Thirteen Ways: Theoretical Investigations in Architecture

by Robert Harbison

In this book, Robert Harbison offers a novel interpretation of what architectural theory might look like. The title is an echo of Wallace Stevens's "Thirteen Ways of Looking at a Blackbird." Like the poem, Harbison's work is a composite structure built of oblique meanings and astonishing shifts that add up to an engaging portrait—in this case a portrait of architecture in which use, symbol, and metaphor coexist.The chapter titles indicate Harbison's themes, all of which bear parallel, implied, or tangential relations to Sculpture, Machines, the Body, Landscape, Models, Ideas, Politics, the Sacred, Subjectivity, and Memory. The journey through the chapters is roughly a journey from the physical to the metaphysical, a journey that is at once poetic, technical, and philosophical. Harbison examines his subjects with as few preconceptions as possible, taking familiar concepts and stripping away all associations until they become strange, producing ideas that are refreshing and new for architecture. The book straddles the ground between the intellect and the senses, leading the reader beyond the realm of theory and practice into the universe of the imagination, where "space" is experienced as something touched, seen, and thought.

224 pages, Paperback

First published January 1, 1997

About the author

Robert Harbison taught architectural history for more than 30 years, mainly at the Architectural Association and London Metropolitan University. He became a legendary figure for generations of students and his books earned him an international reputation as a historian and critic. Born in Baltimore, Bob first studied English literature and completed his doctoral thesis on the 19th century English industrial novel at Cornell University in 1969. After moving to London in 1974 he published his first architecture book, Eccentric Spaces, which applied a poetic sensibility to topics as diverse as gardens, maps, machines and ideal cities. It was Bernard Tschumi who, having read the book, invited Bob to lecture at the AA and thereby launched his teaching career.

Eccentric Spaces has become a classic but more architecture books followed, including Ruins and Fragments, Reflections on Baroque and The Built, the Unbuilt and the Unbuildable. Bob’s early books benefited from the fact that his wife Esther was an editor. Thirteen Ways, first published in 1997, is typically unconventional. It borrows its title from a Wallace Stevens poem but refuses the obvious implication, consisting of only ten chapters. Bob was a voracious reader and his learning was profound but it was always the direct encounter with works of art and architecture that ignited his passion. He very rarely wrote about buildings he had not seen. His 2009 book Travels in the History of Architecture is in one sense a traditional ‘survey’ with conventional chapter headings: Roman, Byzantine, Romanesque, Gothic, and so on. But it is also, as its title suggests, a travelogue, the written record of a purposeful exploration of the world’s architecture over several decades.

Reviews

[Kristiina · Rating 2 out of 5]

I liked the idea of this book but the execution was just...meh. I found myself thinking of school work while reading it though, so I guess it proved useful in that sense.

[Annabel · Rating 2 out of 5]

Interesting concept. In terms of actual execution, however, I am left distinctly underwhelmed.