I loved the characters of Duncan and Nickie – the way Duncan’s PTSD and memories sneak into his experiences, the fact that Nickie the tough-girl cop plays the cello, the way they communicate without words (and with sex). I found I wanted to know the backstory (the Vegas bust) that brought these two together, but we never get those details (the collection starts with them already a couple). The writing style was sparse and that fit with the fast pace/mystery. There were some great descriptive phrases and I loved the secondary characters.
However, there was one thing that really got in the way of me rushing through the entire set and wanting to devour anything else with these characters in it, and that was the poor editing. Small ones (like scenes where I couldn’t tell who was saying what) and bigger, developmental ones, like the author making a point of saying Duncan was weighed down with important files but never getting around to showing us what they learned from the files (or if it was a bust). There were many instances where a chapter ended and the new chapter picked up in a completely different place (almost as if the scenes were out of order), even one where Nickie was crying at the end of the chapter and grinning at the beginning of the next. These were jarring, often brought me to a full stop and re-read, which was especially annoying given that the story moved along quickly (and I wanted to, too). Ms Wolfe has such a gift for creating the characters, why not spend a little time polishing/editing? 3.5 STARS.