Reprinting stories from the classic Archie Comics run, TMNT Adventures reflects the style made popular by the original '90s cartoon!
The all-ages action continues in "Dreamland!" In the future, the Teenage Mutant Ninja Turtles have become the Cyber Samurai Mutant Ninja Turtles. The brothers have new powers and new allies, and they're going to need them to face some new enemies in this time-hopping story from the world of tomorrow! Collects issues #62-66 of the Archie Comics series.
Teenage Mutant Ninja Turtles Adventures was a comic series that ran from 1988 to 1995, and whilst it was separate from the original comic series and the popular 1987 television series, it took a lot of visual inspiration from the show. The comic even began by adapting the show in its initial issues, before moving in its own direction to feature unique stories, which often incorporated social themes such as environmental and animal rights issues.
The five issues collected together in Volume 15 of the graphic novel contain one of the stranger and more unique of these stories, having moved away from the regular continuity to tell a story of an alternate group of turtles in a distant future. Everything in this story is different, and unlike anything else in the comics. This is the story called ‘Dreamland’.
The world has been flooded due to the melting of the polar ice caps, caused by global warming, leaving a future version of New York City that is filled with water, with small artificial islands built around skyscrapers.
The turtles are vastly different from the sewer dwelling ninjas we’re used to: here Donatello is a tech genius company owner who has built advanced battle-suits for himself and his brothers (basically Tony Stark), and even has a time travel portal; Raphael and his wife Mezcaal, a mutant dog woman, own a bar; Leonardo owns a ninja dojo where he teaches a number of students, three of whom appear to be his adopted children who go out on crime fighting patrols with him; and Michelangelo is an artist who runs an orphanage.
Each of the turtles bears some resemblance to their regular counterparts, with a lot of personality traits being the same, but despite this they never feel like the turtles we all know and love. They’re more extreme versions of themselves, Leo is even more focused on ninja training, Donnie is obsessed with tech, and Raphael is more bloodthirsty.
Despite never having seen this version of the turtles before we’re dropped into the middle of this new world, with the turtles already having had a whole series of adventures with their own villains, Splinter having died, and many previous events being referenced with no explanation as to what they’re about.
Whilst this does give the impression of a fully formed universe for this five part story, it feels more like picking up an issue of a long established book, without any idea of who’s who or what has happened. It pulls you out of the story, it makes you feel like you’re missing things, and it just distracts more than it helps.
A prime example of things just happening with little to no explanation is the Time-Slip Generator, the time travel device mentioned earlier. At the start of the story Donnie is making repairs to it because of someone called Armaggon having broken it whilst breaking in (no explanation as to these events are given). By the end of the story they’ve travelled back to Nazi Germany in order to stop Hitler’s brain, which was in the lab in a robot for no apparent reason. I’m sure these things made sense to someone, but I struggled with a lot of these storylines and events that had no apparent reason for being there.
The suits that the turtles wear in this story are basically the old Cyber Samurai Turtles figures released in the 80’s toy line, which also featured in one episode of the show. Because they’re based on some terrible 80’s toys, that’s how they look: absolutely awful. They look nothing alike, covered in bizarre adornments and protrusions, they’re pretty terrible from a design point of view.
Mixed into these strange ‘what-if’ issues is a small back-up story at the end of each issue involving April O’Neil investigating what appears to be an angel appearing in New York. Being set in the regular turtles’ time and place this tiny story is much better than the Dreamland story, and it’s a shame that it didn’t have more of the book given over to it.
Overall, I found this volume of Teenage Mutant Ninja Turtles Adventures to be a bit of a disappointment. It wasn’t easy to get into, the story made little sense and had huge leaps in logic, and the designs were pretty awful. Thankfully, this is a single story, and not the entire run of the series.
I remember when these first came out. While I had sorta graduated to more adult comics, I still loved the Turtles. And really... if you looked at the two main Turtles books at the time- theJim Lawson written books being distributed by Image and the supposedly 'all-ages' book being published by Archie, there was no question which one was really the more mature book. One was 'mature' for violence, profanity, and implied nudity. And the other was mature because it had robot cadavers, discussions about what is and it not classified as life, should heroes take a life, redemption as well as issues dealing with slavery, environmental issues, and pretty accurate depictions of a reanimated brain of Adolph Hitler. Oh right... and had implied turtle on fox sex. The former was the one the most teens and adults were reading. The latter was the kids book.
And this is the volume where things started crumbling down. The story itself is great. Murphy is CLEARLY displeased with toning down his language. Even at the time, and I was maybe fourteen or fifteen when these came out, I could tell Archie was uncomfortable. I could tell the end was coming. (It didn't happen for another year or so.)
This story... well... it would have considered dark even for a Marvel X-Book at the time. It was getting to a point where this book marketed to kids, have skirting warnings from the at that point somehow not irrelevant Comics Code Authority. Archie was reportedly going to Mirage saying 'give us somebody other than Dean Clarrain/Stephen Murphy to write these books' and Mirage was saying 'whoever you hire has to meet our approval and we like what he's doing here'....
But at the time, Archie had a reputation as the 'safe' comic company. Nothing controversial to see here. But to a certain extent ALL the TMNT books they had going, Teenage Mutant Ninja Turtles Adventures, Mighty Mutanimals, Teenage Mutant Ninja Turtles Special, and the various Teenage Mutant Ninja Turtles Presents miniseries all spit in the face of that.
While not the best Archie Era Turtles story... is is probably the last truly great story from that era.
I liked the Archie series when it came out, but I’d stopped reading well before these particular issues. Id forgotten that there were fairly graphic and gross bits in these, usually justified because they’re just fighting zombies or cyborgs or whatever.
A small gripe is that this storyline seems to be called “Cyber Samurai” on each issue’s cover, but is called “Dreamland” on the inside. But that doesn’t matter much, it’s just noticeable.
The main story here was good, but I don’t think I understood some of the floating brain monster parts.
The April ONeil backup feature was actually very nice. Well done, bring on the next volume!
I’m continuing an exploration of the Turtles, following along with the excellent Comic Book Couples Counseling podcast. This volume is absolutely bonkers in the best possible way. This is a far-future TMNT tale, and we see how the brothers have aged into very different lives and positions but still kick butt together to battle cosmic, time-traveling baddies.
This is a blast — while not everything really makes sense plot-wise, a coherent story isn’t what we’re here for anyway.
I picked this up because the backup story in these issues has art by Gray Morrow. Not an artist I ever expected to see in a Ninja Turtles comic. Especially the one directed at younger readers. And it doesn't disappoint. Morrow's work is great as usual. The main story, however, is just kind of weird. And pushes the limit on the aforementioned 'younger readers' statement. Uncomfortably so.
I'm kind of excited! After reading this, I finally figured out where one of my toys as a child originated. I'd never seen those flying suits but I've owned the Donatello one for decades.