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Every Tub Must Sit on Its Own Bottom: The Philosophy and Politics of Zora Neale Hurston
"Plant's study is sorely
needed at this point in the evolving critical assessment of Hurston. It
is a paradigm for the study of individual African American women writers."
-- Alice Deck, University of Illinois at Urbana-Champaign
In a ground-breaking study
of Zora Neale Hurston, Deborah Plant takes issue with current notions
of Hurston as a feminist and earlier impressions of her as an intellectual
lightweight who disregarded serious issues of race in American culture.
Instead, Plant calls Hurston a "writer of resistance" who challenged
the politics of domination both in her life and in her work. One of the
great geniuses of the Harlem Renaissance, Hurston stands out as a strong
voice for African-American women. Her anthropological inquiries as well
as her evocative prose provide today's readers with a rich history of
African American folk culture, a folk culture through which Hurston expressed
her personal and political strategy of resistance and self-empowerment.
Through readings of Hurston's
fiction and autobiographical writings, Plant offers one of the first book-length
discussions of Hurston's personal philosophy of individualism and self-preservation.
From a discussion of Hurston's preacher father and influential mother,
whose guiding philosophy is reflected in the title of this book, to the
influence of Spinoza and Nietzsche, Plant puts into perspective the driving
forces behind Hurston's powerful prose.
This fresh look at one of
the most important writers of the twentieth century is sure to shape future
study of Hurston and her work.
needed at this point in the evolving critical assessment of Hurston. It
is a paradigm for the study of individual African American women writers."
-- Alice Deck, University of Illinois at Urbana-Champaign
In a ground-breaking study
of Zora Neale Hurston, Deborah Plant takes issue with current notions
of Hurston as a feminist and earlier impressions of her as an intellectual
lightweight who disregarded serious issues of race in American culture.
Instead, Plant calls Hurston a "writer of resistance" who challenged
the politics of domination both in her life and in her work. One of the
great geniuses of the Harlem Renaissance, Hurston stands out as a strong
voice for African-American women. Her anthropological inquiries as well
as her evocative prose provide today's readers with a rich history of
African American folk culture, a folk culture through which Hurston expressed
her personal and political strategy of resistance and self-empowerment.
Through readings of Hurston's
fiction and autobiographical writings, Plant offers one of the first book-length
discussions of Hurston's personal philosophy of individualism and self-preservation.
From a discussion of Hurston's preacher father and influential mother,
whose guiding philosophy is reflected in the title of this book, to the
influence of Spinoza and Nietzsche, Plant puts into perspective the driving
forces behind Hurston's powerful prose.
This fresh look at one of
the most important writers of the twentieth century is sure to shape future
study of Hurston and her work.
224 pages, Hardcover
First published October 1, 1995
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July 28, 2020
The mind of Zora Neale Hurston
Zora Neal Hurston was a part of Harlem renaissance, an intellectual, social, and artistic explosion centered in Harlem during the roaring 1920s. She was also an anthropologist, folklorist, and a playwright. She is well known for her pivotal novel “Their Eyes Were Watching God,” which is about a Southern love story told by a woman who refuses to live in sorrow, bitterness, fear, or foolish romantic dreams. It is the story of a black woman, fiercely independent and her evolving selfhood through failed marriages and a life marked by poverty, trials, and purpose. Another book Hurston is known for is Barracoon: The Story of the Last “Black Cargo,” about the life of a man named Oluale Kossola, who was transported from West Africa to slavery in Alabama in 1860. Her work is a testament to Zora’s singular vision amid so many competing pressures to love blackness at a time that determined to hate it.
In this book, Professor Deborah Plant of the University of South Florida examines Hurston's philosophy and politics considering black women's resistance to domination and struggle for empowerment. Hurston reflected on her innermost thoughts as the only place in which she could escape societal limitations and freely express herself. She found affirmation, a place to heal, restore and recover. She constructed alternative images of herself to stand in opposition to the controlling, stereotypical images of women, built on objectification and subjugation. Hurston deeply believed that the black culture is a vital component in their full political emancipation, individually and collectively. She discovered new (literary) frontiers; she searched for lost cities; she navigated boats; and she climbed mountains. Like the men of her day, she smoked in public, wore pants, spoke her mind, and loved setting her hat at a rakish angle. Her belligerence, tendency to stand and do battle for what is right stands out conspicuously in her life. Zora Neale Hurston leaves us several empowering legacies. Her life expresses the transformative and revolutionary possibilities of an androgynous spirit. Zora was a Republican, a feminist, and believed in the work of Booker T. Washington on black education and self-emancipation.
The author could have revised the order of chapters that made it easy for readers to connect with Zora Hurston better. The writing is in metaphysical style and the reading would be bumpy. I recommend this book to readers interested in the life of Zora Neale Hurston and black American history.
Zora Neal Hurston was a part of Harlem renaissance, an intellectual, social, and artistic explosion centered in Harlem during the roaring 1920s. She was also an anthropologist, folklorist, and a playwright. She is well known for her pivotal novel “Their Eyes Were Watching God,” which is about a Southern love story told by a woman who refuses to live in sorrow, bitterness, fear, or foolish romantic dreams. It is the story of a black woman, fiercely independent and her evolving selfhood through failed marriages and a life marked by poverty, trials, and purpose. Another book Hurston is known for is Barracoon: The Story of the Last “Black Cargo,” about the life of a man named Oluale Kossola, who was transported from West Africa to slavery in Alabama in 1860. Her work is a testament to Zora’s singular vision amid so many competing pressures to love blackness at a time that determined to hate it.
In this book, Professor Deborah Plant of the University of South Florida examines Hurston's philosophy and politics considering black women's resistance to domination and struggle for empowerment. Hurston reflected on her innermost thoughts as the only place in which she could escape societal limitations and freely express herself. She found affirmation, a place to heal, restore and recover. She constructed alternative images of herself to stand in opposition to the controlling, stereotypical images of women, built on objectification and subjugation. Hurston deeply believed that the black culture is a vital component in their full political emancipation, individually and collectively. She discovered new (literary) frontiers; she searched for lost cities; she navigated boats; and she climbed mountains. Like the men of her day, she smoked in public, wore pants, spoke her mind, and loved setting her hat at a rakish angle. Her belligerence, tendency to stand and do battle for what is right stands out conspicuously in her life. Zora Neale Hurston leaves us several empowering legacies. Her life expresses the transformative and revolutionary possibilities of an androgynous spirit. Zora was a Republican, a feminist, and believed in the work of Booker T. Washington on black education and self-emancipation.
The author could have revised the order of chapters that made it easy for readers to connect with Zora Hurston better. The writing is in metaphysical style and the reading would be bumpy. I recommend this book to readers interested in the life of Zora Neale Hurston and black American history.
Displaying 1 of 1 review