Returning to Patrick Gale's earlier publications (reissued in 2018), I note his ability to create multi-dimensional characters, a feature so significant in his later texts. In the essay he includes after the novel "No Exaggeration", Gale reveals the parallels between his own life and those of the gay adolescents he features in "Friendly Fire". In the novel, however, they are seen through the perspective of a well-drawn female, Sophie, an highly intelligent orphan who attends an academic boarding school on scholarship. The friendships between Sophie and her young, gay, male friends, reveal the emotional turmoil of adolescents struggling to be who they wish to be, often in contrast to the expectations others have of them. Set in the 1970s in Great Britain, the criminality of homosexuality stands in stark contrast, thankfully, to our world of today.
Although I'm a fan of Gale's wide range of work, I found this novel to be somewhat uneven. At times, the writing was bogged down with stilted details about the nature of this esteemed British school that could have been condensed.
Yet, the stunning characterisations of Sophie, Lucas, and Charlie allow Gale to explore the angst of teenagers and the cycle of love, loyalty, betrayal, and loss that impact upon them. Gale manages also to capture the class distinctions and inherent prejudices in his created world, which adds significantly to the narrative and to the readers' understanding of the forces that impose themselves on his young characters. Sophie and her friend Lucas, for example, are referred to as "the bastard and the Jew" by the harsh, aggressive mother of Charlie, whose life is made intolerable by her interference.
It is most interesting that the healthiest relationship between "mother" and teenaged child in the novel is that between Sophie and Margaret in the Children's Home, where Sophie has lived without a biological family since she'd been abandoned. The unpretentious Margaret is a model of acceptance and respect for Sophie, who comes to realise that she has actually been "mothered" for the many years of her residence in the Home.