This is the third volume of these DC parallel earth crossover collections I’ve read and the initial goodwill and enthusiasm I had based on the novelty of the stories and the interest I had in learning about these Golden Age icons has curdled into eye-rolling as Gardner Fox churns out another zany plot where the characters are completely interchangeable and the only interest arises from what crazy power Fox will give to the Flash this time. I know, I know. I have to understand the context it was written in and where comics were at at the time so hey, maybe I need more patience but there were moments, especially in the first half of the book where I was groaning on every page, if not every second panel.
This book comprises eight issues; the four two-parters that took place each Summer from 1967 to 1970.
As background, the superhero craze of the ‘30s and ‘40s had died out by the onset of the ‘50s except for a few of the big hitters like Superman and Batman. Comics had largely moved on to westerns, romance and other genres. But DC editor Julius “Julie” Schwartz had the idea to revive the old superhero line and in 1956 started to bring them back but in new garb. He kept the name and general idea (Flash is the fastest man alive) but otherwise started anew.
And so audiences were once again introduced to these powered vigilantes and somehow, it worked a treat and superheroes took off again. The Justice League was formed and then in 1961 writer Gardner Fox added a brilliant new twist when he had the Flash vibrate through the dimensional barrier to “Earth Two”. There all the original heroes of the '30s and '40s were alive and kicking as the Justice Society of America and readers learned that those old 1930/40s adventures weren’t wiped away - they had happened on another earth which our current heroes could go visit.
These days, multiverse stories are so common, it may seem hard to understand what the fascination was but there was a big audience for these crossovers; people loved seeing the old iterations (which may have been new to them) team-up with their familiar Justice League heroes as these cross-overs became an annual event between 1963 and 1984.
Why did they end?
As writers kept adding more and more earths to play in, partly to find new angles and partly as DC bought other publishers like Fawcett and the rights to their characters, the whole edifice became unwieldy and it was resolved to shrink it down to one earth through 1984’s "Crisis on Infinite Earths".
But that’s all ahead. This is 1967 to 1970. Luckily this represents the end of Fox’s tenure as writer. 1968 was his last hoorah on "Justice League" title and writer Denny O’Neil took over. There’s an immediate change in the 1969 two-parter (“Star Light, Star Bright, Death Star I See Tonight” and “Where Death Fears To Tread”). Sure, the plot is just as mad as any Fox joint but we finally get some characterisation even if it’s mostly through Black Canary’s husband Larry - which is obviously to set up the final shock death but it works and some of the panels depicting the grief of those left behind conjure more genuine emotion than any ten issues from Fox.
The final pair of issues from 1970 (“Peril of the Paired Planets” and “Where Valor Fails, Will Magic Triumph?”) show signs of moving away from the stupidly zany to a related brand of sci-fi silliness. They continue to improve on all that’s come before but the finale is a rushed deus ex machina with the Spectre appearing and Green Lantern (of Earth One) happening upon the lonely Red Tornado who is the unwitting cause of the crisis.
All the same, O’Neill is picking up plot threads from previous stories and creating a genuine sense of a DC universe. He even introduces some romance between Green Arrow and Earth Two’s Black Canary. Great work that takes the medium seriously and hints at possible directions to come.
So while some of this was a chore, the change in writer reinvigorated the team-ups and made me once again curious to pick up the next volume.
Random Thoughts:
- Prior to the change in writer by Summer 1969, there was a change by Summer 1968 of long time penciller Mike Sekowsky to Dick Dillin. Dillin stayed on the book until his death in 1980. A feat perhaps unequalled since. I can’t say I’m as attuned to the art as I am to the writing but it was another big change to a long-running team.
- The 1967 issues (“The Super Crisis That Stuck Earth-Two” and “The Negative Crisis of Earths One-Two”) are so ridiculous they have one average citizen accidentally given super-powers, becoming a super-villain and immediately going on a rampage to destroy all sporting stadiums. Really.
- At least that made a change from Fox’s usual bank and museum robberies.
- Funny how Wonder Woman always ends up facing the sole female bad guy.
- My first introduction to Johnny Thunder was in Geoff John’s 2016 "Rebirth". There, an elderly and infirm Johnny whose Justice Society past was wiped away has something of his memory restored and climbs onto a hospital roof and screams the summoning words into the rain. It was quite emotional. But here? Ugh. Johnny Thunder is the worst character. He has no actual powers; just a genie he can command. Which is fine but he’s always berating the genie and acting as if he it is him who is the valuable team member. The Justice Society should free the thunderbolt from it's slavery to this doofus.
- At least, he’s not quite as egregious a team member as Snapper Carr who had no powers and no business being on the league anyway. Thankfully he only appears briefly in Fox’s final story.
I knew DC had all but trademarked “crisis” with "Crisis on Infinite Earths", "Infinite Crisis", "Final Crisis", "Identity Crisis" et al but I realise now they were the crisis guys from way back.