This book documents Christopher Wool’s (born 1955) 2017 exhibition at Berlin’s Galerie Max Hetzler, at the center of which is a torso made out of pigmented concrete, surrounded by large-scale paintings and works on paper in which Wool works through his own oeuvre and references from art history. The book also contains exhibition shots by Wool and comes with a dust jacket that unfolds to reveal a poster designed by the artist.
Richard Prince's writing on his relationship with Wool early on is a good overview of Wool's motive direction. The images and paper are quality. Selection of Wool's photography accompanies large scale enamel on aluminum paintings and works on paper.