What do you think?
Rate this book
The Columnist
In Brandon Sladder, author Jeffrey Frank has created one of the most memorable rogues in contemporary fiction. A prominent Washington columnist, Sladder has known just about everyone of importance. He has spoken on intimate terms with world leaders, been a witness to enormous change, and expressed weighty opinions on important matters of state. When former President Bush encourages him to write his memoirs, Sladder believes that his life story could add much more than a footnote to our age and attempts to burnish his image for posterity. What emerges instead is the story of an irresistibly loathsome man and the misadventures that got him to the top. Self-important, social climbing, and dangerously oblivious, Brandon Sladder is the type of character everyone loves to hate.
By turns hilarious and dismaying, The Columnist is a dead-on, elegantly written portrait of the media and politics of the second half of the twentieth century.
By turns hilarious and dismaying, The Columnist is a dead-on, elegantly written portrait of the media and politics of the second half of the twentieth century.
240 pages, Paperback
First published January 1, 2001
1 person is currently reading
165 people want to read
About the author
Jeffrey Frank
11 books38 followersWorked as senior editor at The New Yorker. Also worked for The Washington Post.
Ratings & Reviews
Friends & Following
Create a free account to discover what your friends think of this book!
Community Reviews
Displaying 1 - 30 of 34 reviews
March 2, 2025
3.5 ⭐ I end this with a bit of uncertainty with how I am rating this. I feel like the book largely accomplishes what it set out to do, and works well as a satire of people involved in Washington politics. Narratively, I feel like the book did a good job of showing a terrible person who could not recognize their own terribleness, even with the whole story being told from that person's self-aggrandizing perspective.
The end landed weakly for me, and it was hard for me to keep track of how many years passed between scenes. But the thing I'm struggling with a tiny bit as far as my feelings go is the fact that this satire hits very close to how politics are these days, so how exaggerated is this meant to be? So this is likely pulling my rating down a bit as I think through it, but ultimately I found it an interesting and well done story.
The end landed weakly for me, and it was hard for me to keep track of how many years passed between scenes. But the thing I'm struggling with a tiny bit as far as my feelings go is the fact that this satire hits very close to how politics are these days, so how exaggerated is this meant to be? So this is likely pulling my rating down a bit as I think through it, but ultimately I found it an interesting and well done story.
August 14, 2007
I read this book because David Sedaris recommended it at a reading I attended. I found it to be every bit as amusing as Sedaris promised. However, a friend who read it after me hated it. I don't think she realized it was supposed to be funny and that you are NOT supposed to like the narrator.
August 18, 2007
well, here's a good humor story about a jerky journalist. not only does it take place in buffalo, it also has an index!
June 22, 2025
Not my favorite book.
That being said, this a satirical “memoir” about a Washington journalist trying to work his way up the ladder. Unfortunately (or maybe according to this book it’s more like politically correct) to do so by using who you can or sleeping your way to the top. Either way, the main character, Brandon Sladder is not a very likable character. Then again, that may be what the author was going for. In any event, I think the author was trying to get some reaction and this readers wasn’t very favorable.
That being said, this a satirical “memoir” about a Washington journalist trying to work his way up the ladder. Unfortunately (or maybe according to this book it’s more like politically correct) to do so by using who you can or sleeping your way to the top. Either way, the main character, Brandon Sladder is not a very likable character. Then again, that may be what the author was going for. In any event, I think the author was trying to get some reaction and this readers wasn’t very favorable.
November 23, 2024
Perhaps this novel hit me at a good time to rate five stars, but it seemed — whether intended or not — a short, delicious send-up of the prototypical Northeastern liberal columnist for the likes of The New York Times or Washington Post. The protagonist, smug, self-righteous, tone-deaf writing his own memoir of sorts, can’t see his own shortcomings as his marriages, children and importance fail.
December 26, 2017
This book was a great read. However, one I got 3/4 of the way through the book I was ready for it to be done. Still a good read but it looses its luster after a while.
March 3, 2023
Eh. I think I would’ve found this more clever if I was not an infant in 2001 when this was published.
December 16, 2013
Jeffrey Frank's new novel puts Washington columnists on the horns of a dilemma. They could sue him for defamation, but first they'd have to admit that they see themselves as the pompous windbag at the center of his dark comedy.
Then again, Frank shouldn't worry. Notoriety is the coin of our age. If "The Columnist" garners enough fame, contestants on The McLaughlin Group will brag that they were his inspiration.
At the opening of this fictionalized memoir, Brandon Sladder claims that George Bush (the elder) encouraged him to write down the details of his remarkable life. "Haunted by the former President's suggestion," he complies for the sake of history, but we should thank him for the sake of comedy. The result is a classic satire of egotism.
"Even as a young man," Sladder begins, "I was frustrated by the smallness of my surroundings and a shortage of serious people." It's a challenge he never outgrows, along with the opposition of "strangers who unaccountably wanted to hurt me."
This obliviousness remains the staple of his life, a way of crashing over others without having to acknowledge the validity of their objections.
When he steals information from his father's business to write exposes in the local paper, his father is "inexplicably" upset. When he goes behind his editor's back, his editor is "mysteriously" ticked off. When he blackmails his boss, his boss develops an "irrational" hatred of him.
Every time another victim snarls at him, Sladder is "puzzled by this attitude," but he remains a prince of graciousness, wishing everyone well as he stomps on their heads to the next dinner party.
With an insatiable appetite for fame and sex, he uses a series of women for information. A blend of sycophancy, glibness, and ruthlessness raises him from a small Buffalo paper to a spunky opinion magazine just a few blocks from the White House (No, not The New Republic). From there, he leaps to a syndicated column, a spot on a PBS talk show, and finally a contract with NBC.
His commentary, heavily laced with quotations from other great writers and baseball metaphors (nothing personal, Mr. Will), is meant to shed light in the halls of power and in the golden fields of the heartland.
There may be nothing original about this bow-tied character (calm down, Mr. Schlesinger), but the precision of Frank's tone is relentlessly funny. Sladder waxes eloquent in phrases that are drenched in grandiosity, hackneyed metaphors, and sentimental cliches. "As a people, we Americans have come far from our sturdy frontier past," he notes. During his first year in D.C., "even the cherry blossoms that spring had a special glow."
His memoir becomes a chance to twist the knife in the bodies of past victims ("I had no real reason to doubt his commitment to heterosexuality....") and exaggerate his acquaintance with famous people (a perfunctory conversation with Kennedy becomes a warm friendship). He's the kind of infuriating jerk who skewers himself with every brag-filled line.
But as his life races along, "the center cannot hold," as Bill Yeats once told me. Tempted by his own thirst for influence, he begins writing speeches for a lecherous senator and then praising the senator's wisdom in his own widely syndicated column (nothing personal, Mr. Blumenthal).
When his professional life suddenly collapses, his personal life sinks even deeper into depravity. The descent is brutal and lurid, almost enough to elicit a little sympathy for this swinish man.
But no, that temptation passes the moment he rises again, reborn as a talking head on the nation's cable news shows. "I feel as if I'm everywhere at once," he writes, "talking into camera after camera about the world of today and yesterday, unblinking, my eyebrows perpetually raised."
The buzz around this book started months ago. A senior editor at The New Yorker, Frank is the sort of author who can count on help from a frequent contributor who's also the son of a real Washington columnist (Yes you, Mr. Buckley). He penned a puffy blurb for the dust jacket and then ran a rave review in the Washington Monthly. How better to market a book about the corruption of influence?
But I'll let more peevish critics mention that.
Frank has created a character that deserves to jump outside the Beltway and enter the language like "Uncle Tom," "Peter Pan," or "Scrooge." From now on, any ambitious windbag might hear the murmur in his wake: "There goes a real Sladder."
http://www.csmonitor.com/2001/0607/p1...
Then again, Frank shouldn't worry. Notoriety is the coin of our age. If "The Columnist" garners enough fame, contestants on The McLaughlin Group will brag that they were his inspiration.
At the opening of this fictionalized memoir, Brandon Sladder claims that George Bush (the elder) encouraged him to write down the details of his remarkable life. "Haunted by the former President's suggestion," he complies for the sake of history, but we should thank him for the sake of comedy. The result is a classic satire of egotism.
"Even as a young man," Sladder begins, "I was frustrated by the smallness of my surroundings and a shortage of serious people." It's a challenge he never outgrows, along with the opposition of "strangers who unaccountably wanted to hurt me."
This obliviousness remains the staple of his life, a way of crashing over others without having to acknowledge the validity of their objections.
When he steals information from his father's business to write exposes in the local paper, his father is "inexplicably" upset. When he goes behind his editor's back, his editor is "mysteriously" ticked off. When he blackmails his boss, his boss develops an "irrational" hatred of him.
Every time another victim snarls at him, Sladder is "puzzled by this attitude," but he remains a prince of graciousness, wishing everyone well as he stomps on their heads to the next dinner party.
With an insatiable appetite for fame and sex, he uses a series of women for information. A blend of sycophancy, glibness, and ruthlessness raises him from a small Buffalo paper to a spunky opinion magazine just a few blocks from the White House (No, not The New Republic). From there, he leaps to a syndicated column, a spot on a PBS talk show, and finally a contract with NBC.
His commentary, heavily laced with quotations from other great writers and baseball metaphors (nothing personal, Mr. Will), is meant to shed light in the halls of power and in the golden fields of the heartland.
There may be nothing original about this bow-tied character (calm down, Mr. Schlesinger), but the precision of Frank's tone is relentlessly funny. Sladder waxes eloquent in phrases that are drenched in grandiosity, hackneyed metaphors, and sentimental cliches. "As a people, we Americans have come far from our sturdy frontier past," he notes. During his first year in D.C., "even the cherry blossoms that spring had a special glow."
His memoir becomes a chance to twist the knife in the bodies of past victims ("I had no real reason to doubt his commitment to heterosexuality....") and exaggerate his acquaintance with famous people (a perfunctory conversation with Kennedy becomes a warm friendship). He's the kind of infuriating jerk who skewers himself with every brag-filled line.
But as his life races along, "the center cannot hold," as Bill Yeats once told me. Tempted by his own thirst for influence, he begins writing speeches for a lecherous senator and then praising the senator's wisdom in his own widely syndicated column (nothing personal, Mr. Blumenthal).
When his professional life suddenly collapses, his personal life sinks even deeper into depravity. The descent is brutal and lurid, almost enough to elicit a little sympathy for this swinish man.
But no, that temptation passes the moment he rises again, reborn as a talking head on the nation's cable news shows. "I feel as if I'm everywhere at once," he writes, "talking into camera after camera about the world of today and yesterday, unblinking, my eyebrows perpetually raised."
The buzz around this book started months ago. A senior editor at The New Yorker, Frank is the sort of author who can count on help from a frequent contributor who's also the son of a real Washington columnist (Yes you, Mr. Buckley). He penned a puffy blurb for the dust jacket and then ran a rave review in the Washington Monthly. How better to market a book about the corruption of influence?
But I'll let more peevish critics mention that.
Frank has created a character that deserves to jump outside the Beltway and enter the language like "Uncle Tom," "Peter Pan," or "Scrooge." From now on, any ambitious windbag might hear the murmur in his wake: "There goes a real Sladder."
http://www.csmonitor.com/2001/0607/p1...
April 26, 2013
An Imagined Life
Frank, J. (2001). The Columnist. New York: Simon & Schuster.
Brandon Sladder is a rising journalistic star in Washington, D.C., in this imaginary autobiography. The first-person narrator describes, with unintentionally humorous false modesty, his career. It is an excellent, if obvious exercise in presenting an unreliable narrator. Sladder is full of pride, while the reader increasingly realizes what a buffoon he is.
He describes with disingenuous offhandedness how he met JFK, and even once gave advice to LBJ on the phone. The latter president called during a Sladder dinner party and Brandon had to be pulled away from the table to answer. How embarrassing! Especially since Ed Muskie and his wife were in attendance at the party but Brandon could not, ethically, disclose the nature of the conversation. Such scenes deliciously parody the Washington memoir.
He marries for social status but sleeps with any live female, and in turn, suffers snubs, indignities, infidelities, and humiliations. There are good mini-dramas that reflect the tumultuous and opportunistic career of a journalist, as newspapers and other periodicals are closed, taken over, and overhauled repeatedly. We see, reflected through skillful descriptions of his friends’ comments and behavior, that while he imagines he is an “objective” analyst of the political scene, he is unknowningly a shill for government policy makers.
This is all very Washington-insider stuff, but it is funny, often in exceedingly subtle ways, as Brandon pontificates in well-chosen literary and historical allusions and quotations. The whole thing is written at a fairly high level of diction that makes it even more enjoyable. Further, the author is a NYC editor, and has skills that show. The writing is extremely tight and a pleasure for that. Nevertheless, the story is episodic and repetitive and soon becomes tedious. A first-person novel must have a very strong plot, in my opinion, because no individual voice can hold our attention long. Everybody is boring, once you get to know them.
Frank, J. (2001). The Columnist. New York: Simon & Schuster.
Brandon Sladder is a rising journalistic star in Washington, D.C., in this imaginary autobiography. The first-person narrator describes, with unintentionally humorous false modesty, his career. It is an excellent, if obvious exercise in presenting an unreliable narrator. Sladder is full of pride, while the reader increasingly realizes what a buffoon he is.
He describes with disingenuous offhandedness how he met JFK, and even once gave advice to LBJ on the phone. The latter president called during a Sladder dinner party and Brandon had to be pulled away from the table to answer. How embarrassing! Especially since Ed Muskie and his wife were in attendance at the party but Brandon could not, ethically, disclose the nature of the conversation. Such scenes deliciously parody the Washington memoir.
He marries for social status but sleeps with any live female, and in turn, suffers snubs, indignities, infidelities, and humiliations. There are good mini-dramas that reflect the tumultuous and opportunistic career of a journalist, as newspapers and other periodicals are closed, taken over, and overhauled repeatedly. We see, reflected through skillful descriptions of his friends’ comments and behavior, that while he imagines he is an “objective” analyst of the political scene, he is unknowningly a shill for government policy makers.
This is all very Washington-insider stuff, but it is funny, often in exceedingly subtle ways, as Brandon pontificates in well-chosen literary and historical allusions and quotations. The whole thing is written at a fairly high level of diction that makes it even more enjoyable. Further, the author is a NYC editor, and has skills that show. The writing is extremely tight and a pleasure for that. Nevertheless, the story is episodic and repetitive and soon becomes tedious. A first-person novel must have a very strong plot, in my opinion, because no individual voice can hold our attention long. Everybody is boring, once you get to know them.
November 12, 2007
If you're a frequent reader of liberal bloggers like Atrios or Digby, you've probably heard the phrases "The Village" or "The Kewl Kids". As you may have guessed, these are pejorative terms for the chattering classes, the coterie of elite pundits that opine in print and on TV about the "issues". I put issues in quotes because they rarely talk policy or even politics, unless your idea of politics is limited to inane discussions of image, vile rumor-mongering and endless horserace speculation of polls and public opinion. Chief offenders: Chris Matthews and Tim Russert on TV and David Brooks, Maureen Dowd, and Joe Klein in print.
Enter The Columnist, a scathing satire on the above that grows more relevant by the day. Brandon Sladder is an utterly amoral careerist, a print columnist who worms his way into TV punditry. I found Brandon's particular mix of self-importance, pomposity and phony "average man" act a dead-ringer for Brooks, but I'm not sure who the actual model was. A withering portrait leavened by a terrific sense of humor, The Columnist is like an extended version of Jon Stewart's appearance on Crossfire and a terrific antidote to the cancer on democracy that is our lovely corporate media.
Enter The Columnist, a scathing satire on the above that grows more relevant by the day. Brandon Sladder is an utterly amoral careerist, a print columnist who worms his way into TV punditry. I found Brandon's particular mix of self-importance, pomposity and phony "average man" act a dead-ringer for Brooks, but I'm not sure who the actual model was. A withering portrait leavened by a terrific sense of humor, The Columnist is like an extended version of Jon Stewart's appearance on Crossfire and a terrific antidote to the cancer on democracy that is our lovely corporate media.
October 1, 2013
Read this after having it on my list forever after hearing David Sedaris recommend it. Turns out I didn't like it so much. About a fictional DC journo writing his memoirs who turns out to be quite the cad and dick. Weirdly, I didn't realize at first that he was supposed to be a cad or a dick; the main evidence about that was that he basically reports never getting along with bosses or any coworkers and most people not liking him. Also he never speaks to his parents at all and he's a pretty shameless climber, who I guess when you think about it throws people over regularly for climbing opportunities, but manages to keep falling up. The problem with this might not be my inability to add up the clues (although it very well might), but rather that it's hard to get that someone is a huge dick when the story is told from his POV, and our inclination isn't to say we are assholes, it's to romanticize how awesome we are. It's up to the reader to start going, huh, everyone hates him, huh, that thing that he's rationalizing seems kind of dickish, etc. etc. etc. until you realize he sucks. I guess.
Anyhow, long story short, it was kind of wry and humorous here and there, but ultimately I didn't care enough about him so I stopped reading. Ho hum.
Anyhow, long story short, it was kind of wry and humorous here and there, but ultimately I didn't care enough about him so I stopped reading. Ho hum.
January 1, 2013
Well...the voice was consistent, if consistently shallow.
And while in part that was intentional—after all, it's positioned as a satire—the quality of the humor had no depth or sophistication. The Columnist has no more to say than the narrator does, and that's not much. While I suspected I wouldn't be impressed by the jacket flap, I liked the idea of a fictional author revealing more than he intended. Unfortunately, the narrator here is dumber than a rock; he not only lacks the slightest self-awareness, but he can't even fake intelligence or a personality even to the people who know him. And all of those people just ignore that because...?
But the prose is serviceable, and occasionally the commentary is amusing, but the narrator is tiresome and it could be a good 100 pages shorter—although since this is supposed to be the narrator's memoir, it shouldn't be much shorter than 500.
And while in part that was intentional—after all, it's positioned as a satire—the quality of the humor had no depth or sophistication. The Columnist has no more to say than the narrator does, and that's not much. While I suspected I wouldn't be impressed by the jacket flap, I liked the idea of a fictional author revealing more than he intended. Unfortunately, the narrator here is dumber than a rock; he not only lacks the slightest self-awareness, but he can't even fake intelligence or a personality even to the people who know him. And all of those people just ignore that because...?
But the prose is serviceable, and occasionally the commentary is amusing, but the narrator is tiresome and it could be a good 100 pages shorter—although since this is supposed to be the narrator's memoir, it shouldn't be much shorter than 500.
September 29, 2013
I finished reading The Columnist by Jeffrey Frank. It is a satirical account of a pompous journalist who becomes a Washington columnist and "talking head" on cable news channels. He is a composite of several self-important journalists that often pop up on cable news. Written in the voice of the lead character as he pens his memoirs, the name dropping and anecdotes are self-serving, witty, and pathetic. A quick read, this book left me feeling very sad for the lonely character of Brandon Sladder.
August 21, 2009
A wonderfully satirical look at journalism, Washington D.C. culture, social climbing, sex, and social-climbing sex. The cherry on the sundae is the "Index," best appreciated like a good dessert after the meal of the memoir.
If you can get your hands on a copy of this, read it. The novel paints a brilliant picture of where our country headed off the cliff, and why you're now reading book reviews from unqualified strangers.
If you can get your hands on a copy of this, read it. The novel paints a brilliant picture of where our country headed off the cliff, and why you're now reading book reviews from unqualified strangers.
February 24, 2009
Good book, I liked it a lot. The main character is a self-absorbed, social-climbing journalist. The book starts in Buffalo, which is amusing, as the author lives on Cleveland Avenue then in Allentown.
David Sedaris spoke about this book when he spoke at UB a few years back. Glad I picked it back up and read it in full.
David Sedaris spoke about this book when he spoke at UB a few years back. Glad I picked it back up and read it in full.
January 1, 2012
This is the story of Brandon Sladder, a news analyst who covers the major stories of the day starting in the mid-1960's and continues until the mid-1990's. It is his fictional memoirs. It describes a life of selfishness, licentiousness, back-stabbing, luxury and lust. Probably a reasonably good accounting of what it is like to be in such a position.
April 7, 2013
The fictional memoir of a glib, shallow Washington pundit who ruins lives, including his own. Brandon Sladder has no self-awareness ("My chief flaw is an inability to recognize my other flaws"), yet Frank is able to make us see what his protagonist can't, a tricky thing to pull off. Very funny, and a little sad.
December 24, 2016
This is a very unusual book because it is a fictional memoir, if there is such a term. But that’s what makes it fascinating. As you read you think your mind is playing tricks on you because this person and the people around him are so real. I loved this book because it was so incredibly clever and so different from the usual genre that I read.
November 17, 2007
Probably more funny to those who have either (a) lived in DC and understand the political background or (b) have been involved with journalism. Or, (c) know a self-absorbed schmuck like the narrator.
October 1, 2014
I just finished reading this book a second time. It is, hands down, one of the funniest books I've ever read. I'm satisfied using cliched terms like "darkly hilarious" and "wickedly funny" to describe it. It is that good; that original.
August 20, 2007
Amusing satire.
September 30, 2007
A study in hubris. Pretty entertaining.
April 15, 2008
"The Columnist" is like a journalism romance novel -- fast-moving, highly amusing, excellent beach reading.
June 5, 2009
I know people like this main character and I'd like to kick them in the butt!
Read
November 19, 2008As seen on Writers Read.
January 22, 2009
A decent read for (American) political junkies; others would likely have a tough time getting into the book.
February 20, 2009
Funny fake autobiography of a DC political writer. I think you're supposed to think that the author is a dick, but I liked him. Not sure what that says about me.
September 23, 2009
Not sure everyone would like this fictional account of a power-hungry newspaper reporter but having lived in DC for as long as I have, I found it quite entertaining!
April 7, 2011
it was very refreshing to read book like this-saying-a memoire. :)
August 8, 2011
Not as good as his other, 'Hopedale.' A little of a zzzz
Displaying 1 - 30 of 34 reviews