The Minor Poems of Schiller, of the Second and Third Periods, With a Few of Those of Earlier Date: Translated for the Most Part Into the Same Metres With the Original
Excerpt from The Minor Poems of Schiller, of the Second and Third Periods, With a Few of Those of Earlier Date: Translated for the Most Part Into the Same Metres With the Original
Us those old classical metres especially the hexa meter and pentameter, it is impossible to deny that no such attempt has hitherto proved successful, to the extent of rendering them in any degree popular or attractive. I have accordingly, only in a few instances, ventured on the apparently hopeless experiment -conscious, nevertheless, that in abandoning it, I have sacrificed an object of possibly greater importance - that of exhibiting my Author in the dress which he has himself as sumed as most suitable to the sentiments he wished to convey. For, whatever may be alleged as to the impracticability of framing verses by rules of quantity, which do not exist in the language to which it is sought to apply them, it cannot be denied that the Germans have succeeded in intro ducing a species of rhythm, founded on these classical metres, which has become very popular among them; nor with all the attention I can give to the subject, have I been able to detect any such fundamental difference in the construction of our English idiom from that of its Teutonic sister, as should render it unfit for being the vehicle of simi lar musical impressions. I feel myself therefore driven to the conclusion that some other cause must be discovered for the want of success which.
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People best know long didactic poems and historical plays, such as Don Carlos (1787) and William Tell (1804), of leading romanticist German poet, dramatist, and historian Johann Christoph Friedrich von Schiller.
This philosopher and dramatist struck up a productive if complicated friendship with already famous and influential Johann Wolfgang von Goethe during the last eighteen years of his life and encouraged Goethe to finish works that he left merely as sketches; they greatly discussed issues concerning aesthetics and thus gave way to a period, now referred to as classicism of Weimar. They also worked together on Die Xenien (The Xenies), a collection of short but harsh satires that verbally attacked perceived enemies of their aesthetic agenda.