"I said no."--Melinda
11/8/18: Three times read in one year??! But this is how you can build up your Goodreads numbers, kids. . . :) In my Fall YA class we read the original 1999 by Anderson and in our discussion of the book we actually drew some of Emily Carroll's images and talked about how that felt, and what we thought illustrator Emily Carroll was trying to accomplish by adding images to the story. A couple of my students preferred the original book (with no pictures). This might be a typical English major perspective, where people usually prefer books to movies or comics versions, but nevertheless I like this a lot. The art adds a layer of real life horror to it that the book implies but leaves unsaid. The images "speak" it, which works for me because sometimes trauma can be really un-speakable, at least in words. Psychologist Robert Coles wrote a book, Children of Crisis, about his work with black children who had been traumatized in the sixties by racist treatment when they were integrating schools in the American South. The children wouldn't talk, but they drew iages of how they felt and what they experienced.
7/12/18: Just re-read this for my summer 2018 Graphic novels/comics class focused on kick-ass girls. Everyone in my class loved it and it sparked some great talk about the rarity of talking about real life issues in English classrooms. Some are future teachers and can't wait to teach it.
3/27/18: Ooh, I just finished this and can't wait to tell you about it! As I said in my review of Speak, (the version without illustrations, the YA book that was published in 1999 by Anderson), it was a landmark moment in the history of YA, a book about (teen) rape, and it changed YA and the teaching of literature in school forever. (Yes, sexual violence had been part of literature before--I Know Why the Caged Bird Sings by Maya Angelou, which is referenced in Anderson's text; and there are others--but bringing to the English classroom YA on sexual violence--and to suggest it might be a daily occurrence for teens--seemed new to me and scary and important).
Speak is now in the canon of YA and is (still) taught everywhere. The book is surprisingly bright and funny and witty and caustic when it needs to be, and scary all the way through. It tells us some important things about the culture of schooling and sexual harassment/abuse in the hallways (especially) for girls. Trigger warnings on rape and self abuse are relevant, I'll admit that, but I hope if you can read it, you will be able to get some comfort and inspiration from it. I have kids in this house in middle school, and I hope they will all read it.
This graphic novel, in this #metoo moment in history, is also a publishing landmark. We didn't maybe "need" it in graphic novel fashion, but this project joins forces of 1) a woman already lauded for her lifetime contributions to YA, who has written many celebrated novels (though none in my opinion as powerful or as personal as this one), and 2) an up-and-coming and also to-be-rock-star cartoonist and illustrator Emily Carroll (who is already an Eisner Award winner). This brings Anderson's important story back into the spotlight and/or introduces it to a new generation of girls. No, it doesn't "replace" the original, but is a very good version.
The graphic novel format is right for this book because 1) for much of the book, Melinda is essentially silent, so Carroll's/Melinda's visual images speak for her in the absence of words, and 2) Melinda's salvation happens through Mr. Freeman's art class, and 3) Carroll knows horror, and the real-life, inexpressible horror that Melinda experiences and struggles to articulate is assisted so well by a horror-maven to tell her story.
I just finished it, and I was moved again (in spite of having taught the book without pictures many many times) as I finished it. Was it perfect? No. I felt throughout that this was often more illustrated story than graphic novel (Anderson kept maybe too many of her good words in it; I think Carroll should have had an even greater hand in telling this story through the images, since Melinda was silent so long, but still, the words and images we have are great and will reach some girls and women (and boys and men, necessarily) and maybe help them to consider the original, fuller, text. But even if this is all anyone reads, it may be enough. A work of graphic art by an emerging master.