I must say, I don’t normally go for books themed around socio-political issues, but this one really captured my interest and imagination. Ling vividly depicts the tensions between Muslims and the Western world, as well as the infighting within Islam, making these very real and very current issues both accessible and intriguing. I particularly enjoy the parallels Ling drew between his fictional characters and real-life individuals, and the balanced, neutral manner in which he introduces the issues, approaching the argument from multiple viewpoints.
The story starts off with Abraham’s attempted assassination, grabbing you by the throat from the get-go. This choke-hold remains in place for the whole of the book, never loosening, until I was literally breathless by the end of the story, but still panting for more! The prose is tight, the writing fast-paced. Few words are wasted in descriptive narration. Ling plops his readers down in the thick of the action, making them feel like an active participant in unfolding events. The short chapters ensure speedy reading, making this a page-turner that will keep you reading long after you should really be asleep/at work.
The novel is set in New Zealand, a country where you wouldn’t expect to have much crime, much less escalating racial tensions, riots, assassination attempts, and acts of terrorism. Perhaps it is the unlikeliness, but plausibility, of it all, that kept me riveted. NZ has always been one of those places I’d love to move to, and Ling’s novel has only solidified the fact. He paints a beautiful but real picture of the country: clean, safe, naturally pristine. Sure, there are terrorists, racists, and criminals, but what country doesn’t have them? And as a Malaysian, I enjoyed the references to the homeland, including the little nuggets of controversy that is sure to ignite some debate. The ending of The Blasphemer hints strongly at a sequel set in Malaysia. That alone sells the next book for me!
My one complaint about the book is its ending. After a guns-blazin’, pulse-pounding showdown, it kind of just fizzled out at the end: the main plot, to protect the principal, seems to be resolved, but not quite to my satisfaction. There are several loose ends that remain unresolved. Rather than a ‘the end,’ it read more like a ‘to be continued,’ like the doof-doof end of an episode of Eastenders.
I would have also liked to have seen more character development. The story was told from multiple viewpoints, offering plenty of opportunity to develop key players. Maya Raines seems like a compelling heroine, one still haunted by the death of her father, but she seemed a bit overshadowed by all the action and commotion going on all around her. Nevertheless, this lack of character development detracted little from the thrill of reading this high-octane thriller.
Perhaps all these loose ends will be tied up in the second book? Ooh, I can’t wait!
The Blasphemer is a heart-stopping roller coaster ride that addresses some intriguing current issues, centred around the controversial question: what price would you pay for freedom of speech?