River has joined the Doctor and his friend Brooke on their travels, and they stop off in 18th century Vienna.
Brooke thinks history is dull. Until people start dying.
Mozart’s legacy is not just his music. River has more than one mystery to solve before a killer is let loose on the people of Vienna – and on the Doctor.
Jacqueline Rayner is a best selling British author, best known for her work with the licensed fiction based on the long-running British science fiction television series Doctor Who.
Her first professional writing credit came when she adapted Paul Cornell's Virgin New Adventure novel Oh No It Isn't! for the audio format, the first release by Big Finish. (The novel featured the character of Bernice Summerfield and was part of a spin-off series from Doctor Who.) She went on to do five of the six Bernice Summerfield audio adaptations and further work for Big Finish before going to work for BBC Books on their Doctor Who lines.
Her first novels came in 2001, with the Eighth Doctor Adventures novel EarthWorld for BBC Books and the Bernice Summerfield novel The Squire's Crystal for Big Finish. Rayner has written several other Doctor Who spin-offs and was also for a period the executive producer for the BBC on the Big Finish range of Doctor Who audio dramas. She has also contributed to the audio range as a writer. In all, her Doctor Who and related work (Bernice Summerfield stories), consists of five novels, a number of short stories and four original audio plays.
Rayner has edited several anthologies of Doctor Who short stories, mainly for Big Finish, and done work for Doctor Who Magazine. Beyond Doctor Who, her work includes the children's television tie-in book Horses Like Blaze.
With the start of the new television series of Doctor Who in 2005 and a shift in the BBC's Doctor Who related book output, Rayner has become, along with Justin Richards and Stephen Cole, one of the regular authors of the BBC's New Series Adventures. She has also abridged several of the books to be made into audiobooks.
She was also a member of Doctor Who Magazine's original Time Team.
The good guys are the bad guys, and the bad are good? History not the way it’s supposed to be. Spouses murdering each other. Unexpected companions. Who loves who? Who hates who? Wolfgang Amadeus Mozart. This episode has almost everything.
A somewhat predictable story overlaid onto its historical setting (rather than using it to any intrinsic purpose). Alex Kingston and Peter Davison work well together but cannot mitigate the feeling of treading water. The Doctor’s new companion is presented without any explication.
I kind of want to give it 4.5 but only because they were eating so loudly at the start of the story during the dinner scene. Fifth Doctor and River work so well together. I loved her actively flirting while he's politely confused but not necessarily rejecting her advances.