The Ragged Edge of Night is my introduction to Olivia Hawker, who also writes as Libbie Hawker and Libbie Grant. How have I not heard of her before? Twenty-four novels—historical fiction and fantasy—not to mention she lives in the Pacific Northwest? Alas, I can't catch them all, but always tickled to find new-to-me author to explore.
Set in a small village outside Stuttgart, the novel is an elegant rendering of resistance to the Nazi regime. Anton, once a Franciscan friar who taught music at a school for developmentally disabled children, answers a strange and poignant personal ad from a woman seeking a husband to help her raise her three children. Anton, wracked with guilt over his inability to save the school's children from extermination by the Nazis, enters into something of an arranged marriage, hoping to redeem his tortured soul. His new wife, Elisabeth, was widowed at the start of the war and in her desperation to keep her family together and fed, opens her home to a stranger. It seems like a far-fetched plot device, but the story is true. The Ragged Edge of Night is based on the author's husband's grandfather, Anton.
Anton, with the encouragement and coordination of the town's priest, Emil, mounts a quiet resistance campaign against the local Reich authorities. To circumvent the demand that he organize the town's young people into a chapter of Hitler's Youth, he forms them into a marching band instead. By offering music lessons to well-to-do families in neighboring villages, he can deliver messages as part of a regional cell of the German Resistance. The risk is enormous, of course, and the novel's central tension is if and how Anton will be able to get away with his diversion tactics and covert deliveries.
He is also learning to be a father to the three children he's adopted and most unexpectedly to a former priest, he is learning how to love his wife.
This is a quiet novel, spending most of its time in the interiority of Anton's thoughts. It's written very carefully, as though the author was guarding these characters from scrutiny or criticism. The good Germans are rather one-dimensional in their selflessness, courage and goodness and the bad Germans are all villainous. Despite some of the shallower aspects of the characters, this is a beautifully written and unique story. I'm glad it landed in Hawker's skilled and loving hands.