Cultural Criticism. In his first collection of essays, David Levi Strauss addresses the always conflicted relation between aesthetics and politics by concentrating on specific instances -- from allopathic art to Desert Storm propaganda, from Columbus's legacy to Robert Smithson's prophesies, and from new art in post-Soviet Russia to public art in the United States -- by focusing on the work of artists as various as Grunewald, Jean Genet, Cindy Sherman, Joseph Beuys and Andy Warhol, Jean-Luc Godard and Anne-Marie Mieville, Carolee Schneemann, Andrei Monastyrsky, and Daniel Joseph Martinez.
This was not what I expected it to be. It should be noted that I tend to have a low opinion of essays on Art. DLS however writes really clear, well addressed essays. I'll admit that I don't know enough about most of the artists that he talks about to really have a solid review; but at no point is he the kind of essay writer that I hate; bitter or full of cliches. The main thing is that in reading this as an outsider of the art theory world, I felt more interested than pushed away. Not pretentious then, helpful.