned in Rome. Theodosia lived poorly because her brother only gave her the crumbs of wealth their family owned. When all her fortune came to her because she was unmarried, she immediately became interested in the wealthy Romans who wanted to marry her because of the title her father owned. But she does not want to marry and tries to find out what happened to her brother and who is responsible for his death. But her investigation will lead her to the very top of the Roman Empire and her life will hang on a thread. Throughout the book, a beautiful love story emerges and Theodosia reveals where love is hidden. Fans of the romance novel and the Roman empire, and the intrigue and deception of the books will surely love it. I read it with pleasure and I assure you it will drag you to read it.
The book "Rubies of the Viper" by Martha Marks is a solid story set in the Roman Empire. When her brother is murdered in Rome, Theodosia Varro becomes the owner of the property he owned. The brother did not love her and when their father died he sent her to live in a small house that their father owned in Rome. Theodosia lived poorly because her brother only gave her the crumbs of wealth their family owned. When all her fortune came to her because she was unmarried, she immediately became interested in the wealthy Romans who wanted to marry her because of the title her father owned. But she does not want to marry and tries to find out what happened to her brother and who is responsible for his death. But her investigation will lead her to the very top of the Roman Empire and her life will hang on a thread. Throughout the book, a beautiful love story emerges and Theodosia reveals where love is hidden. Fans of the romance novel and the Roman empire, and the intrigue and deception of the books will surely love it. I read it with pleasure and I assure you it will drag you to read it.
June 27, 2012
Rubies of the Viper is a genuine gem of a mystery set in Rome during the reigns of the Emperors Claudius and Nero. It’s full of exciting suspense and beautifully developed characters. Marks’s rich portrayal of Roman life is delightful and gruesome in turns—just as a good Roman mystery ought to be. We get the grace, the violence and the perversion that was imperial society revealed through a spell-binding tale.
The heroine is a fictional woman named Theodosia Varro, who at the opening of the novel has inherited a vast fortune, including the beautiful villa where she spent her happy childhood—only she hasn’t seen the villa in years because she’s been stuck in poverty in the Subura, a Roman slum, banished there by a villainous brother. She isn’t sad her brother was stabbed through the heart outside a brothel, but she doesn’t want to suffer the same fate, and she suspects there’s more to her brother’s murder than the official line that it was a robbery, especially since he wasn’t robbed.
Her brother’s close friend Otho warns her to beware the slaves at the villa—they are probably out to murder her. But Theodosia has had an unusual life, and she discovers her slaves are more likely to be her friends than her killers. The sons of the best Roman families want to marry her, although Otho and Vespasian’s son, Titus, are her favorite suitors. She’s the richest catch around even if she had a Greek mother and displays some decidedly inappropriate behavior for a patrician lady. She’s lonely with only slaves for company, but taking a husband means handing over her fortune and her freedom to a man. Does she want to? Otho keeps reminding her she isn’t safe without a husband to protect her. And he certainly turns out to be right. But figuring out where the danger arises from and keeping the people she loves safe will turn out to be much harder than picking a husband.
And those rubies of the viper? They first appear on a beautiful but sinister set of goblets in her villa, a recent acquisition of her brother’s—an odd decorative choice that you’ll want to keep your eye on. You know how politicians and wealthy businessmen sometimes get so power hungry that it spills over into sexual power plays and other forms of violence? Well, the Romans were especially prone to such carryings on and Marks is a master at weaving in the evil in surprising and unexpected ways.
While you’re gobbling up the story, you’ll especially enjoy vivid life in the villa, lusciously described to an extent that you’ll feel you’ve been there. Marks has also depicted the grimmest side of Roman life—the thousands of slaves that subsisted on each of the big “corporate” farms that grew up once Roman senators bought out all the small independent peasants up and down Italy. I’ve never seen anyone try to bring this side of Roman history to life in fiction before. Here again, Marks does an outstanding job.
The heroine is a fictional woman named Theodosia Varro, who at the opening of the novel has inherited a vast fortune, including the beautiful villa where she spent her happy childhood—only she hasn’t seen the villa in years because she’s been stuck in poverty in the Subura, a Roman slum, banished there by a villainous brother. She isn’t sad her brother was stabbed through the heart outside a brothel, but she doesn’t want to suffer the same fate, and she suspects there’s more to her brother’s murder than the official line that it was a robbery, especially since he wasn’t robbed.
Her brother’s close friend Otho warns her to beware the slaves at the villa—they are probably out to murder her. But Theodosia has had an unusual life, and she discovers her slaves are more likely to be her friends than her killers. The sons of the best Roman families want to marry her, although Otho and Vespasian’s son, Titus, are her favorite suitors. She’s the richest catch around even if she had a Greek mother and displays some decidedly inappropriate behavior for a patrician lady. She’s lonely with only slaves for company, but taking a husband means handing over her fortune and her freedom to a man. Does she want to? Otho keeps reminding her she isn’t safe without a husband to protect her. And he certainly turns out to be right. But figuring out where the danger arises from and keeping the people she loves safe will turn out to be much harder than picking a husband.
And those rubies of the viper? They first appear on a beautiful but sinister set of goblets in her villa, a recent acquisition of her brother’s—an odd decorative choice that you’ll want to keep your eye on. You know how politicians and wealthy businessmen sometimes get so power hungry that it spills over into sexual power plays and other forms of violence? Well, the Romans were especially prone to such carryings on and Marks is a master at weaving in the evil in surprising and unexpected ways.
While you’re gobbling up the story, you’ll especially enjoy vivid life in the villa, lusciously described to an extent that you’ll feel you’ve been there. Marks has also depicted the grimmest side of Roman life—the thousands of slaves that subsisted on each of the big “corporate” farms that grew up once Roman senators bought out all the small independent peasants up and down Italy. I’ve never seen anyone try to bring this side of Roman history to life in fiction before. Here again, Marks does an outstanding job.
January 15, 2011
Whether it is due to a natural talent of the author or is the result of hours of re-working, honing & polishing, The Rubies of the Viper, peopled with highly believable scenes and characters, presents an excellent read and several hours of pure escapist enjoyment. Theodosia, the protagonist, forms an immediate rapport with the reader as we share her innermost thoughts, reactions and confidences as she seeks to unmask her brother’s killer, to avoid a similar fate, during a period of the early Roman Empire
It would be difficult to consign this book to one particular genre of reading since it blends elements of the major genres, without detriment or dilution, to form a structured synergy.
An obvious assurance with prose is evident on each page, combined with a sensitive and mature perceptivity. The plot is strong, the exposition of the events is organised and competent, optimally paced for this type of work and the work unfolds without detour.
Although fiction, an obvious dedication to historical actuality, reinforced by a bulwark of intense & competent research, adds that indefinable element of ‘finesse’ to the work. Enthusiastically recommended.
Robert Davidson. The Tuzla Run
It would be difficult to consign this book to one particular genre of reading since it blends elements of the major genres, without detriment or dilution, to form a structured synergy.
An obvious assurance with prose is evident on each page, combined with a sensitive and mature perceptivity. The plot is strong, the exposition of the events is organised and competent, optimally paced for this type of work and the work unfolds without detour.
Although fiction, an obvious dedication to historical actuality, reinforced by a bulwark of intense & competent research, adds that indefinable element of ‘finesse’ to the work. Enthusiastically recommended.
Robert Davidson. The Tuzla Run
February 8, 2018
It's been a while since I found a new Roman historical series, so I'm very pleased the author sent me this book.
The writing is almost uniformly good, and the principal characters are intriguing from our first introductions to them. I was at times impatient with Theodosia's occasional failures at judging character, but much of this is explained by her youth, her cultural milieu, and the huge change in her circumstances as the story begins.
A plot twist about halfway through takes the book from absorbing to riveting.
I have mixed feelings about the romance elements in the book. They can add to the suspense and interest, but sometimes, for me, got in the way, and in one instance pushed the plot in a too-convenient direction.
On to the sequel!
The writing is almost uniformly good, and the principal characters are intriguing from our first introductions to them. I was at times impatient with Theodosia's occasional failures at judging character, but much of this is explained by her youth, her cultural milieu, and the huge change in her circumstances as the story begins.
A plot twist about halfway through takes the book from absorbing to riveting.
I have mixed feelings about the romance elements in the book. They can add to the suspense and interest, but sometimes, for me, got in the way, and in one instance pushed the plot in a too-convenient direction.
On to the sequel!
January 5, 2012
In a Rome shortly set to fall under the infamous Nero's rule, Theodosia Varro has come into an fortuitous inheritance. All is not as it seems, however, as her good luck came at the cost of her half-brother's murder. Caught up in social intrigue and the struggles of a wealthy woman without any real male support, she soon learns the true value of life and freedom.
The story starts out with an interesting, if improbable, premise: a man is murdered, and somehow his estranged half-sister is able to take control of one of the wealthiest estates in the Roman Empire. The reader is then introduced to several other players, some more palatable than others. Motivations and personal relationships abound. As a "whodunnit," this could have been a highly entertaining, mind-bending set-up. Unfortunately, however, characters are painted in either one shade (e.g. Dionysian hedonist) or all the colors of the visible spectrum, creating people who cannot seem to decide on their own personalities, let alone reveal them to readers. The most glaring example of the latter is Theodosia herself, whose fickle and fleeting thought patterns make it difficult to discern any salient traits beyond her frustrating obstinacy.
With that said, Alexander proves to be a more interesting protagonist, and the separate storyline he is given remains the most natural part of the entire book. His experience is easily accessible on an emotional level, while the events themselves unfold as all scenes in a story should: smoothly. This interlude, however brief, shows that the author is a capable writer. Perhaps if the third of the novel devoted to Theodosia's romantic quandaries were removed in favor of more of this sort of plot development, the book would feel more like a cohesive, fascinating whole. As it stands, the strongest feature of this work is the writing itself.
The author's descriptions of surroundings and sumptuous splendor render her imagined environs rather easy to visualize. Her writing style is distinct: slightly stilted, but in a consistent manner to which one quickly adapts. Aside from a few anachronistic word choices, and a surfeit of ellipses, the language of the novel easily fades into the background in favor of the scenes it is meant to communicate. Any struggles that I had to refrain from skimming were due to the storyline itself, rather than its mode of conveyance.
For those who prefer stories that are more episodic in nature, Rubies of the Viper may very well be a good fit. Others, like myself, may find that it tastes more like someone else's cup of tea.
Hide and Read
(Review copy provided by the author)
The story starts out with an interesting, if improbable, premise: a man is murdered, and somehow his estranged half-sister is able to take control of one of the wealthiest estates in the Roman Empire. The reader is then introduced to several other players, some more palatable than others. Motivations and personal relationships abound. As a "whodunnit," this could have been a highly entertaining, mind-bending set-up. Unfortunately, however, characters are painted in either one shade (e.g. Dionysian hedonist) or all the colors of the visible spectrum, creating people who cannot seem to decide on their own personalities, let alone reveal them to readers. The most glaring example of the latter is Theodosia herself, whose fickle and fleeting thought patterns make it difficult to discern any salient traits beyond her frustrating obstinacy.
With that said, Alexander proves to be a more interesting protagonist, and the separate storyline he is given remains the most natural part of the entire book. His experience is easily accessible on an emotional level, while the events themselves unfold as all scenes in a story should: smoothly. This interlude, however brief, shows that the author is a capable writer. Perhaps if the third of the novel devoted to Theodosia's romantic quandaries were removed in favor of more of this sort of plot development, the book would feel more like a cohesive, fascinating whole. As it stands, the strongest feature of this work is the writing itself.
The author's descriptions of surroundings and sumptuous splendor render her imagined environs rather easy to visualize. Her writing style is distinct: slightly stilted, but in a consistent manner to which one quickly adapts. Aside from a few anachronistic word choices, and a surfeit of ellipses, the language of the novel easily fades into the background in favor of the scenes it is meant to communicate. Any struggles that I had to refrain from skimming were due to the storyline itself, rather than its mode of conveyance.
For those who prefer stories that are more episodic in nature, Rubies of the Viper may very well be a good fit. Others, like myself, may find that it tastes more like someone else's cup of tea.
Hide and Read
(Review copy provided by the author)
February 19, 2018
I changed my mind a lot about this book while reading, but now that it's finished, I'm certainly interested enough in reading the sequel. The action takes place around 50 AD in ancient Rome and features a mix of fictional characters and historical ones, like Emperor Nero and prominent members of high society. The story is intriguing, with lots of fascinating period detail, but the attempts to make it more approachable are a little hit-and-miss. Using American slang to remind us that slaves did not speak pure Latin gets a bit annoying, and the language and dialogue are unashamedly modern.
Characterization is fine for most supporting characters but not so good for the main one. Theodosia, the street-smart protagonist, managed to survive humble and unscathed, living alone at sixteen in a Roman slum, yet the moment she inherits amazing wealth and position, she starts acting bratty and downright reckless. So, as I progressed through the story, the heroine's inconsistent behaviour became irritating and, despite her appalling ordeal, I felt no sympathy for her plight. The main issue for me is that all the big, life-altering events are entirely due to Theodosia's monumental idiocy, stubbornness and refusal to follow good advice.
The pace is a bit uneven. I'm a sensitive reader with a vivid imagination. For the first half of the story, I was bothered by the unremitting gore and brutality that, to me, are overpowering to the detriment of other aspects of daily life. By the 60% mark, the story moves away from Rome and follows Alexander, the Greek steward of Theodosia's villa and estate. I loved Alexander's portrayal. He's a fully fleshed out, complex character who really made things interesting. The pace also picks up, where it had been dragging before. By the time of the musical competition, I was ready to forgive the author for the drawn-out melodrama of the Carcer. That whole section is superb and full of dramatic tension.
The plot is action-driven and, for the most part, it works. However, a huge suspension of belief is required when it comes to Theodosia's physical prowess with knives and horses. I won't discuss too many specifics, but the horse sequences are wildly improbable, and here I speak from long experience. From galloping bareback in a thunderstorm to how much one can push an exhausted horse, to effectively riding an animal used to pulling a cart, it was all high fantasy and almost cartoonish. Also, one has to remember that, in Roman times, all horse breeds were small, barely over 14 hands high, and comparable to our large ponies, as evidenced by friezes and equestrian statues of the times.
Despite my stated criticism, I enjoyed this book. If you like historical sagas with strong-minded characters and an abundance of political intrigue, backstabbing and physical action, give this lively tale a try.
Characterization is fine for most supporting characters but not so good for the main one. Theodosia, the street-smart protagonist, managed to survive humble and unscathed, living alone at sixteen in a Roman slum, yet the moment she inherits amazing wealth and position, she starts acting bratty and downright reckless. So, as I progressed through the story, the heroine's inconsistent behaviour became irritating and, despite her appalling ordeal, I felt no sympathy for her plight. The main issue for me is that all the big, life-altering events are entirely due to Theodosia's monumental idiocy, stubbornness and refusal to follow good advice.
The pace is a bit uneven. I'm a sensitive reader with a vivid imagination. For the first half of the story, I was bothered by the unremitting gore and brutality that, to me, are overpowering to the detriment of other aspects of daily life. By the 60% mark, the story moves away from Rome and follows Alexander, the Greek steward of Theodosia's villa and estate. I loved Alexander's portrayal. He's a fully fleshed out, complex character who really made things interesting. The pace also picks up, where it had been dragging before. By the time of the musical competition, I was ready to forgive the author for the drawn-out melodrama of the Carcer. That whole section is superb and full of dramatic tension.
The plot is action-driven and, for the most part, it works. However, a huge suspension of belief is required when it comes to Theodosia's physical prowess with knives and horses. I won't discuss too many specifics, but the horse sequences are wildly improbable, and here I speak from long experience. From galloping bareback in a thunderstorm to how much one can push an exhausted horse, to effectively riding an animal used to pulling a cart, it was all high fantasy and almost cartoonish. Also, one has to remember that, in Roman times, all horse breeds were small, barely over 14 hands high, and comparable to our large ponies, as evidenced by friezes and equestrian statues of the times.
Despite my stated criticism, I enjoyed this book. If you like historical sagas with strong-minded characters and an abundance of political intrigue, backstabbing and physical action, give this lively tale a try.
February 25, 2018
‘Who are you? What are you doing here?’
This novel opens on the Ides of May in 53 AD, with the murder of Gaius Terentius Varro in Rome. He was the master of one of Rome’s great fortunes, and his estate is inherited by his nineteen-year-old half-sister, Theodosia Varro. Theodosia moves from Rome to the family ancestral villa, the Villa Varroniana on the coast north of Rome. Here, in the library her father had built some eighteen years earlier, she encounters Alexander, the Greek slave who is the steward.
Theodosia is now a very wealthy woman. A very wealthy unmarried woman. She is aware that while she has inherited the estate, she will need to prove that she can manage it. Theodosia is acutely aware that her brother’s murder has not been solved: is she also at risk?
‘I’ve got to find out who did kill Gaius, if only to protect myself.’
In the first of a planned trilogy, Ms Marks introduces several memorable (fictional) characters as well as involving a number of historical figures. The intrigue of imperial Rome, the class consciousness of the patricians and the role of slaves are all part of the setting. Theodosia learns some things quickly but is naïve and impetuous. These attributes will prove dangerous.
This novel contains aspects of both mystery and romance, as well as plenty of action. While Theodosia is an interesting character, I was torn between admiration and despair by some of her actions. Of the other characters, I found Alexander the most intriguing.
While some aspects of the story worked better for me than others, I kept reading keen to see how this instalment would end. And yes, we do learn who killed Gaius Terentius Varro (which will probably not come as a surprise to most readers) but there are plenty of other twists and turns in the tale including a high stakes competition before Nero towards the end.
Did I enjoy the novel? Mostly. I certainly enjoyed it enough to start reading the sequel. I’m really keen to find out how it will all end.
Jennifer Cameron-Smith
This novel opens on the Ides of May in 53 AD, with the murder of Gaius Terentius Varro in Rome. He was the master of one of Rome’s great fortunes, and his estate is inherited by his nineteen-year-old half-sister, Theodosia Varro. Theodosia moves from Rome to the family ancestral villa, the Villa Varroniana on the coast north of Rome. Here, in the library her father had built some eighteen years earlier, she encounters Alexander, the Greek slave who is the steward.
Theodosia is now a very wealthy woman. A very wealthy unmarried woman. She is aware that while she has inherited the estate, she will need to prove that she can manage it. Theodosia is acutely aware that her brother’s murder has not been solved: is she also at risk?
‘I’ve got to find out who did kill Gaius, if only to protect myself.’
In the first of a planned trilogy, Ms Marks introduces several memorable (fictional) characters as well as involving a number of historical figures. The intrigue of imperial Rome, the class consciousness of the patricians and the role of slaves are all part of the setting. Theodosia learns some things quickly but is naïve and impetuous. These attributes will prove dangerous.
This novel contains aspects of both mystery and romance, as well as plenty of action. While Theodosia is an interesting character, I was torn between admiration and despair by some of her actions. Of the other characters, I found Alexander the most intriguing.
While some aspects of the story worked better for me than others, I kept reading keen to see how this instalment would end. And yes, we do learn who killed Gaius Terentius Varro (which will probably not come as a surprise to most readers) but there are plenty of other twists and turns in the tale including a high stakes competition before Nero towards the end.
Did I enjoy the novel? Mostly. I certainly enjoyed it enough to start reading the sequel. I’m really keen to find out how it will all end.
Jennifer Cameron-Smith
January 28, 2018
Rubies of the Viper
This book is well written and quickly draws you in. It is one of the few books that I was thinking about when I was too busy to read and couldn't wait to start reading again. When Theodosia's father died, her brother Gaius inherited his wealth and villas. He banished his sister to a small town and home. When he was murdered she inherited everything including the villa and servants. She enjoys having a lovely home and servants again. She has two suitors for her hand....one is extremely ruthless and when she turns him down, her life will never be the same. It will keep you on the edge of your seat!!
I am looking forward to reading the sequel
This book is well written and quickly draws you in. It is one of the few books that I was thinking about when I was too busy to read and couldn't wait to start reading again. When Theodosia's father died, her brother Gaius inherited his wealth and villas. He banished his sister to a small town and home. When he was murdered she inherited everything including the villa and servants. She enjoys having a lovely home and servants again. She has two suitors for her hand....one is extremely ruthless and when she turns him down, her life will never be the same. It will keep you on the edge of your seat!!
I am looking forward to reading the sequel
March 30, 2019
Belongs with the best names in Classical Fiction
A gem, not in the rough as one might expect from a new author, but polished enough to reflect the seemingly effortless combination of scholarship and storytelling ability. Despite being set during the ubiquitous Julio-Claudian line of emperors, (Claudius is emperor) , it is a very fresh, unique voice among the crowd. Vespasian is a bit player here. Our heroine, Theodosia is all one could hope for, as is the impeccable steward/slave Alexander, a mystery in his own right and much more than a secondary character. There is a lot here about slavery and class and Theodosia’s background is a plausible reason for her unique perspective on same. Her grandfather wrote an influential treatise on the humane treatment of slaves, she grew up playing with them and spent her young adulthood relegated to a poor section of Rome by her greedy, morally bankrupt brother. She had only one maidservant as a boon companion for years and must adjust to being mistress of a large country estate following her brother’s death. I am so glad I didn’t miss this and urge you to give it a try. Oh- even if you aren’t a fan of historical mysteries set in the ancient world, I would still bet you would enjoy it- all you need is an appreciation of good writing and an ability to handle plot.
A gem, not in the rough as one might expect from a new author, but polished enough to reflect the seemingly effortless combination of scholarship and storytelling ability. Despite being set during the ubiquitous Julio-Claudian line of emperors, (Claudius is emperor) , it is a very fresh, unique voice among the crowd. Vespasian is a bit player here. Our heroine, Theodosia is all one could hope for, as is the impeccable steward/slave Alexander, a mystery in his own right and much more than a secondary character. There is a lot here about slavery and class and Theodosia’s background is a plausible reason for her unique perspective on same. Her grandfather wrote an influential treatise on the humane treatment of slaves, she grew up playing with them and spent her young adulthood relegated to a poor section of Rome by her greedy, morally bankrupt brother. She had only one maidservant as a boon companion for years and must adjust to being mistress of a large country estate following her brother’s death. I am so glad I didn’t miss this and urge you to give it a try. Oh- even if you aren’t a fan of historical mysteries set in the ancient world, I would still bet you would enjoy it- all you need is an appreciation of good writing and an ability to handle plot.
February 15, 2018
Great Book for Historical Fiction Fans
Like all good historical fiction, this was filled with factual events and portrayals of true lifestyles. I wanted to read it all the time until completion, actually ignoring my Facebook games for a few days.
Like all good historical fiction, this was filled with factual events and portrayals of true lifestyles. I wanted to read it all the time until completion, actually ignoring my Facebook games for a few days.
April 16, 2018
This book has received a Discovering Diamonds Review:
Helen Hollick
founder #DDRevs
' a great read with many enjoyable characters (or deplorable characters, as appropriate) and a good deal of vivid historical detail'
Helen Hollick
founder #DDRevs
' a great read with many enjoyable characters (or deplorable characters, as appropriate) and a good deal of vivid historical detail'
October 31, 2022
I did like the premise. I did like the beginning. I did like the protagonist. And then... it all went downhill. The mystery is laughable. The protagonist has no personal development. The plot comes in fits and starts and at so many points is devoided of logic and plausibility that I wouldn't even know where to start describing all nonsensical twists. It's a pity, a good idea, badly executed.
March 8, 2018
Historical romance draws you in
This book is very well written and the story is quite compelling. The device of having the heroine's ancestry challenged helps overcome the improbable main relationships that are, after all, nearly essential to the genre. The locales and accessories are well-researched, perhaps too much so (every author of the period assumes you know how a strigil works). In a work with a specific historical setting with big-name players available I tend to expect the story to weave in and depend on some key historical event and get the fictional characters involved sonehow, but that doesn't happen. In fact, the events are set in a cusp between Claudius and Nero, and beyond symobolizing the exercise of despotic power, the actual key Roman figures are not very relevant; the story could as easily be set in Babylon. It may be that the long-term intent is to have the Vespasians take a longer role in a multi-volume story, otherwise their role is disappointingly small. For a while I thought that the characters were a bit one-dimensional but almost all develop some unexpected complexity except for Otho, and given his real history there really was no 2nd dimension there, if anything Ms. Marks cuts him quite a bit of slack. I'm really looking forward to the 2nd volume, already in hand. Note: I did receive a courtesy copy for review.
This book is very well written and the story is quite compelling. The device of having the heroine's ancestry challenged helps overcome the improbable main relationships that are, after all, nearly essential to the genre. The locales and accessories are well-researched, perhaps too much so (every author of the period assumes you know how a strigil works). In a work with a specific historical setting with big-name players available I tend to expect the story to weave in and depend on some key historical event and get the fictional characters involved sonehow, but that doesn't happen. In fact, the events are set in a cusp between Claudius and Nero, and beyond symobolizing the exercise of despotic power, the actual key Roman figures are not very relevant; the story could as easily be set in Babylon. It may be that the long-term intent is to have the Vespasians take a longer role in a multi-volume story, otherwise their role is disappointingly small. For a while I thought that the characters were a bit one-dimensional but almost all develop some unexpected complexity except for Otho, and given his real history there really was no 2nd dimension there, if anything Ms. Marks cuts him quite a bit of slack. I'm really looking forward to the 2nd volume, already in hand. Note: I did receive a courtesy copy for review.
July 10, 2012
This isn't awful. It just ... isn't very good. But I finished it, despite growing irritation, so it gets two stars for that.
All the way through, I kept thinking that Marks should have set it in 18th-century Europe. The story would have worked perfectly there. It was just implausible in various different ways for imperial Rome. And even the author seems to forget what era she's set it in sometimes. At one point:
Come on ... even the richest Romans couldn't afford glass for windows. It makes it seem as if the author has never seen Roman glass. Or, more likely, she just got carried away by the story, as she does in many places, and forgot what era she was supposed to be writing about.
The good: the descriptions of place are good. And it's a good idea for a plot. Really. It just isn't well executed, for the most part. Theodosia isn't believable, and her various romances, plus her behaviour in the last part of the book, just made me grind my teeth at their implausibility. The Alexander subplot was much better and more plausible -- it's a pity more of the book wasn't devoted to this. I can see it working well in the hands of a much more skilled writer who could handle it with more subtlety -- Gillian Bradshaw, for example.
And the last couple of pages made me want to puke. But then I'm not in the market for historical romance. If you are, and you want a beach read, you could do worse.
All the way through, I kept thinking that Marks should have set it in 18th-century Europe. The story would have worked perfectly there. It was just implausible in various different ways for imperial Rome. And even the author seems to forget what era she's set it in sometimes. At one point:
Alexander walked to the window, where he watched the rain hit the panes.
Come on ... even the richest Romans couldn't afford glass for windows. It makes it seem as if the author has never seen Roman glass. Or, more likely, she just got carried away by the story, as she does in many places, and forgot what era she was supposed to be writing about.
The good: the descriptions of place are good. And it's a good idea for a plot. Really. It just isn't well executed, for the most part. Theodosia isn't believable, and her various romances, plus her behaviour in the last part of the book, just made me grind my teeth at their implausibility. The Alexander subplot was much better and more plausible -- it's a pity more of the book wasn't devoted to this. I can see it working well in the hands of a much more skilled writer who could handle it with more subtlety -- Gillian Bradshaw, for example.
And the last couple of pages made me want to puke. But then I'm not in the market for historical romance. If you are, and you want a beach read, you could do worse.
January 6, 2011
Rubies of the Viper is a fast-paced, suspenseful and romantic historical novel by Martha Marks, and a totally satisfying read. Set primarily in Rome at the time of Emperor Nero, Rubies of the Viper tells the story of Theodosia, a young single woman without family to guide or protect her when she suddenly inherits her family fortune at the death of her half-brother. The mystery surrounding that brother’s death, the confusion of competing suitors, the secrets surrounding her own background, the machinations of unknown enemies, and her conflicted relationship with her household slaves keep Theodosia off balance and in danger throughout the book. I loved how Marks accurately recreated the past, portraying the complicated social, economic, and political relationships of the Roman Empire through the relationships of the characters, while making me see, and smell, and feel the urban bustle of the metropolis and the cool luxury of a villa. However, my favorite element in the book is how Marks not only fully realized her main protagonist, Theodosia, but her development of the secondary protagonist, Alexander, a Greek slave. I learned to love these two characters, care about their futures, and look forward to seeing them in future novels. Buy this book, you will not be disappointed!
M. Louisa Locke, author of Maids of Misfortune: A Victorian San Francisco Mystery
M. Louisa Locke, author of Maids of Misfortune: A Victorian San Francisco Mystery
April 29, 2012
Wow! I decided to nibble just a couple of pages of RUBIES OF THE VIPERto decide what I wanted to read next after tacking some more responsible reading I need to do. It seduced me with the first page and all hopes of responsibility went out the window. It is really, really good, and very visual -- much like watching Masterpiece Theatre. Set in first century Rome, it weaves fascinating historical details through the mystery without slowing its pace.
October 15, 2012
It's pretty hard to pull of the first century. To give it the suspense treatment? Nigh on impossible. Marks pulls it off with Rubies of the Viper. She makes the decadence and despair among patrician and slaves of Rome disconcertingly and deliciously familiar.
June 6, 2018
Back in time to a very different era. Well written and intriguing.
August 14, 2018
https://hergraceslibrary.com/2018/02/...
Theodosia Varro had been living in the slums of Rome when her fortune changed. Upon the murder of her brother, Gaius, she became the sole heir to her father’s vast fortune. She moves back home to her childhood villa north of Rome, determined to make a new life of wealth and ease for herself. Marriage is nowhere near the top of her list of things to do, though as one of the most eligible young women in the Empire, Theodosia suddenly finds herself courted by many suitors. The prime candidates for her affections are Otho, an ambitious politician and Gaius’s best friend, and Titus, the son of her father’s best friend Vespasian. Otho tries to help the innocent and somewhat naive Theodosia understand that her slaves may not have her best interests at heart, that they may in fact have killed her brother. Titus is barely out of his boyhood, just starting out on his military career, more a friend than a lover at this point. Theodosia is torn as to which man she wants to marry more, and soon she has to discover for herself whom among her servants she can trust – her steward Alexander, her childhood friend Stefan, her maid Lucilla? Is Otho correct that they are conspiring to kill her, as he’s convinced they killed Gaius? Or is something darker at work in the alleys of ancient Rome?
Marks’s novel was a fast read, full of twists and dark plots and some heavy topics. I was quickly drawn into Theodosia’s world and her struggle to navigate the treacherous waters that were Rome, so dangerous for a single woman. The characters are complex and have deep motivations for their actions. As I learned more about her brother and his actions, the happier I got that someone did him in. He was a despicable human being. The question grew, though, of whether one of Theodosia’s servants had done the job and was now putting her in danger, or if someone else was to blame. The tension mounts nicely throughout the book, and I felt genuine concern for her when one person reveals the true depth of their vileness, costing Theodosia all she had so suddenly gained.
There were a couple things I think were anachronistic. There were many references to the glass windows at Theodosia’s villa, for example. I am a medievalist, not a Roman historian, but I believe even the very richest Romans had a hard time affording glass windows. According to this article, glass windows were in use at the time this novel was set, though mostly in bathhouses. So I suppose it isn’t entirely impossible that Theodosia’s villa had glass windows, but it still seems a little out of place. I also had to give a bit of a side-eye to the way Theodosia treated her servants. She was quite progressive, I think, for her time. Granted, her attitude was explained by her unusual childhood and living conditions after her father’s death, but it was still perhaps a bit a stretch. None of these minor quibbles prevented me from thoroughly enjoying the book, though.
This was a great read with many enjoyable characters (or deplorable characters, as appropriate) and a good deal of vivid historical detail. I am eager to read the sequel, The Viper Amulet.
You can read the official review at DDRevs: https://discoveringdiamonds.blogspot....
Theodosia Varro had been living in the slums of Rome when her fortune changed. Upon the murder of her brother, Gaius, she became the sole heir to her father’s vast fortune. She moves back home to her childhood villa north of Rome, determined to make a new life of wealth and ease for herself. Marriage is nowhere near the top of her list of things to do, though as one of the most eligible young women in the Empire, Theodosia suddenly finds herself courted by many suitors. The prime candidates for her affections are Otho, an ambitious politician and Gaius’s best friend, and Titus, the son of her father’s best friend Vespasian. Otho tries to help the innocent and somewhat naive Theodosia understand that her slaves may not have her best interests at heart, that they may in fact have killed her brother. Titus is barely out of his boyhood, just starting out on his military career, more a friend than a lover at this point. Theodosia is torn as to which man she wants to marry more, and soon she has to discover for herself whom among her servants she can trust – her steward Alexander, her childhood friend Stefan, her maid Lucilla? Is Otho correct that they are conspiring to kill her, as he’s convinced they killed Gaius? Or is something darker at work in the alleys of ancient Rome?
Marks’s novel was a fast read, full of twists and dark plots and some heavy topics. I was quickly drawn into Theodosia’s world and her struggle to navigate the treacherous waters that were Rome, so dangerous for a single woman. The characters are complex and have deep motivations for their actions. As I learned more about her brother and his actions, the happier I got that someone did him in. He was a despicable human being. The question grew, though, of whether one of Theodosia’s servants had done the job and was now putting her in danger, or if someone else was to blame. The tension mounts nicely throughout the book, and I felt genuine concern for her when one person reveals the true depth of their vileness, costing Theodosia all she had so suddenly gained.
There were a couple things I think were anachronistic. There were many references to the glass windows at Theodosia’s villa, for example. I am a medievalist, not a Roman historian, but I believe even the very richest Romans had a hard time affording glass windows. According to this article, glass windows were in use at the time this novel was set, though mostly in bathhouses. So I suppose it isn’t entirely impossible that Theodosia’s villa had glass windows, but it still seems a little out of place. I also had to give a bit of a side-eye to the way Theodosia treated her servants. She was quite progressive, I think, for her time. Granted, her attitude was explained by her unusual childhood and living conditions after her father’s death, but it was still perhaps a bit a stretch. None of these minor quibbles prevented me from thoroughly enjoying the book, though.
This was a great read with many enjoyable characters (or deplorable characters, as appropriate) and a good deal of vivid historical detail. I am eager to read the sequel, The Viper Amulet.
You can read the official review at DDRevs: https://discoveringdiamonds.blogspot....
August 1, 2018
The Rubies of the Viper is the first in Martha Marks’ trilogy of historical mysteries set in ancient Rome during the reigns of the emperors Claudius and Nero. Theodosia Varro, the strong-willed daughter of a Roman patrician and his Greek wife, inherits the family’s wealth and a vast estate when her loathsome half-brother Gaius is murdered. She is happy with her change in fortune, since as an independently wealthy woman, she has no need of a husband, and if she married, her estate would become her husband’s. Theodosia wants to keep her independence as long as possible. But she soon realizes her life is in danger from her brother’s killer, and she is determined to discover who murdered him. At the same time, she fends off her two most persistent suitors, Otho and Titus, both future emperors. (Since it is historical fact that they became emperors, I do not think this constitutes a spoiler.) Theodosia makes friends with two of her slaves, Alexander and Stefan, and becomes much closer to them than to her patrician suitors. Alexander is a free-born Greek who was sold into slavery after being falsely accused of a crime, and he now serves as Theodosia’s steward. Stefan, a stable hand, is a blond-haired giant from the north, who had been Theodosia’s childhood friend. They become her allies in her quest, but she has to sort out her complicated feelings for them.
About halfway through the book, events take an unexpected turn, with revelations about Theodosia’s true origins and a charge of murder, as well as a horseback riding accident. Theodosia may lose everything that she’s come to love. At this point, the book becomes impossible to put down. I kept wondering how Theodosia would prove her innocence, and hoping she would be able to keep the estate, without having to marry the detestable Otho. Meanwhile, in a subplot which is as compelling as the main plot, Alexander and Stefan escape, and Alexander journeys to Greece and Syria to find his wife and son, who had been separated from him when they were all enslaved. And the rubies and vipers? They are decorations on a set of drinking goblets belonging to Theodosia’s brother, as well as on a ring which will provide an important clue. When Theodosia’s life is in danger, she manages to cut the rubies off the goblets and give them to Alexander so he can buy his wife’s and son’s freedom, if he manages to find them.
Martha Marks’ writing is beautiful. Her lifelong love of ancient Rome shines through in this novel, and she gives us details about life at all levels of Roman society, from patricians to slaves, and she takes us to a great variety of locations, from Theodosia’s estate to an underground prison cell, to a musical competition at Nero’s palace. The scenes set in Greece and Syria are beautifully written, as well. I highly recommend The Rubies of the Viper, and I am looking forward to the other two volumes in the trilogy.
Full disclosure: the author gave me a copy of the book in exchange for an honest review.
About halfway through the book, events take an unexpected turn, with revelations about Theodosia’s true origins and a charge of murder, as well as a horseback riding accident. Theodosia may lose everything that she’s come to love. At this point, the book becomes impossible to put down. I kept wondering how Theodosia would prove her innocence, and hoping she would be able to keep the estate, without having to marry the detestable Otho. Meanwhile, in a subplot which is as compelling as the main plot, Alexander and Stefan escape, and Alexander journeys to Greece and Syria to find his wife and son, who had been separated from him when they were all enslaved. And the rubies and vipers? They are decorations on a set of drinking goblets belonging to Theodosia’s brother, as well as on a ring which will provide an important clue. When Theodosia’s life is in danger, she manages to cut the rubies off the goblets and give them to Alexander so he can buy his wife’s and son’s freedom, if he manages to find them.
Martha Marks’ writing is beautiful. Her lifelong love of ancient Rome shines through in this novel, and she gives us details about life at all levels of Roman society, from patricians to slaves, and she takes us to a great variety of locations, from Theodosia’s estate to an underground prison cell, to a musical competition at Nero’s palace. The scenes set in Greece and Syria are beautifully written, as well. I highly recommend The Rubies of the Viper, and I am looking forward to the other two volumes in the trilogy.
Full disclosure: the author gave me a copy of the book in exchange for an honest review.
September 25, 2018
Starting in the reign of Claudius and ending with Nero, our protagonist Theodosia inherited a huge estate from her half-brother who was murdered in the streets of Rome. This was no ordinary inheritance; Theodosia was a bastard, having been raised a Roman but thrown out of her father’s house when he died. To say it felt awkward for her—stepping into the role of the ultra-wealthy, owner of thousands of slaves—would be an understatement. From the beginning she didn’t know how to behave, as witnessed by her attempts to befriend her steward, a Greek slave, then raising up another slave who was her childhood playmate. Then she improved the living conditions of the slaves on her manor. Naturally they all came to appreciate—and love—her, but she was the scandal of polite society notwithstanding the fact that her great wealth made her a marital prize. Otho, in particular—her brother’s friend—started out wooing her, but soon enough his true colors came through and her refusal to marry him was wrought with terrible repercussions.
Theodosia was a sympathetic enough character, but I found her behavior a bit of a stretch at times. She was impetuous and incautious, which got her into plenty of trouble. She wouldn’t listen to advice—or threats—and plunged blindly into danger while I, as a sensible reader, grew impatient with her foolishness. I almost felt she deserved what she got—not a good thing when talking about our heroine. Regardless, we get a good dose of ancient Rome, its customs, and the Suburra along with its associated rowdies. It was an enjoyable read.
Theodosia was a sympathetic enough character, but I found her behavior a bit of a stretch at times. She was impetuous and incautious, which got her into plenty of trouble. She wouldn’t listen to advice—or threats—and plunged blindly into danger while I, as a sensible reader, grew impatient with her foolishness. I almost felt she deserved what she got—not a good thing when talking about our heroine. Regardless, we get a good dose of ancient Rome, its customs, and the Suburra along with its associated rowdies. It was an enjoyable read.
July 12, 2018
When her brother is murdered in Rome, Theodosia Varros inherits the family properties. An independent-minded Roman woman of Greek ancestry, she finds herself at odds with the stultifying society and the many people who wish to manipulate her. Her unlikely allies are her slave steward, Alexander, an enigmatic Greek, and Stefan, another slave who had been her friend in childhood. When she finds her own life in danger, she realizes that she must solve her brother’s murder if she is to survive. But, her enemies are many, and powerful.
Rubies of the Viper by Martha Marks is a riveting historical mystery set in the Rome of Nero, and it explores the dark underbelly of the so-called Roman civilization.
I guarantee that you won’t be able to put this one down.
Rubies of the Viper by Martha Marks is a riveting historical mystery set in the Rome of Nero, and it explores the dark underbelly of the so-called Roman civilization.
I guarantee that you won’t be able to put this one down.
Currently reading
December 25, 2025I have been re reading a book about Hadrian,which mentions the gardens at Daphne as being a place Hadrian enjoyed when he could get over there. The reference of the gardens of Daphne led me on a Google search,which brought me to martha Marks Trilogy books. I just ordered the set from Amazon and look forward to reading them.
February 14, 2018
A most unusual tale. Relatively quick read. The historical period and surroundings were well thought out and described.
The story circles around Theodosia Varro. She lived modestly in the Subura section of Rome until her brother is murdered. She inherits riches beyond her dreams. She and her maid/slave Lucillia, head to claim what is hers. At the estate, she is reunited, or as much as master-to-slave can be, to an old friend Stefan and the house servant Alexander. From this point on the story takes on the flavor of a Greek tragedy. She is pursued by two suitors, Titus Vespasian and Marcus Otho. The first comes from a noble military family while the second is nothing more than a swine who only wants her money to advance his position with the heir to the throne, Nero. We must also throw in her feelings, which grow for both Alexander and Stefan. Let the games begin.
At times the execution of all the sub plots is well diagramed and explained; at other it’s slow and boring. But, Martha has a knack for getting back on track and keeping the reader interested. I felt Theodosia’s character never became fully developed.
The main problem I had was the language for the time period. Perhaps I’m not schooled enough in this era, but it felt like today’s colloquial language that didn’t fit the time period. The way many of the slaves and at times, the main characters spoke sounded like something I’d here on today’s streets.
The ending was a bit anticlimactic as you have a good idea who killed her brother. Finding out who the accomplice was, now, that was a bit surprising.
Came across a few grammatical errors. Nothing severe.
I’ll admit, it was a fun read and anyone interested in this period will enjoy it. Fifty-fifty I’ll look at the other two books in the tale.
Three Stars
The story circles around Theodosia Varro. She lived modestly in the Subura section of Rome until her brother is murdered. She inherits riches beyond her dreams. She and her maid/slave Lucillia, head to claim what is hers. At the estate, she is reunited, or as much as master-to-slave can be, to an old friend Stefan and the house servant Alexander. From this point on the story takes on the flavor of a Greek tragedy. She is pursued by two suitors, Titus Vespasian and Marcus Otho. The first comes from a noble military family while the second is nothing more than a swine who only wants her money to advance his position with the heir to the throne, Nero. We must also throw in her feelings, which grow for both Alexander and Stefan. Let the games begin.
At times the execution of all the sub plots is well diagramed and explained; at other it’s slow and boring. But, Martha has a knack for getting back on track and keeping the reader interested. I felt Theodosia’s character never became fully developed.
The main problem I had was the language for the time period. Perhaps I’m not schooled enough in this era, but it felt like today’s colloquial language that didn’t fit the time period. The way many of the slaves and at times, the main characters spoke sounded like something I’d here on today’s streets.
The ending was a bit anticlimactic as you have a good idea who killed her brother. Finding out who the accomplice was, now, that was a bit surprising.
Came across a few grammatical errors. Nothing severe.
I’ll admit, it was a fun read and anyone interested in this period will enjoy it. Fifty-fifty I’ll look at the other two books in the tale.
Three Stars
November 30, 2018
Loved the story
Up to The getting out of jail bit, and then Theo running around trying to get evidence, when she was now a slave and would have been confined to the house, that did t ring true too far fetched.
Up to The getting out of jail bit, and then Theo running around trying to get evidence, when she was now a slave and would have been confined to the house, that did t ring true too far fetched.
July 13, 2018
2.5 stars. Story’s not bad just wasn’t what I’d thought it’d be.
February 9, 2017
The prose in the book is quite well written, but then the main character opens her mouth and it all goes out the window. The main character is obnoxious and vain in a way I don't think the author intended her to be.
The plot is interesting enough, but not enough to save the book from the main character.
I stopped reading this book halfway through just because it wasn't able to keep me engaged, and then forced myself to finish it. I'm not convinced that was a good idea.
The plot is interesting enough, but not enough to save the book from the main character.
I stopped reading this book halfway through just because it wasn't able to keep me engaged, and then forced myself to finish it. I'm not convinced that was a good idea.
September 21, 2015
In 53 AD, the property of wealthy Roman women was controlled by their husbands . . . fathers . . . brothers. They had no independence at all. But what might happen if the surviving member of a patrician family was an unmarried female, and half Greek as well? This book is about such a young woman.
The strong-willed, impetuous Theodosia creates many of her own problems, but she faces them with courage and resilience, and I had to admire her spunk.
Full of action, plot twists and romance, it gripped me to the very end. The author has studied the era well, and recreates Ancient Rome and beyond with authenticity in a book full of strong characters and vivid settings, from palaces to prisons. Romance? Of course. I did say she was impetuous.
And who killed her brother Gaius? . . . and why should she care?
The strong-willed, impetuous Theodosia creates many of her own problems, but she faces them with courage and resilience, and I had to admire her spunk.
Full of action, plot twists and romance, it gripped me to the very end. The author has studied the era well, and recreates Ancient Rome and beyond with authenticity in a book full of strong characters and vivid settings, from palaces to prisons. Romance? Of course. I did say she was impetuous.
And who killed her brother Gaius? . . . and why should she care?
July 12, 2013
This book is much better than its cover, which doesn't look very professional. (Yes, I judge books by covers. Can't help it.) The writing, from a technical perspective, is one of the better I've read in any free Kindle downlod, and I enjoyed the historic detail the author wove into the story, even if at other times it felt like some things wouldn't have happened that way in that time. The relationship portions of the book were handled much better than the mystery elements, which I didn't find too mysterious or suspenseful. And I agree with other reviewers that Alexander is the best written character in the book. Overall, the book provided me with a great escape at a time in life when one was much needed, and I enjoyed it.
September 10, 2013
A truly fascinating book! From page one I was hooked, the cast of characters were amazing and seem to grow right off the pages. I was so drawn into the plot and into Theodosia's life, her loss felt like mine and when things blew up near the end I felt like I was sitting next to her in just as much pain. As things progressed and she saw Stefan and Alexander again near the end the explosion of emotions was unbelievable. Of course the hatred for Otho that ran through out most of the book kept things pretty heated. Life was so hard and sometimes so very, very cruel it almost took your breath away. The conditions on the farm and in the prison were disgusting. I highly recommend this book as a very good read that will leap up and draw you into this amazing story.
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