I know this will be shocking, but, I must admit, this is the first book I've read by this author. For reasons. I've been aware of the author for a long while but . . . . good grief. Apparently I have read something by this author before - though my opening still works, the other thingie I'd read was a short story. Right, where was I? This is another of those recent Bella Books sale books I picked up - I'm currently 2 for 2 - rather liked two of the two books I've read so far of the . . . I think it was 10 I bought last weekend.
This one here mixes certain things, tropes, ideas that I've seen before. Social anxiety/panic attacks; nerdy-gamer type who 'got into trouble' for expressing their mind openly in front of horrible misogynist twits; a writer who doesn't like the outdoors (well, the public), etc. etc. This is probably the best I've seen these specific topics handled.
Right, so. Paris Ellison was always awkward as a kid, though she had a loving mother who showed her certain tricks to survive. So, she did, mostly. Dove into gaming. Got a job in gaming. Blogged about how she was just tired, weary, annoyed about all these games that have both the good and bad guys randomly (or not so randomly) kill women (and/or do more to these women). Her life was ripped apart - she had to flee her job, girlfriend, home, everything to be able to breath again. That was a while ago, but she still fears.
She was mostly 'okay' recently, though, but her publisher (oh, right, she became a highly successful published author of 'bodice ripper' historical romances (though, initially, her books were tagged with something like 'smart bodice rippers' or something like that) was acquired by another. And this new publishing house, mostly the marketers, but more than just them, are really not Paris' type of people. In that they want her, or, as they know her, Anita Topaz, to do stuff. Publicly, like interviews and the like. There's no way in hell she's going to do that - but they can't seem to take the hint. Now there's this letter about meeting the big boss, all expenses paid, also seeing a play and . . . stuff. A letter Paris still hasn't answered. And a letter that leads to the other main character in this book.
For, you see, while in a particular bar Paris pops into every so often (to deliver baked goods to sell, to the bar owner), the letter got detached from Paris and ended up in the hands of Diana Beckinsale. Who sees the letter as an opportunity. Especially as she gets to know more about Paris and her social issues. Diana, you see, spotted just who this new owner of Paris' publishing house is - someone Diana has 'targeted'.
Diana Beckinsale is not the name most in the area know her by. She's another of these people with other names (like Paris and Anita). Paris uses Anita because she's scared of being found. Diana uses other names because . . . she's a thief and something of a con-artist (though she says she uses more than one name because she's an actress - it's her stage name (except she doesn't use the same name so . . . ). Diana, for reasons, tracks down 'stolen artifacts' (they are not always stolen) and 'returns them to their rightful owners' by stealing that item (and only that item). The new owner has a particular hammer Diana wants to redistribute.
Diana and Paris do not meet cute/badly/otherwise. They just happen to meet. Paris finds Diana attractive (to a flustered amount), while Diana . . . is not aware of women in that way (she doesn't fancy men, she barely tolerates them) - though she grows to an awareness . . . much later (there's reasons why she's advanced to the age she has without knowing who and what she might romantically like - her development was delayed by gymnastics). They meet, they part ways. They meet again with Diana in disguise to convince Paris to allow her to play the role of Anita. Paris turns her down. They part again. This is not a fast and furious romance.
Eventually the big decision must be made - by Paris regarding her publisher. So . . . she works herself up and goes. Only to find that someone has taken her place, is pretending to be her. Diana as Anita. Found out in the worst possible way - in the conference room a meeting is supposed to occur . . . and is already occurring when Paris walks in.
One thing leads to another and Paris and Diana are forced to work together. Even to the point of sharing the same huge multiple bedroom hotel suite. Paris still has some desires for Diana. Diana is beginning to become aware of women, or specifically Paris.
Stuff happens. Quite enjoyable book all-around. Must try something else by this author.
Rating: 4.60
May 11 2019