Having followed this series from its inception I am as keen as he every long-term fan to see the indomitable DI Helen Grace back out on the streets of Southampton, but I can't pretend that the most recent outings have been up to same high consistency standard of the early novels. For me, the slippage started with the fifth novel, Little Boy Blue, only to be compounded by the loss of credibility of putting the series protagonist behind bars in the follow-up. Sadly, Love Me Not is more of the same, and this straight up manhunt with DI Grace leading her team will no doubt please most ardent fans. A fairly bog-standard thriller the only reason to read Love Me Not is for the latest progress in the lives of our largely female continuing cast. The series has steadily evolved into thriller territory and Love Me Not opens with DI Helen Grace discovering a middle-aged female probation officer who has been gunned down along a quiet country lane. However, the perpetrators are not finished yet and from here on unleash a frenzy of destruction with the body count steadily increasing all the while. As DI Grace and her team respond, they are in a race against time to head off the attacks, but unfolding over the period of a single day, accessing and sourcing the required information is no mean feat. As the officers of Southampton Central are led a merry dance, the eventual discovery of the reasons behind the spree will surprise very few readers and Love Me Not follows the conventional 101 guide to psychopaths. In essence, it subscribes to the familiar 'outsiders' theory, and those who feel they have been dealt a perceived slight or injustice by society. What follows is a 'join the dots' pursuit of a perpetrator who identity is known, with the focus on anticipating the location and identity of their next intended target.
In terms of character development, Love Me Not focuses on how DI Helen Grace returns to the forefront of policing, just nine-months on from her wrongful incarceration, largely driven by the determination of her subordinate DS Joanna Sanderson. Holding the fort and awaiting the appointment of a superior, DI Grace relies on her old ally, DS Charlie Brooks, but her suspicion and mistrust of the wider team is evident, not least of a frozen out DS Sanderson. Through a variety of points of view, the eyes of Grace, Brooks and Sanderson combine to form the narrative with the much maligned journalist, Emilia Garanita, giving her own individual angle on the situation. As it becomes apparent that DI Helen Grace will need to conquer her bitterness in order to unite her team and be the driving force she always was, much depends on reigniting her inspirational leadership spirit. Love Me Not is concerned with this just as much as catching a lethal predator and putting a stop to the spree killings unfolding across Southampton.
I wanted a crime novel, not a soap opera of a thriller strewn with inaccuracies and much as I am loathe to nit-pick, these were glaringly obvious. (For example, is a female of 5' 2 inches really likely to be capable of overpowering an albeit portly middle-aged man, and given that the minimum height restriction for the British Army is 5' 4 inches, how did the same 5' 2 inches females application make it past the medical restrictions?) It is this lack of attention to detail, evident throughout, that characterises the whole novel. Much of the dialogue is banal, from the woman confronted by a sawn-off shotgun wailing, "I'm not an animal, I'm a human being" to another soon to be victim claiming, "I'm not a monster, I'm just a guy. Nobody special, nobody important." Oh dear.. In conclusion, "I'm just a reader, give me back my £6.49!"