Inspired by her mother’s post-natal depression, Kathryn Heyman gently crafts a beautifully woven story of two women separated by four decades and very different lives. Jess, wild country girl sold off by her father as a circus stunt rider, ‘part woman, part horse’ and Rose the English immigrant and new mother struggling to make a home in a harsh post-war Australia.
Rose is estranged to the heat of the Australian summer and the immigrant tin camps. ‘It was an alien language, this new country, though the words were the same.’ Her new baby Sammy and the realities of their existence as ‘ten pound poms’ overwhelms Rose, and in the grip of post-natal depression she gets through her day on a mixture of painkilling ‘Bex’ powders and prescribed pills. As she slips into the grasp of her demons she is taken to the St John of Cross Rest Home for Women and subjected to a series of electric shocks to ‘help bring her back’. During these treatments, Rose dreams Jess into life.
The raw beauty of Jess’s tale, her resilience and strength of character, is slowly unravelled through a series of dreams, dreams that often feel like memories trapped inside Rose. As Jess’ voice rises from the grave it is her story that lights up the pages, not only for the reader but also for Rose. Slowly a complex tale of displacement and healing rises as their stories intersect, each searching for survival and love.
Bringing two very different stories together is an act worthy in itself of a three-ring-circus, but under Heyman’s skilful hands it is successfully accomplished. The two twine together as each life becomes more relevant to the other.
As Jess loses her fight she inspires Rose to win hers; Rose finds healing and Jess finds peace; each becomes the saviour of the other.
Peppered with a strong Australian vernacular and poetic descriptions, Captain Starlight’s Apprentice paints a rich portrait of Australia in the early part of the last century. Touching on women’s rights, motherhood, multiculturalism and racism, there are slight moments that feel contrived but these are done with artistic elegance and are forgiven in the larger scheme of the novel.